Bon appetit, bon courage…
Bon appetit, bon courage…
|Castings – Looking for …
Casting from January 25 – February 2, 2014
In the event of injury or illness, casting is subject to change
SATURDAY, JANUARY 25—8:00 PM—OPENING NIGHT
Choreographer: Helgi Tomasson
Conductor: Martin West
Giselle: Yuan Yuan Tan
Albrecht: Davit Karapetyan
Hilarion: Ruben Martin Cintas
Myrtha: Sofiane Sylve
More shows after the jump
This is it: 2012 is the year to impress your Valentine’s Day date by attending a showing of the vaunted, world-class San Francisco Ballet for less than what it cost you to see Transformers III: Dark of the Moon at the AMC.
“Our gift to you: we’re offering 2-for-1 ballet tickets for Valentine’s Day! Be quick as these WILL sell out!”
So there you go. Type in the secret code and then all the available seats you can see will be marked down – for example Balcony
Center tickets will cost you just $30 a pair.
Maria Kochetkova and Gennadi Nedvigin in Wheeldon’s Number Nine. © Erik Tomasson
“Join San Francisco Ballet for the return of Wayne McGregor’s stunning Chroma, an award-winning contemporary work proclaimed “ravishing on all fronts” by theSunday Times (UK), set to music compositions by Joby Talbot and arrangements by Jack White III. The evening also features Beaux, a world premiere work by acclaimed choreographer Mark Morris, and an encore presentation of Christopher Wheeldon’s breathtaking Number Nine, featuring a large ensemble of 24 dancers and set to an exhilarating score by Michael Torke.
The 2011 world premiere of Number Nine was made possible by Lead Sponsors Shelby and Frederick Gans, David and Kelsey Lamond, and Mr. and Mrs. James N. Sullivan, and by Major Sponsors Rosemary B. Baker, and Jennifer Caldwell and John H. N. Fisher, and by Sponsors Courtney Benoist and Jason M. Fish. The 2012 world premiere of Beaux is made possible by Lead Sponsors Mrs. Suzy Kellems Dominik and The Bernard Osher Foundation.”
See you there!
PROGRAM 2: OPENING NIGHT – Tuesday, February 14 – 8:00PM
Choreographer: Wayne McGregor
Composer: Joby Talbot, Jack White III
Conductor: Martin West
Maria Kochetkova, Jaime Garcia Castilla
Frances Chung, Pascal Molat
Yuan Yuan Tan, Taras Domitro
Dana Genshaft, Anthony Spaulding
Isaac Hernandez, Garen Scribner
Choreographer: Mark Morris
Composer: Bohuslav Martinů
Conductor: Martin West
Harpsichord: Bradley Moore
Jeremy Rucker*, Pascal Molat*, Benjamin Stewart*
Vito Mazzeo*, Ruben Martin Cintas*, Gennadi Nedvigin*
Sean Bennett*, Jaime Garcia Castilla*, Diego Cruz*
Choreographer: Christopher Wheeldon
Composer: Michael Torke
Conductor: Charles Barker
Dores Andre, Daniel Deivison-Oliveira
Vanessa Zahorian, Garen Scribner
Sarah Van Patten, Ruben Martin Cintas,
Sofiane Sylve*, Vito Mazzeo*
*Denotes premiere in role
In the event of injury or illness, casting is subject to change
If you’ve never seen ballet before,* this is it. This week is your last chance to see the debut performances of Onegin from our world-class San Francisco Ballet in our world-class War Memorial Opera House.
The plot is super simple – it’s easy to follow along. So, as Sean Martinfield points out, you shouldn’t expect a bunch of twists and turns and “resolving climaxes.”
No matter, this production is VERY IMPRESSIVE.
Vitor Luiz & Maria Kochetkova in Onegin – Photo © Erik Tomasson
Oh, the reviews are in:
ART Hound; and
Odette’s Ordeal (Wow, there’s a lot of stuff here. Is Teri McCollum going to see four shows in this run? Wow.)
All right, see you there!
Onegin: Vitor Luiz; Tatiana: Maria Kochetkova; Lensky: Gennadi Nedvigin; Olga: Clara Blanco. Conductor: Martin West. Performance begins at 8:00 pm.
Onegin: Davit Karapetyan; Tatiana: Vanessa Zahorian; Lenksy: Taras Domitro; Olga: Dana Genshaft; Gremin: Quinn Wharton. Conductor: David LaMarche. Performance begins at 7:30 pm.
Onegin: Pierre-Francois Vilanoba; Tatiana: Sarah Van Patten; Lensky: Isaac Hernandez; Olga: Courtney Elizabeth; Gremin: Tiit Helimets. Conductor: David LaMarche. Performance begins at 8:00 pm.
Onegin: Ruben Martin Cintas; Tatiana: Yuan Yuan Tan; Lensky: Jaime Garcia Castilla; Olga: Dores Andre; Gremin: Damian Smith. Conductor: Martin West. Performance begins at 8:00 pm.
* And if it turns out you don’t like what you see, then you don’t like ballet. And that’s fine, at least you tried. And how much money will you be out, like double the cost of going to see Ernest Goes to Camp II 3D at the Metreon? Something like that.
OMG, this is it.
All you Realtors, doctors, lawyers, gardeners, elderly caregivers and the rest, well, this is your chance to become rich and famous. Just head over to 350 Rhode Island near 16th Street in Potrero Hill on Saturday, December 10th from 10:00 AM to 6:00 PM to try out for Fox-TV’s MasterChef, why not?
“MASTERCHEF will travel to San Francisco to uncover the country’s very best amateur cooks. Chef Gordon Ramsay will once again give talented amateur cooks the chance to prove to him, and to fellow judges, restaurateur Joe Bastianich (Del Posto, Eataly) and Chef Graham Elliot (Graham Elliot, Grahamwich), that they have what it takes to make their mark on the culinary world.
In the series, Ramsay, Bastianich and Elliot coach and critique the amateur cooks in a series of challenges designed to test their palates, knowledge and determination to follow their dreams of making a mark in the culinary world.”
Click to expand
If you’re serious, you’ll pre-register
What you waiting for? Take a chance, you stupid ho.
All the deets:
OPTION 1 (The Preferred Choice)
STEP 1: You are strongly encouraged to PRE-REGISTER and pick your open call location in advance.
STEP 2: Attend an OPEN CALL (you are strongly encouraged to pre-register). Please bring the following with you to the open call you choose:
Your completed application (CLICK HERE to download)
A current photo of yourself
A photo of your plated dish.
Your dish to impress us!
IMPORTANT NOTE: IF YOU CANNOT MAKE IT TO AN OPEN CALL, PLEASE FOLLOW THE STEPS BELOW TO SEND IN YOUR MATERIALS.
STEP 1: Make a VIDEO. You only need to do this if you CANNOT ATTEND AN OPEN CALL.
CLICK HERE to view the video submission instructions
STEP 2: Save a current picture of yourself, and a video of yourself to your computer, so it is ready when you apply online.
STEP 3: Completely fill out the online pre-registration form and upload your video and picture HERE.
STEP 4: If for any reason, you’re not able to upload your video, please mail your application, picture, and video to:
MasterChef Season 3 Casting
1741 Ivar Ave.
Los Angeles, CA 90028
Please note that any videos and materials submitted by mail will not be returned.
DEADLINE: Completed applications and video submissions must be received by December 12th, 2011* at 11:59pm, EST to be considered, BUT REMEMBER THE SOONER THE BETTER!
*We reserve the right to extend the application deadline at our sole discretion.
Please note these audition instructions are subject to change as determined by the producers. All those considered for the series will be required to submit and sign additional documents (which may include, without limitation, a participant agreement, waiver, and series rules) in order to be considered to participate in the series. If there is any conflict between the information on this website and the foregoing documents, the foregoing documents shall control.”
Bon courage, Chef!
Now it was a little funny earlier this year when a high level person at Rich King* Casting started quoting sub-minimum wages for extras in that new Contagion movie starring, I don’t know, everybody, you know, these people right here (and let’s throw in Famous Movie Director Steven Soderbergh too – he’s a luminary as well):
But then somebody, no not somebody from the local Film Commish and not any MSM reporters (who don’t seem to be aware of what the minimum wage is in the place where they live and work), but somebody up here in the 415 got word down to Los Angeles County about The Law ‘n stuff.
So fine, the RKC people changed their minds and decided to pay extras “$80″ for up to eight hours (and then they finally did the math and decided that $79.36 would be the wage, cause, you know, después de todos, dinero es dinero.)
But now word comes that RKC thinks it’s OK to pay people up to six weeks** later?
And the extras still haven’t all been paid?
And RKC is ignoring contact attempts from said extras?
Could all this be true?
Well let’s hear from a Real Life Contagion Extra:
“I got in the film as well, but its now mid April, and I have not seen the payment in the 6 weeks that the casting company stated. Got my work receipt right here – would be nice if someone from this casting agency would follow up with my contact attempts.
“It was still a really cool day either way. I got to see an amazing set up of the set @ Candlestick and didn’t mind standing/sitting around all day. That is what background extras do. All of these girls were being very rude that day saying “when are we going to meet the stars”, and “I can’t believe they are making us stand around”, and “come on! I wan’t to be in the movie already!! Shortly after one of the assistants heard those remarks, our group was dismissed for the afternoon. It is like they never listened to what they told us at the casting meeting at Fort Mason, or the information the casting directors told us over the phone when they offered us the part. I did not get an email confirmation after that day, but a personal phone call.
“Would be nice to see my check, but I will give them a bit more time to respond since I bet the other 5,000 are hounding them as well. I mean come on – I am on unemployment – it would be nice to have the $79 bucks right now, but I can wait a bit”
Now, isn’t it ironic, dont’cha think, that a company what has a cavalier attitude about at least one kind of wage and hour rule would drag its feet about making payments? (Well, maybe not, in my experience.)
So why don’t you pay all your extras ASAP, Rich King Casting? Like posthaste or something.
Now, speaking of Hollywood, wouldn’t you like to see a list of all the movies that Steven Soderbergh has seen the past twelve months? Sure you would. See it after the jump.
*Forget about Obama’s birth certificate – I want to see the one with “Rich King” printed on it, and oh, Sandy Beach too, I want to see one of those as well – I think Hollywood still has a few guys around with that name.
**I should make a horror film – it’ll be about the horrors of Regular People dealing with Hollywood People. It’ll be called 42 Days Later.
Turns out that you extras working on the local Contagion shoots are going to get $80 per working day instead of the $64 that Rich King Productions was talking about the other day.
Simply, the people at JKP were unaware that S.F. has its own minimum wage of $9.92 per hour.
Anyway they’re back down in Los Angeles now, but they’ve just sent a message to me how they going to pay $80 for starters and then more after the first eight hours, if necessary.
Break a leg!
[UPDATE: It’s all good, hard-working extras. Just got the call from Down South about how you all are going to get at least $80 per working day. They were all apologetic, saying stuff like, “Thanks, you really saved our bacon on this one.” Turns out that San Francisco County is the only place in the entire state what has a higher-than-CA min. wage.]
Remember those “unfortunate,” “innocent” 18-year-old faux prostitutes in Chinatown from the time that horrible Trauma series came to the 415 all lies and jest? Those people got paid way more than $64 a day – it was close to $80. So why should you Contagion extras get paid any less?
Those playing hos back in ought-nine got paid minimum wage, so why not you?
Feel the excitement:
(And the beauty part is that there are “no fees to apply” Really? No fees to stand around for hours trying to get a gig that doesn’t pay minimum wage? Sweet, Thanks Rich King Casting.)
So, extras, practice this line: “I knows I gots to get paid!”
Start chanting all together and then your $64 paychecks will increase to $79.36 paychecks tout de suite.
Of course, if they take you to the East Bay or if they shoot on Federal land(?) in the 415, well then maybe you won’t get your full $9.92 per hour. But they’re talking about filming at Candlestick Park and Chinatown,** where San Francisco laws are in full effect.
In closing, these pretzels are making me thirsty!***
Extras Needed for New Matt Damon Film “Contagion”
Filming in SF February 9-19, 2011
- 1/29/11 Fort Mason,
- 1/30/11 Embarcadero YMCA
Filming starts on February 9th and goes through the 19th. Before shooting though, we will be coming to San Francisco to do an open casting call for those who may be interested in working on this film on Jan 29th and 30th. We are looking for Men and Women all shapes, sizes, types and ethnicities to be background performers for this feature.
We look forward to offering the opportunity for fun,exciting PAID work to San Francisco and Bay Area area residents. We will be casting lots of locals in the production.
The date and times for the open call castings are:
January 29, 2011 (2pm-6pm)
FORT MASON CENTER
Landmark Building C
January 30, 2011 (10am-4pm)
All applicants need only a pen, a small photo of themselves and a great attitude. It’s as easy as that!
>> For more information about the casting call: 415-373-4202
*C’mon, “Rich King?” I suppose that’s better than Sandy Beach or something. (Never trust anyone from the movie biz.)
**Contagion in Chinatown? Hey, remember SARS? Restaurant owners would come out on Grant and to try to, physically, pull diners inside. Bad times.
***That’s from the comments section on SFGate. (Kramer was going to be more than an extra on that Woody Allen film, but anyway…)