Posts Tagged ‘casting’

Casting for NBC Pilot “Exposed” – Re: Investigative Journalism – “Woman with Dreads” & “Tough-Looking Latinos”

Thursday, March 27th, 2014

 All the deets:

Castings – Looking for …

Young woman with dreads, Tough Looking Latinos 18 and over, Hmong Men & Women in their 60s for Paid Extra Work 4/1 – 4/3
for NBC Television Pilot Exposed. 4/1 Shoots in SF, 4/2-4/3 Shoot in VallejoBeau Bonneau Casting is casting paid extras for the pilot episode of a new NBC television show, “Exposed” about an investigative journalist that relies on questionable methods in order to expose the truth. Extras are needed 4/1 in SF and Wed 4/2 & Thurs 4/3 in Vallejo. We are immediately seeking the following types on the following dates:* 4/1 SF – Caucasian-appearing woman 18 – 20s with dreadlocks to portray a gutter punk type homeless girl. Will be featured in a coffee house scene with speaking actors, likely recognizable, no speaking lines. Approx report time 7AM.

* 4/2 & 4/3 Vallejo – Latino Men & Women 18 & over with strong emphasis on rough, tough Latinos 18-early 30s. Body and face tattoos, shaved heads, etc. are a huge plus, as well as 18 yr olds that can pass for younger teens. A small group of the 18-25 yr old men will be selected to work both days and be featured in scenes with the speaking actors, likely recognizable with no speaking lines. Additional Latino extras, both tough looking and general neighborhood types are needed 4/3 only. Approx report times each day 8AM or 9AM.

* 4/3 Vallejo – Hmong Man & Woman in their late 50s-60s to portray grieving grandparents in very small funeral scene with speaking actors. Likely recognizable, but no speaking lines. Approx report time 9AM or later for one scene, should be free all day, but may only be needed a partial day.

Hours/Rates: Shoots last up to 10-12 hrs per day. Exact start time is unknown until night before. Must be avail from morning to late evening without conflict and have your own transportation. If SAG-AFTRA member or cast as part of the core group working both days, rate is $148/8hrs plus overtime if applicable. If Non Union working 4/3 only, rate is $64/8hrs based on CA State min. wage $8.00/hr plus overtime at time and ½.

Employment: I-9 paperwork is filled out on set and extras must have the appropriate ID or you cannot be employed. U.S. Citizens must be able to present current U.S. Passport or valid Drivers License with either Social Security Card or Birth Certificate on set for employment. Non U.S. Citizens must have Permanent Resident/Green Card or Work Authorization from the Dept. of Homeland Security.

To Submit, email the following to beaubonneaucasting@gmail.com ASAP:
* Subject line: role submitting for: Homeless 4/1, Latinos 4/2-4/3 or 4/3, Grandparents 4/3, Name, Approx Age, Cell, City you live in
* Height, Weight, Clothing Sizes
* Union Status (Non Union or SAG-AFTRA.) If Union, provide member #.
* Attach 2 new color snapshots or more (1 full-standing view & 1 close-up) from camera phone or digital camera facing camera. If submitting for tough Latino types, try to look the part and show your tattoos. No hats or sunglasses please.

Your photos will be shared with production. Pictures should be simple but clear. Beau Bonneau Casting will contact you if chosen for the shoot.

Beau Bonneau Casting
www.beaubonneaucasting.com/casting.asp

https://www.facebook.com/BeauBonneauCasting

Casting Announced for “Giselle” at Our World-Class San Francisco Ballet – Jan. 25th to Feb. 2nd – All Shows Available

Thursday, January 23rd, 2014

Take a look at Giselle at your San Francisco Ballet

Casting from January 25 – February 2, 2014

In the event of injury or illness, casting is subject to change

SATURDAY, JANUARY 25—8:00 PM—OPENING NIGHT

GISELLE
Choreographer: Helgi Tomasson
Conductor: Martin West

Giselle: Yuan Yuan Tan
Albrecht: Davit Karapetyan
Hilarion: Ruben Martin Cintas
Myrtha: Sofiane Sylve

More shows after the jump

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OMG, You Can’t Miss Our San Francisco Ballet’s Free Performance at the Stern Grove Festival This Sunday!

Monday, July 23rd, 2012

Mark your calenders:

SAN FRANCISCO BALLET

Sunday, July 29 at 2 p.m.
Stern Grove, 19th Avenue and
Sloat Boulevard, San Francisco”

How it looked last year:

Get all the deets at Odette’s Ordeal. 

All right, see you there!

(Arrive early, like super early, like sometime in the AM – make a day of it why not?)

Casting for the Sunday, July 29 performance at Stern Grove can be found here: http://www.sfballet.org/casting

Stern Grove – Sunday, July 29, 2012 – 2:00 PM

SCOTCH SYMPHONY
Choreographer: George Balanchine
Composer: Felix Mendelssohn
Conductor: Martin West

Yuan Yuan Tan, Davit Karapteyan
Nicole Ciapponi

INTERMISSION

SPINAE
Choreographer: Myles Thatcher
Composers: Phil Kline and Mary Ellen Childs

Lacey Escabar, Lauren Parrott, Emma Rubinowitz
Alexander Reneff-Olson, Wei Wang
Jeanette Kakareka, Mimi Tompkins
Aaron Renteria, Devon Carbone, Max Cauthorn

PAUSE

SOLO
Choreographer: Hans van Manen
Composer: Johann Sebastian Bach
Conductor: Martin West

Gennadi Nedvigin, James Sofranko, Hansuke Yamamoto

NUMBER NINE
Choreographer: Christopher Wheeldon
Composer: Michael Torke
Conductor: Martin West

Frances Chung, Pascal Molat
Vanessa Zahorian, Garen Scribner
Sarah Van Patten, Ruben Martin Cintas,
Sasha DeSola, Vitor Luiz

In the event of injury or illness, casting is subject to change”

And don’t forget your kilt…

Courtney Elizabeth in Balanchine’s ‘Scotch Symphony’ – Photo © Erik Tomasson

 

 

Cheap Date: Take Your Honey to the San Francisco Ballet for as Little as $15 Bucks a Ticket on Valentine’s Day!

Thursday, February 9th, 2012

This is it: 2012 is the year to impress your Valentine’s Day date by attending a showing of the vaunted, world-class San Francisco Ballet for less than what it cost you to see Transformers III: Dark of the Moon at the AMC.

Check it:

“Our gift to you: we’re offering 2-for-1 ballet tickets for Valentine’s Day! Be quick as these WILL sell out!”

So there you go. Type in the secret code and then all the available seats you can see will be marked down – for example Balcony
Center tickets will cost you just $30 a pair.

ZOMG!

Maria Kochetkova and Gennadi Nedvigin in Wheeldon’s Number Nine© Erik Tomasson

You’re going to be seeing Program 2, which is contemporary ballet so there’s no need to study up on the plot first – just get you ticks and go.

“Join San Francisco Ballet for the return of Wayne McGregor’s stunning Chroma, an award-winning contemporary work proclaimed “ravishing on all fronts” by theSunday Times (UK), set to music compositions by Joby Talbot and arrangements by Jack White III. The evening also features Beaux, a world premiere work by acclaimed choreographer Mark Morris, and an encore presentation of Christopher Wheeldon’s breathtaking Number Nine, featuring a large ensemble of 24 dancers and set to an exhilarating score by Michael Torke.

Read the program notes.

The 2011 world premiere of Number Nine was made possible by Lead Sponsors Shelby and Frederick Gans, David and Kelsey Lamond, and Mr. and Mrs. James N. Sullivan, and by Major Sponsors Rosemary B. Baker, and Jennifer Caldwell and John H. N. Fisher, and by Sponsors Courtney Benoist and Jason M. Fish. The 2012 world premiere of Beaux is made possible by Lead Sponsors Mrs. Suzy Kellems Dominik and The Bernard Osher Foundation.”

See you there! 

PROGRAM 2: OPENING NIGHT – Tuesday, February 14 – 8:00PM

Chroma
Choreographer: Wayne McGregor
Composer: Joby Talbot, Jack White III
Conductor: Martin West

Maria Kochetkova, Jaime Garcia Castilla
Frances Chung, Pascal Molat
Yuan Yuan Tan, Taras Domitro
Dana Genshaft, Anthony Spaulding
Isaac Hernandez, Garen Scribner

INTERMISSION

World Premiere
Beaux
Choreographer: Mark Morris
Composer: Bohuslav Martinů
Conductor: Martin West
Harpsichord: Bradley Moore

Jeremy Rucker*, Pascal Molat*, Benjamin Stewart*
Vito Mazzeo*, Ruben Martin Cintas*, Gennadi Nedvigin*
Sean Bennett*, Jaime Garcia Castilla*, Diego Cruz*

INTERMISSION

Number Nine©
Choreographer: Christopher Wheeldon
Composer: Michael Torke
Conductor: Charles Barker

Dores Andre, Daniel Deivison-Oliveira
Vanessa Zahorian, Garen Scribner
Sarah Van Patten, Ruben Martin Cintas,
Sofiane Sylve*, Vito Mazzeo*

*Denotes premiere in role

In the event of injury or illness, casting is subject to change

OMG, Onegin at the San Francisco Ballet is Fantastic! A Must-See! But There are Just Four Performances Left

Tuesday, January 31st, 2012

If you’ve never seen ballet before,* this is it. This week is your last chance to see the debut performances of Onegin from our world-class San Francisco Ballet in our world-class War Memorial Opera House.

The plot is super simple – it’s easy to follow along. So, as Sean Martinfield points out, you shouldn’t expect a bunch of twists and turns and “resolving climaxes.”

No matter, this production is VERY IMPRESSIVE.

Get your tickets here for tonight or Wednesday or Thursday or Friday. And then it will be gone, before you know it. And then you’ll have the rest of this full-spectrum season to consider.

Vitor Luiz & Maria Kochetkova in Onegin – Photo © Erik Tomasson

Oh, the reviews are in:

Mary Ellen Hunt in the San Francisco Chronicle;

Ann Murphy in the San Jose Mercury News;

Saturday Matinee;

ART Hound; and

Odette’s Ordeal (Wow, there’s a lot of stuff here. Is Teri McCollum going to see four shows in this run? Wow.) 

All right, see you there! 

TUESDAY, 1/31

Onegin: Vitor Luiz; Tatiana: Maria Kochetkova; Lensky: Gennadi Nedvigin; Olga: Clara Blanco. Conductor: Martin West. Performance begins at 8:00 pm.

WEDNESDAY, 2/1

Onegin: Davit Karapetyan; Tatiana: Vanessa Zahorian; Lenksy: Taras Domitro; Olga: Dana Genshaft; Gremin: Quinn Wharton. Conductor: David LaMarche. Performance begins at 7:30 pm.

THURSDAY, 2/2

Onegin: Pierre-Francois Vilanoba; Tatiana: Sarah Van Patten; Lensky: Isaac Hernandez; Olga: Courtney Elizabeth; Gremin: Tiit Helimets. Conductor: David LaMarche. Performance begins at 8:00 pm.

FRIDAY, 2/3

Onegin: Ruben Martin Cintas; Tatiana: Yuan Yuan Tan; Lensky: Jaime Garcia Castilla; Olga: Dores Andre; Gremin: Damian Smith. Conductor: Martin West. Performance begins at 8:00 pm. 

* And if it turns out you don’t like what you see, then you don’t like ballet. And that’s fine, at least you tried. And how much money will you be out, like double the cost of going to see Ernest Goes to Camp II 3D at the Metreon? Something like that.

Attention Amatuer Chefs: Chef Gordon Ramsey is Casting for MASTERCHEF TV Show in San Francisco on December 10th!

Tuesday, November 1st, 2011

OMG, this is it.

All you Realtors, doctors, lawyers, gardeners, elderly caregivers and the rest, well, this is your chance to become rich and famous. Just head over to 350 Rhode Island near 16th Street in Potrero Hill on Saturday, December 10th from 10:00 AM to 6:00 PM to try out for Fox-TV’s MasterChef, why not?

Check it:

MASTERCHEF will travel to San Francisco to uncover the country’s very best amateur cooks.  Chef Gordon Ramsay will once again give talented amateur cooks the chance to prove to him, and to fellow judges, restaurateur Joe Bastianich (Del Posto, Eataly) and Chef Graham Elliot (Graham Elliot, Grahamwich), that they have what it takes to make their mark on the culinary world.

In the series, Ramsay, Bastianich and Elliot coach and critique the amateur cooks in a series of challenges designed to test their palates, knowledge and determination to follow their dreams of making a mark in the culinary world.”

Click to expand

If you’re serious, you’ll pre-register

What you waiting for? Take a chance, you stupid ho.

All the deets:

How To Apply To MasterChef Season 3

OPTION 1 (The Preferred Choice)

STEP 1: You are strongly encouraged to PRE-REGISTER and pick your open call location in advance.

STEP 2: Attend an OPEN CALL (you are strongly encouraged to pre-register). Please bring the following with you to the open call you choose:

Your completed application (CLICK HERE to download)
A current photo of yourself
A photo of your plated dish.
Your dish to impress us!

IMPORTANT NOTE: IF YOU CANNOT MAKE IT TO AN OPEN CALL, PLEASE FOLLOW THE STEPS BELOW TO SEND IN YOUR MATERIALS.

OPTION 2

STEP 1: Make a VIDEO. You only need to do this if you CANNOT ATTEND AN OPEN CALL.

CLICK HERE to view the video submission instructions

STEP 2: Save a current picture of yourself, and a video of yourself to your computer, so it is ready when you apply online.

STEP 3: Completely fill out the online pre-registration form and upload your video and picture HERE.

STEP 4: If for any reason, you’re not able to upload your video, please mail your application, picture, and video to:

MasterChef Season 3 Casting
1741 Ivar Ave.
Los Angeles, CA 90028

Please note that any videos and materials submitted by mail will not be returned.

DEADLINE: Completed applications and video submissions must be received by December 12th, 2011* at 11:59pm, EST to be considered, BUT REMEMBER THE SOONER THE BETTER!

*We reserve the right to extend the application deadline at our sole discretion.

Please note these audition instructions are subject to change as determined by the producers. All those considered for the series will be required to submit and sign additional documents (which may include, without limitation, a participant agreement, waiver, and series rules) in order to be considered to participate in the series. If there is any conflict between the information on this website and the foregoing documents, the foregoing documents shall control.”

Bon courage, Chef!

How to Deal With Hollywood Jackholes What STILL Haven’t Paid “Contagion” Film Extras Since February

Thursday, April 14th, 2011

Now it was a little funny earlier this year when a high level person at Rich King* Casting started quoting sub-minimum wages for extras in that new Contagion movie starring, I don’t know, everybody, you know, these people right here (and let’s throw in Famous Movie Director Steven Soderbergh too – he’s a luminary as well):

But then somebody, no not somebody from the local Film Commish and not any MSM reporters (who don’t seem to be aware of what the minimum wage is in the place where they live and work), but somebody up here in the 415 got word down to Los Angeles County about The Law ‘n stuff.

So fine, the RKC people changed their minds and decided to pay extras “$80″ for up to eight hours (and then they finally did the math and decided that $79.36 would be the wage, cause, you know, después de todos, dinero es dinero.)

But now word comes that RKC thinks it’s OK to pay people up to six weeks** later?

And the extras still haven’t all been paid?

And RKC is ignoring contact attempts from said extras?

Could all this be true?

Well let’s hear from a Real Life Contagion Extra:

“I got in the film as well, but its now mid April, and I have not seen the payment in the 6 weeks that the casting company stated. Got my work receipt right here – would be nice if someone from this casting agency would follow up with my contact attempts.

“It was still a really cool day either way. I got to see an amazing set up of the set @ Candlestick and didn’t mind standing/sitting around all day. That is what background extras do. All of these girls were being very rude that day saying “when are we going to meet the stars”, and “I can’t believe they are making us stand around”, and “come on! I wan’t to be in the movie already!! Shortly after one of the assistants heard those remarks, our group was dismissed for the afternoon. It is like they never listened to what they told us at the casting meeting at Fort Mason, or the information the casting directors told us over the phone when they offered us the part. I did not get an email confirmation after that day, but a personal phone call.

Would be nice to see my check, but I will give them a bit more time to respond since I bet the other 5,000 are hounding them as well. I mean come on – I am on unemployment – it would be nice to have the $79 bucks right now, but I can wait a bit”

Now, isn’t it ironic, dont’cha think, that a company what has a cavalier attitude about at least one kind of wage and hour rule would drag its feet about making payments? (Well, maybe not, in my experience.)

Anyway, all you non-union extras ought to form a union or something so you can start playing hardball with the Hollywood vanga vanga.

So why don’t you pay all your extras ASAP, Rich King Casting? Like posthaste or something.

Thank you.

Now, speaking of Hollywood, wouldn’t you like to see a list of all the movies that Steven Soderbergh has seen the past twelve months? Sure you would. See it after the jump.

*Forget about Obama’s birth certificate – I want to see the one with “Rich King” printed on it, and oh, Sandy Beach too, I want to see one of those as well – I think Hollywood still has a few guys around with that name.

**I should make a horror film – it’ll be about the horrors of Regular People dealing with Hollywood People. It’ll be called 42 Days Later.

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Good News for You Extras Working Matt Damon’s “Contagion” Movie: You’re Getting a Pay Rise – Now, $80 Per Day

Tuesday, February 1st, 2011

Turns out that you extras working on the local Contagion shoots are going to get $80 per working day instead of the $64 that Rich King Productions was talking about the other day.

Simply, the people at JKP were unaware that S.F. has its own minimum wage of $9.92 per hour.

Anyway they’re back down in Los Angeles now, but they’ve just sent a message to me how they going to pay $80 for starters and then more after the first eight hours, if necessary.

Break a leg!

Attention Extras in that Matt Damon “Contagion” Movie: SF Minimum Wage is $9.92 Per Hour

Sunday, January 30th, 2011

[UPDATE: It's all good, hard-working extras. Just got the call from Down South about how you all are going to get at least $80 per working day. They were all apologetic, saying stuff like, "Thanks, you really saved our bacon on this one." Turns out that San Francisco County is the only place in the entire state what has a higher-than-CA min. wage.]  

That means that $64 ($8 times 8 hours) isn’t going to cut it, right?

Remember those “unfortunate,” “innocent” 18-year-old faux prostitutes in Chinatown from the time that horrible Trauma series came to the 415 all lies and jest? Those people got paid way more than $64 a day – it was close to $80. So why should you Contagion extras get paid any less?

Is it possible that Rich King* Casting doesn’t know the minimum wage in the area where it’s casting?

Yup!

Those playing hos back in ought-nine got paid minimum wage, so why not you?

Feel the excitement:

(And the beauty part is that there are “no fees to apply” Really? No fees to stand around for hours trying to get a gig that doesn’t pay minimum wage? Sweet, Thanks Rich King Casting.)

So, extras, practice this line: “I knows I gots to get paid!”

Start chanting all together and then your $64 paychecks will increase to $79.36 paychecks tout de suite.

Of course, if they take you to the East Bay or if they shoot on Federal land(?) in the 415, well then maybe you won’t get your full $9.92 per hour. But they’re talking about filming at Candlestick Park and Chinatown,** where San Francisco laws are in full effect.

In closing, these pretzels are making me thirsty!***

Extras Needed for New Matt Damon Film “Contagion”
Filming in SF February 9-19, 2011
Casting Call
- 1/29/11 Fort Mason,
- 1/30/11 Embarcadero YMCA

Filming starts on February 9th and goes through the 19th. Before shooting though, we will be coming to San Francisco to do an open casting call for those who may be interested in working on this film on Jan 29th and 30th. We are looking for Men and Women all shapes, sizes, types and ethnicities to be background performers for this feature.

We look forward to offering the opportunity for fun,exciting PAID work to San Francisco and Bay Area area residents. We will be casting lots of locals in the production.

The date and times for the open call castings are:

January 29, 2011 (2pm-6pm)
FORT MASON CENTER
Landmark Building C
Room C260

and

January 30, 2011 (10am-4pm)
Embarcadero YMCA

All applicants need only a pen, a small photo of themselves and a great attitude. It’s as easy as that!

>> For more information about the casting call: 415-373-4202

*C’mon, “Rich King?” I suppose that’s better than Sandy Beach or something. (Never trust anyone from the movie biz.)

**Contagion in Chinatown? Hey, remember SARS? Restaurant owners would come out on Grant and to try to, physically, pull diners inside.  Bad times.

***That’s from the comments section on SFGate. (Kramer was going to be more than an extra on that Woody Allen film, but anyway…)

Here They Are – Meet the Winners of Gap’s Annual Casting Call Contest 2010

Friday, January 21st, 2011

Well, here they are, the winners of Gap’s Annual Casting Call Contest 2010.

Click to expand

Look forward to the 6th annual contest, certain to be coming soon…

All the deets:

Gap Unveils 2010 Casting Call Winners in babyGap and GapKids Stores Nationwide

Selected from More than One Million Entries, America Chooses the Four Adorable Winners of Gap’s Fifth Annual Casting Call Contest

SAN FRANCISCO, Jan. 20, 2011 — Today, Gap revealed the four cute and charismatic winners of its fifth annual Casting Call contest. Chosen by America from more than one million entries, the new faces of babyGap are Evie Sowers from Tecumseh, MI; Dylan Bandale from Pompton Lakes, NJ; and for GapKids, Sofia Jaworovich from Skillman, NJ; and Keyghan Burns from Hereford, AZ. In addition to receiving a $1,000 Gap GiftCard, the winners’ bright smiles and twinkling eyes will be lighting up the newest babyGap and GapKids campaign in store windows coast-to-coast starting today.

“Every year, we’re overwhelmed by parents’ incredible enthusiasm for Casting Call,” said Mark Breitbard, executive vice president of babyGap and GapKids. “Now in its fifth year, Casting Call continues to break records and we’re so excited to introduce this year’s winners – Evie, Dylan, Sofia and Keyghan. On behalf of the entire Gap family, I’d like to congratulate the newest faces of babyGap and GapKids.”

Shot in San Francisco, the campaign features the winners in colorful, perfect-for-the-playground looks. Rooted in denim and khaki, the outfits get a kick of color with the addition of arch logo hoodies [$24.95 - $29.50] and graphic tees [starting at $14.50 for babyGap and $16.50 for GapKids] in colors like havana yellow, orange blaze, cupid pink and ruby red. The windows also highlight each child’s hometown and favorite activities – from ballet and soccer to dancing and drawing.

About Gap’s Fifth Annual Casting Call:

From September 27 to October 24, 2010, parents across the country uploaded photos of their babies and kids wearing their favorite denim looks at gap.com/castingcall. Judges then narrowed down the pool of more than one million entrants to 20 finalists – 10 babies and 10 kids. The finalists were announced in early December and it was up to America to cast their vote for their favorite finalists at gap.com/castingcall.

The Prizes:

The four winners of this year’s Casting Call – Evie, Dylan, Sofia and Keyghan – are featured in the windows of babyGap and GapKids stores nationwide and will receive a $1,000 GapGiftCard.

Meet the Winners:

babyGap:

Evie, from Tecumseh, MI, has a great imagination and a fun personality to match. This blondie likes to read, draw and play with her dolls. Evie loves to rock out to Animal Collective’s My Girls.

Dylan, from Pompton Lakes, NJ, has been called a “Will Smith look-alike” and is always flashing his “million-dollar smile.” He likes to sing and dance to his favorite Latin, Reggaeton and Hip-Hop tunes. His favorite meal is pizza with chocolate milk.

GapKids:

Sofia, from Skillman, NJ, is a real “spitfire,” according to her parents, and is super outgoing. She loves meeting new people and making friends. This girly-girl likes to wear dresses and pretty shoes like her favorite singer, Taylor Swift, and her favorite hobbies are ballet and swimming.

Keyghan, from Hereford, AZ, is fun loving and always makes others feel important. When he is not playing soccer or baseball, you can find Keyghan collecting Pokemon cards or hanging out with his friends and little brother.