Archive for the ‘film’ Category

“A Coppola Family Affair” is Coming to the Roxie Theatre Dec 19-21 – Expect Big Stars at This Big Benefit

Wednesday, December 3rd, 2014

All the deets:

Friday, December 19, 2014
A Coppola Family Affair
 
5:30 Pre-“Apocalypse Now” Roxie Benefit Party
 
Join us for wine, micro-brews, signature drink and local bites 
and an opportunity to mingle with one of the team 
behind the award-winning sound design of Apocalypse Now, Richard Beggs.
 
7:30Award-winning Sound Designer Richard Beggs in Conversation with Jim McKee
8:00:  Francis Ford Coppola’s APOCALYPSE NOW 
 
Tickets to Benefit Party and Friday Screening – $50.00
Space Limited.  Buy Now
Can’t attend but want to support the Roxie?
Donate Here!
 
Richard Beggs is an American sound designer. He won an Academy Award for Best Sound for the film Apocalypse Now. He has worked on over 60 films since 1979. See full bio below.
 
Saturday, December 20, 2014
A Coppola Family Affair
 
2:00pmRoman Coppola In Conversation With Michael Fox
2:30pm: Roman Coppola’s A GLIMPSE INSIDE THE MIND OF CHARLES SWAN III(87min)
 
4:45 Sofia Coppola’s THE VIRGIN SUICIDES (97 min)
Preceded by The Making of The Virgin Suicides, by Eleanor Coppola 
 
    7:30 Eleanor Coppola In Conversation With Michael Fox
    8:00 Eleanor Coppola’s HEARTS OF DARKNESS: A FILMMAKER’S APOCALYPSE(97mi)
 
Sunday, December 21, 2014
A Coppola Family Affair
 
4:00  Gia Coppola’s PALO ALTO, (100 min)
Q&A Afterwards With Gia Coppola and James Franco,
 Moderated by Cheryl Eddy
 
7:00 Francis Ford Coppola’s  APOCALYPSE NOW

“Pixar Canada?” – They Terk Our Jerbs! – How Hollywood-Style Tax Incentives Didn’t Work for Vancouver, British Columbia

Wednesday, November 19th, 2014

Here’s Exhibit A how about tax incentives for video productions don’t work:

“Disney was drawn to Vancouver by tax incentives, and this closure comes in the wake of British Columbia incentives falling behind those offered by Ontario and Quebec.”

So three years of Pixar Canada were subsidized by Canadian taxpayers and then everybody’s laid off from Pixar Canada. How could anyone spin this fiasco into some kind of victory? IDK

Without subsidies, you’d expect these Pixar jobs to be in Emeryville (where Pixar is the city’s #1 employer) or Los Angeles.

Anyway, this is all news to me. Perhaps it’s news to you…

Marquee of Historic BRIDGE THEATRE on Geary Repurposed to Promote Area Supervisor Mark Farrell – Meet Your New Baseball Academy

Friday, November 7th, 2014

This is the scene days after our most recent election – one hopes this promotional effort for the incumbent Supervisor won’t stick around* for too much longer.

In any event, you can never be too careful when your Conditional Use authorization is under such scrutiny.

Hey, guess how many NIMBY’s complained about the Bridge being turned into the brand-new San Francisco Baseball Academy? Zero.**

So, PLAY BALL, somehow, inside of an old 1930′s-style movie house:

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On It Goes…

*It was part of my job to change the marquee at this Landmark-owned theatre, back in the day. That was no picnic. (Another part was to console the owners of cars that had been stolen from our parking lot. Back then, criminals wouldn’t  smash and grab – they’d steal the whole car. Ah mem’ries…)

**It’s the West Side, nobody cares. Target? Bring it. Chipotle? Coming soon, just up the street near Masonic. Combination Pizza Hut And Taco Bell? Maybe someday…

Our Inefficient, Wasteful San Francisco Film Commission is Desperately Trying to Justify Itself – Potential Marketing Efforts

Friday, October 31st, 2014

These aren’t real ads, not yet. But they show you how the SFFC is thinking:

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(BTW, what the SFFC calls a “job” is what I’d call a gig, some of which are offered at less than minimum wage, just like the America’s Cup)

All film commissions are bad.

How is the SFFC better than any of the rest?

How is the SFFC better than SF’s recent hosting of the disastrous America’s Cup?

BTW, NBC’s Trauma medical drama was a big piece of shit, you know, frankly. Now people might say that I shouldn’t say that, but I don’t think they’d contradict me. Yes, the Trauma people spent some money and some people benefited, but there’s no reason why they should be treated any different than any other group of visitors coming to town. Anyway, Trauma sucked, big-time, despite what the SFFC people said about it. And part of the reason why it was cancelled had to do with how damn expensive it was to film on the Streets of San Francisco. So, what I’m saying is that maybe the whole concept of filming Trauma on location in SF was a bad idea – I’m certainly not saying we should have subsidized its production even more than we did.

And if Hollywood says it doesn’t want to come here to film, that’s O.K. Some productions, the ones that make sense, will come anyway.

Anywho, look for one of these feel-good banner ads to appear on your screens soon…

Fin.

Ant-Man Filming Has Dominated the 94117: Nothing But “Cinema Vehicles” and Extras from the Panhandle to Kezar Stadium

Friday, August 22nd, 2014

I, for one, welcome our new insect overlords.

As seen near Kezar, an Aston Martin:

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As seen in GGP:

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Via Peter Chu:

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“TO BE TAKEI” Opens at Our Sundance Kabuki Theatres in Japantown August 22nd

Thursday, July 31st, 2014

I haven’t seen this one, but you might want to:

“TO BE TAKEI” (90 minutes)
Directed by Jennifer Kroot
Co-directed and edited by Bill Weber

Opens August 22
Sundance Kabuki in San Francisco

Additional information is available at: http://tobetakei.com/

A documentary portrait of famed Japanese American actor, and LGBT activist George Takei, TO BE TAKEI is an Amplify/Variance Films and Starz Digital Media release, runs for 90 minutes, is in English, and is not yet MPAA rated.  

Over seven decades, actor and activist George Takei boldly journeyed from a WWII internment camp, to the helm of the starship Enterprise, to the daily news feeds of five million Facebook fans and his activism of LGBT rights. TO BE TAKEI takes viewers on George and his husband Brad’s playful and profound trek for life, liberty, and love.

TO BE TAKEI premiered at the 2014 Sundance Film Festival. In June of this year, the film screened as the Centerpiece Documentary at Frameline38, the San Francisco International LGBT Film Festival. Additionally, George Takei was awarded the Frameline Award for his achievements in the media arts, as well as his unparalleled activism and community service.

About the Director Jennifer M. Kroot   
Jennifer Kroot directed the documentary feature IT CAME FROM KUCHAR about the legendary underground filmmaking twins George and Mike Kuchar. Jennifer also wrote, directed and starred in the gender bending, sci-fi, narrative feature SIRENS OF THE 23RD CENTURY. She has received grants from the Andy Warhol Foundation, Creative Work Fund, Frameline, the Pacific Pioneer Fund, California Civil Liberties Public Education Program and the Fleishhacker Foundation. Kroot lives in San Francisco and studied film at The San Francisco Art Institute (SFAI), where she now teaches film. She has been a guest lecturer at Stanford and Denver University.

About the Editor/Co-director Bill Weber   
Bill Weber is a San Francisco based documentary editor. He directed and edited the documentary feature THE COCKETTES, which premiered at the 2002 Sundance Film Festival. Bill co-directed and edited the documentary feature WE WERE HERE, which played at the 2011 Sundance and Berlinale festivals. Bill recently edited THE GALAPAGOS AFFAIR, which premiered in 2013 at the Telluride Film Festival and the Oscar nominated documentary short film, THE FINAL INCH. He also edited the award winning documentaries LAST LETTERS HOME and THE ALZHEIMER’S PROJECT amongst other projects.

A Dirty Harry Situation Out in the Outer Sunset – Dead Pool of the Avenues – Don’t Let This Mini Motorcycle Under Your Car!

Tuesday, June 3rd, 2014

I had to back my Olds 98 into a Rockford Files-style J-turn and then haul  all the way to La Playa, for fear of this possible assassination attempt:

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After all, Safety First – you can’t be too careful out there on the mean streets* of San Francisco.

*And Avenues…

Where Else But in Sunny California Would Street Signs Direct the Public to “MOVIES?”

Friday, May 30th, 2014

Boy, if you’re lost on the way to your local motion picture palace, you know, one that has not yet shut down, these signs will show you the way:

Law School Chancellors Reviewing 16-Year-Old Movies: Frank Wu of UC Hastings on Ronin (1998)

Thursday, April 10th, 2014

Here it is, apropos of nothing, from Frank H. Wu, Chancellor & Dean of UC Hastings College of the Law on the HuffPo.

But we’re not talking about the recent film 47 Ronin, non non. We’re talking about plain old Ronin, from when you were in elementary school, Gentle Reader.

Now the thing about Dean Frank is that he’s new in town. It’s unfortunate he’s already embraced certain corrupt local institutions, such as the Tenderloin Housing Clinic. Granted, he sometimes needs to deal with such entities to get his job done, but he doesn’t display an awareness of the fact he’s living in the most corrupt big American city west of Chicago. For instance.

No matter, I entirely agree that Ronin is worth your time. (And I’m shocked that its Rotten Tomatoes score is down in the ’60s. This is one of the best films you can see with a rating that low.)

You oughtta watch the whole thing.  

“The University of California’s Hastings College of the Law (UC Hastings or Hastings) is a top tier public law school in San Francisco, California, located in the Civic Center neighborhood. Founded in 1878 by Serranus Clinton Hastings, the first Chief Justice of California, it was the first law school of the University of California…”

ANONYMOUS the Movie Now Filming in Oakland

Wednesday, November 27th, 2013

Or at least that’s the code name.

On Claremont on the way to Rockridge, where I know people who got mugged the past month or two, just saying*

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*I’m just saying, what the Heck was that from KQED Pop about staying out of East Oakland and West Oakland? So, specific issues here: 1. What’s KQED Pop in the first place? Pop as in popular? Pop as in vapid content? Is it the online branch of KQED? IDK. It seems like a branch of a branch, designed to appeal to the Facebook Generation. And there’s some interaction with The Bold Italic website? Hardly surprising. Did KQED hire consultants to start this thing up? I wonder. 2. The commenters at KQED Pop are saying how the only safe places in Oakland are Piedmont and Rockridge and I’m thinking, yeah, well, Piedmont is a a special case (and it’s not really even in Oakland), and Rockridge, well, as stated, I know multiple people who’ve been mugged there the past couple of months, and sometimes that makes the news but most of the time the overwhelmed and dysfunctional OPD is not even interested in taking a report when you tell them there were no injuries. 3. So, you’re planning on leaving your editing job at the biggest(?) public broadcaster in the land and you(?) greenlight something that’s (obviously) going to piss people off? Connection? IDK. 4. Oh, you want advice from me on how to run your IDEO-designed site? All right, get rid of the very expensive clubhouse, for starters. Oh, and at some point, federal and state tax authorities will take a closer look at your numbers and they just might decide to disallow certain corporate deductions and credits and whathaveyou and then what will you be left with? Mmmmm