See? No introduction, they just walk up to strangers and start reading.
Click to expand
Maybe this kind of thing is for an acting class?
San Francisco’s Academy of Art University is crowing all about the:
“…upcoming annual Epidemic Film Festival (May 6 – 7), which will feature work from students in our School of Motion Pictures & Television. We are very proud of our students, and are excited to help them showcase their work to a broad and diverse audience.
The film festival is Friday, May 6, from 4–8 p.m. at the Golden Gate Theatre on 1 Taylor St. Industry panels are Saturday, May 7, 10 a.m.–6 p.m. at the Academy’s Morgan Auditorium, 491 Post St.
Admission is free to the public, but space is limited, so please RSVP at the following URL to get tickets: http://www.academyart.edu/050611-epidemic-film-festival.html.”
All the deets:
See you there!
Now it was a little funny earlier this year when a high level person at Rich King* Casting started quoting sub-minimum wages for extras in that new Contagion movie starring, I don’t know, everybody, you know, these people right here (and let’s throw in Famous Movie Director Steven Soderbergh too – he’s a luminary as well):
But then somebody, no not somebody from the local Film Commish and not any MSM reporters (who don’t seem to be aware of what the minimum wage is in the place where they live and work), but somebody up here in the 415 got word down to Los Angeles County about The Law ‘n stuff.
So fine, the RKC people changed their minds and decided to pay extras “$80″ for up to eight hours (and then they finally did the math and decided that $79.36 would be the wage, cause, you know, después de todos, dinero es dinero.)
But now word comes that RKC thinks it’s OK to pay people up to six weeks** later?
And the extras still haven’t all been paid?
And RKC is ignoring contact attempts from said extras?
Could all this be true?
Well let’s hear from a Real Life Contagion Extra:
“I got in the film as well, but its now mid April, and I have not seen the payment in the 6 weeks that the casting company stated. Got my work receipt right here – would be nice if someone from this casting agency would follow up with my contact attempts.
“It was still a really cool day either way. I got to see an amazing set up of the set @ Candlestick and didn’t mind standing/sitting around all day. That is what background extras do. All of these girls were being very rude that day saying “when are we going to meet the stars”, and “I can’t believe they are making us stand around”, and “come on! I wan’t to be in the movie already!! Shortly after one of the assistants heard those remarks, our group was dismissed for the afternoon. It is like they never listened to what they told us at the casting meeting at Fort Mason, or the information the casting directors told us over the phone when they offered us the part. I did not get an email confirmation after that day, but a personal phone call.
“Would be nice to see my check, but I will give them a bit more time to respond since I bet the other 5,000 are hounding them as well. I mean come on – I am on unemployment – it would be nice to have the $79 bucks right now, but I can wait a bit”
Now, isn’t it ironic, dont’cha think, that a company what has a cavalier attitude about at least one kind of wage and hour rule would drag its feet about making payments? (Well, maybe not, in my experience.)
So why don’t you pay all your extras ASAP, Rich King Casting? Like posthaste or something.
Now, speaking of Hollywood, wouldn’t you like to see a list of all the movies that Steven Soderbergh has seen the past twelve months? Sure you would. See it after the jump.
*Forget about Obama’s birth certificate – I want to see the one with “Rich King” printed on it, and oh, Sandy Beach too, I want to see one of those as well – I think Hollywood still has a few guys around with that name.
**I should make a horror film – it’ll be about the horrors of Regular People dealing with Hollywood People. It’ll be called 42 Days Later.
Turns out that you extras working on the local Contagion shoots are going to get $80 per working day instead of the $64 that Rich King Productions was talking about the other day.
Simply, the people at JKP were unaware that S.F. has its own minimum wage of $9.92 per hour.
Anyway they’re back down in Los Angeles now, but they’ve just sent a message to me how they going to pay $80 for starters and then more after the first eight hours, if necessary.
Break a leg!
[UPDATE: It's all good, hard-working extras. Just got the call from Down South about how you all are going to get at least $80 per working day. They were all apologetic, saying stuff like, "Thanks, you really saved our bacon on this one." Turns out that San Francisco County is the only place in the entire state what has a higher-than-CA min. wage.]
Remember those “unfortunate,” “innocent” 18-year-old faux prostitutes in Chinatown from the time that horrible Trauma series came to the 415 all lies and jest? Those people got paid way more than $64 a day – it was close to $80. So why should you Contagion extras get paid any less?
Those playing hos back in ought-nine got paid minimum wage, so why not you?
Feel the excitement:
(And the beauty part is that there are “no fees to apply” Really? No fees to stand around for hours trying to get a gig that doesn’t pay minimum wage? Sweet, Thanks Rich King Casting.)
So, extras, practice this line: “I knows I gots to get paid!”
Start chanting all together and then your $64 paychecks will increase to $79.36 paychecks tout de suite.
Of course, if they take you to the East Bay or if they shoot on Federal land(?) in the 415, well then maybe you won’t get your full $9.92 per hour. But they’re talking about filming at Candlestick Park and Chinatown,** where San Francisco laws are in full effect.
In closing, these pretzels are making me thirsty!***
Extras Needed for New Matt Damon Film “Contagion”
Filming in SF February 9-19, 2011
- 1/29/11 Fort Mason,
- 1/30/11 Embarcadero YMCA
Filming starts on February 9th and goes through the 19th. Before shooting though, we will be coming to San Francisco to do an open casting call for those who may be interested in working on this film on Jan 29th and 30th. We are looking for Men and Women all shapes, sizes, types and ethnicities to be background performers for this feature.
We look forward to offering the opportunity for fun,exciting PAID work to San Francisco and Bay Area area residents. We will be casting lots of locals in the production.
The date and times for the open call castings are:
January 29, 2011 (2pm-6pm)
FORT MASON CENTER
Landmark Building C
January 30, 2011 (10am-4pm)
All applicants need only a pen, a small photo of themselves and a great attitude. It’s as easy as that!
>> For more information about the casting call: 415-373-4202
*C’mon, “Rich King?” I suppose that’s better than Sandy Beach or something. (Never trust anyone from the movie biz.)
**Contagion in Chinatown? Hey, remember SARS? Restaurant owners would come out on Grant and to try to, physically, pull diners inside. Bad times.
***That’s from the comments section on SFGate. (Kramer was going to be more than an extra on that Woody Allen film, but anyway…)
Long-awaited Peter Pan has been showing for couple of weeks already, but last night became the official premiere owing to the fact that May 9th was the 150th birthday of writer J. M. Barrie. Everybody there, including District 4 Supervisor Carmen Chu, District 1 Supervisor Eric Mar, KGO-7 View from the Bay’s Janelle Wang and famous photographer Bill Wilson, seemed to be having a great time anyway.
The circular CGI works, the puppets work, the flying works – it all works. You can’t beat this for $30* of live entertainment. It’s a show for kids of course, but most adults should have no problem getting into it as well. (Didn’t see no cranky, protesting I-never-leave-home NIMBY types nor cranky I-never-should-leave-home Yelper types yesterday myself, so that’s good.)
Everybody loves the whimsical Croc. Tick tock:
Click to expand. Via Simon Annand
There’s not a really bad seat in the house - it’s what you call intimate with even the nosebleeds placed pretty close to the stage. Here’s the view from Block B. Block A is to the right and Blocks D and E are on the other side of the stage. Note the giant oculus above the giant CGI screens.
And there’s candy, candy, candy available at the Fairyland Candy Shop:
And, of course:
Throw in a sexy, in-shape knife-wielding princess and a couple of sexy, in-shape Cirque du Soleil-style mermaids and there you go.
Oh, and speaking of NIMBIES, it turns out they were crying over nothing.
(Note the handle.) So all that hue and cry over the Rec and Park Department making a few bucks was over nothing, it turns out. Moving on….
See you there!
(Try ordering a Peter Panini (smoked ham, brie, granny smith apples, wild arugula and local honey) just for the lulz. You don’t even need a ticket to wander about the village.)
All the deets, including casting, after the jump.
J M Barrie’s Peter Pan at the world’s first 360-degree CGI theatre will make its U.S. premiere April 27th in San Francisco’s Ferry Plaza. It’s shaping up to be something like Cirque du Soleil, except it’ll be cheaper and aimed more at kids. That’s my guess.
Anyway, interest in seeing P.P. is high already, so get your tickets now if you are at all interested – there’s no need to pay the scalpers anything at this point. Und, for your convenience, starting today, you can go to a box office to get your ticks and avoid any fees. All the deets are below. Facebook, Twitter, etc.
This is the scene down at Ferry Plaza near Washington and the Embarcadero. The construction site is akin to Cirque du Soleil’s OVO traveling tent show:
PERFORMANCES BEGIN APRIL 27, 2010
Two new satellite box office locations are now open selling tickets for the U.S. premiere of a spectacular new stage production of PETER PAN. J M Barrie’s classic story is performed in the world’s first 360-degree CGI theatre set in San Francisco’s Ferry Park on the Embarcadero opposite the Ferry Building.
In addition to purchasing tickets online or over the phone, patrons can now buy tickets in person at the new PETER PAN Justin Herman Plaza Box Office located at the end of Market Street @ Steuart Street (NO service charges for tickets purchased here). The other convenient new location to purchase tickets to PETER PAN is right inside the Stockton Street entrance of Macy’s in Union Square.
PETER PAN at The threesixty° Theatre will be an iconic destination on San Francisco’s historic waterfront. The cast and audience are immersed in a CGI Neverland, so that when Peter and Wendy fly to Neverland the audience flies with them over 400 square miles of virtual London and beyond. A magical park-like setting will be created that invites patrons to enhance their entertainment experience. With refreshments available on-site, a behind-the-scenes Into Neverland tour and a free 100 Years of Peter Pan exhibit, audiences will begin the journey before the performance commences.
New Satellite Box offices
Justin Herman Plaza Box Office located at the end of Market Street @ Steuart Street is open daily from 11 a.m. – 7 p.m.
There are no service charges for tickets purchased at the Justin Herman Plaza Box Office
Macy’s Department Store in Union Square located at the Stockton Street entrance is open daily from 11 a.m. – 7 p.m.
Online and phone TICKET INFO:
Tickets can also be purchased online at peterpantheshow.com or by calling 1-888-ppantix
(1-888-772-6849). For groups of 15 or more, please call 1-415-551-2020 or email email@example.com.
Tickets for PETER PAN range in price from $30 to $85.
A $20 discount for children 12 and under is available for select performances.
Premium tickets for PETER PAN are available. For details, check online www.peterpantheshow.com
SHOW PERFORMANCE SCHEDULE:
Tuesday & Thursday at 7 PM
Friday & Saturday at 7:30 PM
Wednesday & Saturday at 2 PM
Sunday at 1 PM & 5 PM
Starting April 27th, 2010 down by San Francisco’s Ferry Building you’ll be able to see a live-action performance of Peter Pan with 22 actors inside a huge tent that will have projections on its walls. It’s new-school theatre in the round. You know, for kids.
Check the video, see what you think. The whole shebang will run seven shows a week until July 4th at Embarcadero Plaza at the foot of Washington Street. Just go to Embarcadero and Market Street and look for the big white tent at Ferry (or is it Fairy?) Plaza (aka Sue Bierman Park) - you wont be able to miss it.
Tickets on sale now. It’s going to be mega.
Here’s what it will look like:
And here’s the schematic:
If you’re still reading, you probably have a few questions. All the deets after the jump.
See you there!
And oh, here’s Robert Hurwitt’s take.
Click to expand:
Yes, it’s all free. See you next year!
“The San Francisco theater scene can become stronger and more vigorous, appealing to community members who do not currently benefit from the contribution theater arts make to one’s life through activities like the Theater Festival. Director Peter Sellars has noted that bringing people together for a shared theatrical experience does more than create good art; it creates and nurtures a sense of community and an interest in the common good.
The Festival creates access and expands the theater audience. Working together to put on the Festival, the theater community conducts a large-scale event that gains the attention of the broader community. The Festival induces cross-pollination of audiences as attendees interested in one performing group stay to see others. As the Festival grows, we will see theater audiences expanding, leading to more performances, more productions, and more theater jobs, as well as a richer cultural experience for all community members.
While there are festivals for film, dance, jazz, blue grass, beer, and wine, there is no comparable festival for theater. The San Francisco Theater Festival is unique. This is the only showcase for Bay Area live theater, presenting the full spectrum of theater groups. This is the only festival that takes place on one day or a single weekend, providing the audience with an opportunity to sample conveniently the many theaters available here. This is the only FREE festival, thereby providing open access to all.”
All the Players, after the jump.