As seen on Ashbury, not far from Haight:
Posts Tagged ‘53’
OMG, the BIGGEST 18-Wheeler Tractor Trailer Allowed in CA – On Masonic, by San Francisco Day School – CityTarget TruckMonday, December 23rd, 2013
IMO, it’s more fun to not explain things, but here we go, let’s pay off that headline:
1. God damn, this trailer is freaking huge – I’ve never seen one bigger. This aint no 20-footer and it aint no 40 footer. It’s a 53-footer. It’s Harder Better Faster Stronger. It’s as big* an 18-wheeler tractor trailer as you’re ever going to see, Gentle Reader.
Click to expand
2. Now here’s what pisses some people off about San Francisco Day School. These parents enter their kinder into the San Francisco SFUSD school busing program lottery. And, because they don’t already have an older kid already in a good public school AND because they don’t live a “low test score area” (like in parts of The Mission or near The Projects), they lose out in the lottery. So then they say, all right, well, we’ve lost the lottery, but we can simply pony up $27k(!) to put our four-year-old into a private school. But then they have to qualify by being interviewed. And then, sometimes, they get rejected. And then they get seriously pissed off. Anywho, Masonic Avenue / Boulevard is reason #1 why SFDS will never be a high status school (in comparison with the tonier outfits up in
Specific Whites Pacific Heights.) Masonic is how the Jennie Zhus of this world get back and forth betwixt San Francisco Proper and the westside, The Avenues, the West Bay neighborhoods like The Richmond and The Sunset. Masonic, for better or worse, is a freeway substitute and it will always be that way and, for the worse, it’s the front door of SFDS. These days there’s a plan afoot to put in trees and a median that will slow down all the cars and the occasional MUNI bus, but that won’t really change things for SFDS. All the parents and nannies will still double park on neighboring streets, oh well. Look at the photo and there it is, the SFDS.
3. Oh man, the millionaire property owners of the lily-white “NOPNA” Northeast of Panhandle Homeowners Association DID NOT want to see those, those people shopping at a retail store up at Geary and Masonic again, oh no, but that’s what’s happening despite their best efforts. I myself didn’t object to the CityTarget, you know, but even I’m a little surprised to see such a big rig heading up Mervyn’s Heights with the Target targets on the side.
Of course, all of the above was implied by the simple photo and short headline…
*Unless you move to Texas, and even then…
**Who’s getting interviewed, really, the parents or the kid? IDK. I’ll tell you, I bet if Will Smith tried to get his kid into this joint, there’d be no problem, no problem at all. But if you don’t impress SFDS enough to get a green light, you’re money’s no good there.
1. “Opening Night begins at 7:00 pm at the historic Castro Theatre, where the curtain rises on Micmacs (France), the latest whimsical creation from the endlessly inventive director Jean-Pierre Jeunet (Delicatessen, Amélie and City of Lost Children). A man who lost his father to a landmine and has a bullet lodged in his own skull seeks revenge against weapons manufacturers, enlisting an eccentric gang of junk dealers into his wacky scheme. After the screening, the Opening Night party kicks off at 9:30 pm in the historic Regency Center, where partygoers can explore two levels of Edwardian splendor while enjoying refreshing cocktails, international culinary delights and to live music.
Sean Uyehara, Rachel Rosen, Rod Armstrong, and Audreey Chang at today’s presser:
2. “The Festival’s Centerpiece screening, a not-to-be-missed date night showcasing the latest work from a celebrated new director, this year features the romantic film happythankyoumoreplease (USA) followed by a chic party at one of San Francisco’s hottest nightspots. Josh Radnor’s debut, an audience favorite at Sundance 2010, shirks the sex, drugs and rock and roll allure of Manhattan’s hipster stomping grounds for an old-fashioned dose of youthful optimism and social responsibility. happythankyoumoreplease will screen at 6:30 pm on Saturday, May 1 at the Sundance Kabuki Cinemas, followed by the Centerpiece party at 9:00 pm at Manor West, located at 750 Harrison Street between Third and Fourth streets. Cool cocktails and delectable hors d’oeuvres will add up to one hot scene.
3. “The Festival’s Closing Night offers a rousing finale at 7 pm on Thursday, May 6, beginning with a screening of Joan Rivers—A Piece of Work (USA), Ricki Stern and Annie Sundberg’s unvarnished portrait of the pioneer comedian. The film follows the one and only Rivers over the course of a year, revealing the complexities of an inveterate entertainer who continues to persevere despite what others may think of her. Rivers and codirector Stern are expected to attend. After the screening at 9:30 pm, the Closing Night party commences at 1015 Folsom, one of San Francisco’s most vibrant clubs, where partygoers will dance the night away to hipster beats and enjoy decadent bites and well-crafted cocktails.
That’s the big news. Ever more deets, after the jump
Roger will be honored at An Evening with Roger Ebert and Friends on May 1st at the Castro Theatre.
Get your tickets soon – this one will sell out despite the massiveness of the single-screen Castro.
Deets below, see you there!
ROGER EBERT WILL RECEIVE MEL NOVIKOFF AWARD AT THE 53RD SAN FRANCISCO INTERNATIONAL FILM FESTIVAL
Pulitzer Prize-Winning Film Critic to Be Honored at An Evening with Roger Ebert and Friends May 1 at Castro Theatre
San Francisco, CA — Roger Ebert will receive the Mel Novikoff Award at the 53rd San Francisco International Film Festival (April 22 – May 6). The award, named for the pioneering San Francisco art and repertory film exhibitor Mel Novikoff (1922-87), acknowledges an individual or institution whose work has enhanced the filmgoing public’s knowledge and appreciation of world cinema. The Novikoff Award will be presented at An Evening with Roger Ebert and Friends, Saturday, May 1 at 5:30 pm at the Castro Theatre. Confirmed guests to date include directors Jason Reitman and Terry Zwigoff, with others to be announced soon.
Ever more deets, after the jump.