Oh, now I get it – San Francisco-based Ant-Man, he’s just a little guy!
Some of the the time, anyway:
Boy, this looks like it’s the start of an extremely generic super-hero series.
But prove me wrong, Marvel.
Prove me wrong.
[UPDATE: Extended Dance Version here – I’m afraid this has become an earworm.]
The film Flashback had bad reviews for the most part, but don’t let that stop you from enjoying 25 year old footage from a pre-streetscaped,* pre-SFMTA* North Beach:
You see, at the beginning Jack Bauer was the uptight one and Dennis Hopper was the hippie – that’s the whole movie.
And it’s the later version of Big Audio Dynamite doing the audio – quite bouncy with plenty of orchestra hits and Rolling Stones samples.
Oh, and note the old-school MUNI bus at 0:03 in the window reflection…
*AND THAT WAS THE WAY WE LIKED IT!
“If I do what I wanted
I just don’t have the time
I want to ride my motorcycle
Into the sunshine
My tv is laughin’
Makin’ me feel small
Like I’m sad in a cell
All I can is these walls
And I never want to see another shopping mall
To be what I will
I’ll keep it up till
Or I won’t have nothing at all
This is my life
I’m livin it, I will pay
But why should I care about all that today
I need a head start
And I don’t want to stall
Gonna take a bulldozer to break down the walls
And I never want to see another shopping mall
And I know ’bout all the graveyards
Tumble-down farms and shacks
I’ve gotta get out on the highway
And I’m not comin’ back
There’s a small town in the mountains where I’ll do my thing
It’s this Credit Card Livin’ I find Stifling
I wanna see the river turning into the falls
Been down for so long now I wanna stand tall
So I’m packing my belongings and fear into my hold-all
And I never wanna see another Shopping Mall
Once we get out of the 80’s the 90’s are gonna make the 60’s look like the 50’s
Woah! Whew! I aint had a rush like that since the Berkeley Riots!
It should be kicking in by now
Ugh. I actually got him.
This PIXELS movie looks absolutely dreadful already:
I decided that PIXELS will be a horrible movie after seeing this teaser poster and then reading about 14 words into this description:
When aliens misinterpret video-feeds of classic arcade games as a declaration of war, they attack the Earth using the games as models for their various assaults. President William Cooper (Kevin James) calls upon his childhood best friend, former 1980s video game champion Sam Brenner (Adam Sandler), who is now a home theater installer and had a previous relationship with William’s wife (Jane Krakowski) to lead a team of old-school arcaders (Peter Dinklage and Josh Gad) to defeat the aliens and save the planet.
So, Pac-Man attacking the GGB + Adam Sandler + 3D + 95% Want To See = HORRIBLE.
Here I stand, I can do no other, so help me God. Amen.
All the deets:
Friday, December 19, 2014
A Coppola Family Affair
5:30 Pre-“Apocalypse Now” Roxie Benefit Party
Join us for wine, micro-brews, signature drink and local bites
and an opportunity to mingle with one of the team
behind the award-winning sound design of Apocalypse Now, Richard Beggs.
7:30: Award-winning Sound Designer Richard Beggs in Conversation with Jim McKee
8:00: Francis Ford Coppola’s APOCALYPSE NOW
Tickets to Benefit Party and Friday Screening – $50.00
Space Limited. Buy Now
Can’t attend but want to support the Roxie?
Richard Beggs is an American sound designer. He won an Academy Award for Best Sound for the film Apocalypse Now. He has worked on over 60 films since 1979. See full bio below.
Saturday, December 20, 2014
A Coppola Family Affair
2:00pm: Roman Coppola In Conversation With Michael Fox
2:30pm: Roman Coppola’s A GLIMPSE INSIDE THE MIND OF CHARLES SWAN III(87min)
4:45 Sofia Coppola’s THE VIRGIN SUICIDES (97 min)
Preceded by The Making of The Virgin Suicides, by Eleanor Coppola
7:30 Eleanor Coppola In Conversation With Michael Fox
8:00 Eleanor Coppola’s HEARTS OF DARKNESS: A FILMMAKER’S APOCALYPSE(97mi)
Sunday, December 21, 2014
A Coppola Family Affair
4:00 Gia Coppola’s PALO ALTO, (100 min)
Q&A Afterwards With Gia Coppola and James Franco,
Moderated by Cheryl Eddy
7:00 Francis Ford Coppola’s APOCALYPSE NOW
“Disney was drawn to Vancouver by tax incentives, and this closure comes in the wake of British Columbia incentives falling behind those offered by Ontario and Quebec.”
So three years of Pixar Canada were subsidized by Canadian taxpayers and then everybody’s laid off from Pixar Canada. How could anyone spin this fiasco into some kind of victory? IDK
Without subsidies, you’d expect these Pixar jobs to be in Emeryville (where Pixar is the city’s #1 employer) or Los Angeles.
Anyway, this is all news to me. Perhaps it’s news to you…
This is the scene days after our most recent election – one hopes this promotional effort for the incumbent Supervisor won’t stick around* for too much longer.
In any event, you can never be too careful when your Conditional Use authorization is under such scrutiny.
Hey, guess how many NIMBY’s complained about the Bridge being turned into the brand-new San Francisco Baseball Academy? Zero.**
So, PLAY BALL, somehow, inside of an old 1930’s-style movie house:
On It Goes…
*It was part of my job to change the marquee at this Landmark-owned theatre, back in the day. That was no picnic. (Another part was to console the owners of cars that had been stolen from our parking lot. Back then, criminals wouldn’t smash and grab – they’d steal the whole car. Ah mem’ries…)
**It’s the West Side, nobody cares. Target? Bring it. Chipotle? Coming soon, just up the street near Masonic. Combination Pizza Hut And Taco Bell? Maybe someday…
These aren’t real ads, not yet. But they show you how the SFFC is thinking:
(BTW, what the SFFC calls a “job” is what I’d call a gig, some of which are offered at less than minimum wage, just like the America’s Cup)
All film commissions are bad.
How is the SFFC better than any of the rest?
How is the SFFC better than SF’s recent hosting of the disastrous America’s Cup?
BTW, NBC’s Trauma medical drama was a big piece of shit, you know, frankly. Now people might say that I shouldn’t say that, but I don’t think they’d contradict me. Yes, the Trauma people spent some money and some people benefited, but there’s no reason why they should be treated any different than any other group of visitors coming to town. Anyway, Trauma sucked, big-time, despite what the SFFC people said about it. And part of the reason why it was cancelled had to do with how damn expensive it was to film on the Streets of San Francisco. So, what I’m saying is that maybe the whole concept of filming Trauma on location in SF was a bad idea – I’m certainly not saying we should have subsidized its production even more than we did.
And if Hollywood says it doesn’t want to come here to film, that’s O.K. Some productions, the ones that make sense, will come anyway.
Anywho, look for one of these feel-good banner ads to appear on your screens soon…
I, for one, welcome our new insect overlords.
As seen near Kezar, an Aston Martin:
As seen in GGP:
Via Peter Chu:
I haven’t seen this one, but you might want to:
“TO BE TAKEI” (90 minutes)
Directed by Jennifer Kroot
Co-directed and edited by Bill Weber
Opens August 22
Sundance Kabuki in San Francisco
Additional information is available at: http://tobetakei.com/
A documentary portrait of famed Japanese American actor, and LGBT activist George Takei, TO BE TAKEI is an Amplify/Variance Films and Starz Digital Media release, runs for 90 minutes, is in English, and is not yet MPAA rated.
Over seven decades, actor and activist George Takei boldly journeyed from a WWII internment camp, to the helm of the starship Enterprise, to the daily news feeds of five million Facebook fans and his activism of LGBT rights. TO BE TAKEI takes viewers on George and his husband Brad’s playful and profound trek for life, liberty, and love.
TO BE TAKEI premiered at the 2014 Sundance Film Festival. In June of this year, the film screened as the Centerpiece Documentary at Frameline38, the San Francisco International LGBT Film Festival. Additionally, George Takei was awarded the Frameline Award for his achievements in the media arts, as well as his unparalleled activism and community service.
About the Director Jennifer M. Kroot
Jennifer Kroot directed the documentary feature IT CAME FROM KUCHAR about the legendary underground filmmaking twins George and Mike Kuchar. Jennifer also wrote, directed and starred in the gender bending, sci-fi, narrative feature SIRENS OF THE 23RD CENTURY. She has received grants from the Andy Warhol Foundation, Creative Work Fund, Frameline, the Pacific Pioneer Fund, California Civil Liberties Public Education Program and the Fleishhacker Foundation. Kroot lives in San Francisco and studied film at The San Francisco Art Institute (SFAI), where she now teaches film. She has been a guest lecturer at Stanford and Denver University.
About the Editor/Co-director Bill Weber
Bill Weber is a San Francisco based documentary editor. He directed and edited the documentary feature THE COCKETTES, which premiered at the 2002 Sundance Film Festival. Bill co-directed and edited the documentary feature WE WERE HERE, which played at the 2011 Sundance and Berlinale festivals. Bill recently edited THE GALAPAGOS AFFAIR, which premiered in 2013 at the Telluride Film Festival and the Oscar nominated documentary short film, THE FINAL INCH. He also edited the award winning documentaries LAST LETTERS HOME and THE ALZHEIMER’S PROJECT amongst other projects.