Posts Tagged ‘Christopher’

Point/COUNTERPOINT: HuffingtonPost Writer Christopher Caen on the Failed and Debaculous America’s Cup Deal

Friday, March 2nd, 2012

LEAVE US BEGIN:

Friday afternoon the word went out about the lawsuit filed to stop the America’s Cup. And let’s be perfectly clear, chasing the Cup out of town was the exact purpose of that effort, because the requests to satisfy that lawsuit would have blown the Cup deadlines to pieces.

GREAT. NONE OF THE PROPOSALS WERE VERY GOOD. WERE THEY?

By Monday afternoon however, the lawsuit had almost become moot, because the America’s Cup organizers dropped the news on our unsuspecting mayor that they were pulling out of almost all the development anticipated around the races.

I THINK THERE WAS A LOT OF “SUSPECTING” ON SUNDAY – ANYWAY, THE MAYOR _WASN’T_ SURPRISED. HE’S MORE CLEVER THAN HE LETS ON…

The first wave of tweets announcing the lawsuit did not come from San Francisco; instead the first barrage of tweets came from San Diego. This is not terribly surprising because if we do manage to screw this up, San Diego is going to roar in and take our event away from us, given that they already have shore facilities they have been expanding since they hosted the Cup in 1988.

WHO CARES WHAT SAN DIEGO DOES? AND HOW IS THIS “OUR” EVENT? WHO CARES IF SAN DIEGO WANTS TO HOST THE RACE?

It would not be the first time. After all, we lost out to New York City for the right to bid for the 2012 Summer Olympics.

ACTUALLY, WE WON THAT ONE.

And then we followed that up by enthusiastically coming up short by a country mile for the right to bid for the 2016 Summer Olympics.

WELL, BRAZIL WANTED IT TOO, RIGHT? THEY’VE NEVER HAD ONE BEFORE. DON’T THEY DESERVE A CHANCE?

This performance mirrored our still unexplained belly flop on the bid to host the World Cup, where people still don’t know whether we actually submitted our bid or not.

OOH, THE WORLD CUP? BUT DIDN’T THE BAY AREA ALREADY HAVE ONE OF THESE?

Right in the middle of all this we also managed to chase the San Francisco Grand Prix bicycle race out of town. So it’s not like we don’t have a track record at screwing this sort of thing up.

WHY DO WE NEED ANY OF THESE EVENTS? OH, AND YOU’RE FORGETTING ABOUT THE WORLD EXPO. YOU KNOW, THE EVENT THAT CHINA LOST A BUNDLE ON, AND BEFORE THAT, THE JAPANESE, AND BEFORE THAT, THE GERMANS.

And at this point it has gone past just your garden variety NIMBY-ism to become a genuine threat to the growth of our city.

WHY DO WE NEED TO GROW?

Which brings us back to the Cup. Three things have to be made clear here. First off, enough of the “we hate Larry Ellison” blather.

WHY’S THAT? HE _IS_ A DEFECTIVE HUMAN BEING, RIGHT?

We can’t negotiate with the America’s Cup because they are backed by a billionaire?

NO, IT’S BECAUSE HE’S A BILLIONAIRE IS WHY HE EXPECTS US TO PAY NINE FIGURES FOR A BOAT PARTY IN HIS HONOR.

Newsflash for the irretrievably clueless: with the exception of the Green Bay Packers, every sports team in the country is owned by a bazillionaire.

THAT’S FINE, BUT WHAT HE WAS OFFERING WAS WAY OFF. IT WASN’T EVEN CLOSE.

It’s odd, isn’t it? When we hear about the city negotiating with the 49ers, the Giants, or even the Warriors, the net worth of their owners never enters the conversation. 

THE WARRIORS AREN’T ASKING US TO PAY FOR THEM. THE GIANTS AND THE NINERS AREN’T EITHER. WHY IS IT THAT THE 1% SPORTS NEED THE MONEY OF THE 99% BUT THE 99% SPORTS ARE ON THEIR OWN?

But when it’s Ellison, people head to the barricades. This is just another sports team, one where none of the sailors racing in the cup make as much as your average football player makes on one Sunday.

IT’S A DECIDEDLY UNPOPULAR TEAM, ONE THAT NOBODY KNOWS OR CARES ABOUT. WHO ARE THE “PLAYERS?” NOBODY KNOWS OR CARES. WHY SHOULD SAN FRANCISCO EDUCATE PEOPLE ABOUT A SINGLE RACE THAT A SOLITARY BILLIONAIRE CONTROLS?

Yes it’s Larry, yes everyone seems to hate him, but it should have no bearing on this.

WELL, IF HE WERE KICKING MONEY IN, THEN PEOPLE WOULD LIKE HIM MORE. WHY DIDN’T HE OFFER A HALF BILLION OR SOMETHING?

Second, let’s talk about the development deal that just went off the table. People seem to be all bent out of shape about what we were giving up, but here is the thing: We actually didn’t give up anything, as those piers are unusable today. One Supervisor gave me the actual price tag to fix up all the piers on the waterfront, and it’s enough to make your hair stand on end (hint, it’s over $2 billion). The city does not have the money to fix them, and it probably never will. Someone is going to wind up developing those piers for profit instead of the city, and that’s just the sad truth.

WELL THAT’S OK. ANYTHING’S BETTER THAN THE AMERICA’S CUP DEAL.

Third, in current San Francisco fashion, we are only looking at the short-term. Having Ellison’s group lay in some serious investment, including development deals, means greater incentive for them to stay in San Francisco if they successfully defend the Cup.

THE AMERICA’S CUP IS A JOKE, RIGHT? IS IT A LEGITIMATE SPORT IN THE FIRST PLACE?

All this development is for this Cup. If we get another Cup, or even two down the road, then the city makes out like a bandit. But by pulling all their development off the table, the Cup organizers have shaken the hook out of their mouth.

FLY AWAY FISHY. YOU DON’T WANT TO BE HERE, IT LOOKS LIKE, SO WHY DON’T YOU LEAVE?

Once again, San Diego is grinning and rubbing their hands in anticipation.

‘CAUSE THEY MADE SOOOOOO MUCH MONEY ON THAT RECENT WORLD SERIES EVENT WHAT NOBODY WENT TO SEE?

We have arrived at the point where today the only development deal that has a chance of being approved is one that is utterly perfect in every way.

OK.

Zero emission. Local hiring. Affordable housing. Bicycle racks and LEED-certified and non-radiating cell phones and whatever else our elected officials can think of tossing in. It’s ridiculous.

THE PROPOSED AMERICA’S CUP DEAL, _THAT’S_ WHAT’S RIDICULOUS. AND THE CENTRAL SUBWAY TO NOWHERE, THAT’S RIDICULOUS TOO.

And it’s also not coincidental that the same day we get the news about the Cup, Salesforce.com announces they are halting their new development in Mission Bay.

ACTUALLY, DUDE. IT _IS_ COINCIDENTAL.

At some point it has to stop. To never change anything, to never create new development with a new tax base and new jobs and new residents is to risk us becoming the Detroit of the West, with the Hibernia Bank Building as our Parthenon of Passivity.

THAT BUILDING HAS OTHER ISSUES, BUT ANYWAY.

What, you don’t know that building?

I THINK MOST PEOPLE IN TOWN KNOW THAT BUILDING. IT’S THE ONE THAT PATTY HEARST DIDN’T ROB

You should, as it stands as another icon of our inability to get rational development completed in this town.

WELL THAT’S ONE OPINION. BUT DO YOU WANT THE CITY TO PAY TO FIX UP THIS BUILDING? THAT WOULD BE LOTS CHEAPER THAN THE AMERICA’S CUP OR THE CENTRAL SUBWAY.

Even worse, at some point our reputation for being impossible to work with will make all of this a self-fulfilling prophecy. You don’t think that’s likely? When we were shot down for the 2016 Olympics, one of the reasons cited by the bid committee was a “damaged reputation” due to failed negotiations surrounding the 49ers’ stadium.

WELL MAYBE WILLIE BROWN SHOULDN’T HAVE FIXED THAT ELECTION. WHY NOT LET THE PEOPLE DECIDE IN THE FIRST PLACE?

In other words, if you can’t even get a stadium figured out with own team, how are you going to figure out an Olympics?

WHY DO WE NEED THE OLYMPICS? WOULDN’T MOST OF THE BENEFITS ACCRUE TO THE POLITICAL AND BUSINESS AND MEDIA CLASS? HOW WOULD SAN FRANCISCANS AS A WHOLE BENEFIT?

Then again, we never did figure out the stadium either, did we?

CRIME DOESN’T ALWAYS PAY FOR CORRUPT WILLIE BROWN, I GUESS THAT’S ONE LESSON.

A boat race is a strange place to draw the line. But the Cup really does represent all the political insanity that we seem to trade in these days. Don’t do business with the 1%.

NOT ON THESE TERMS, THAT’S RIGHT, DON’T DO BUSINESS WITH THEM.

Fight anything that smacks of gentrification. Make decisions that are more policy statements than legislation. Get a bunch of piers fixed that we can’t afford to repair? That sounds like a horrible idea.

UNDER THE TERMS NEGOTIATED, YES IT WAS.

All those construction jobs you just wiped out?

THEY WEREN’T WIPED OUT BECAUSE THEY NEVER EXISTED IN THE FIRST PLACE.

Not a big deal either, because we showed Larry.

ACTUALLY, WE _DID_ SHOW LARRY, THAT FUCKING DOUCHE.

At night we can return to our homes, and smugly watch as our piers collapse into the bay one after another. On the other hand, it will give us something to do before the Cup comes on television.

NOBODY WILL WATCH THE AMERICA’S CUP ON TELEVISION. (BY THE WAY, THE AMERICA’S CUP PEOPLE ARE _PAYING_ NBC TO BROADCAST THIS EVENT. WHAT DOES THAT TELL YOU?)

Live from San Diego.

GOOD FOR THEM.

OH HEY, MR. CAEN, WHAT ABOUT THE GOLD DUST LOUNGE? ON THAT ISSUE, YOU’RE FIRMLY ON THE NIMBY / PRESERVATIONIST / ANTI-BIDNESS SIDE, RIGHT?

ISN’T IT IRONIC, DON’TCHA THINK?

Don’t Miss Fantastic Programs 6 and 7 at Our San Francisco Ballet – Both Gone by April 20th – The Reviews are In

Monday, April 11th, 2011

Program 6:

Allan Ulrich, San Francisco Chronicle Dance Correspondent

Per Sean MartinField,PROGRAM 6 is one of the finest triptych’s ever assembled by the San Francisco Ballet

And here’s Becca Klarin

Program 7:

Rita Felciano: Two Reprises, One Premiere

And Ann Murphy brings it all home for us.

Watch the trailer for our San Francisco Ballet‘s Programs 6 and 7 right here.

(So, Program 6 has 7 for Eight and Program 7 has Number Nine, srsly?)

And after these two end on April 20th, we’ll get the chance to see the return of the dramatic Little Mermaid (Program 8). And speaking of which, two of the Little Mermaid performances in May will be recorded by eight high-def cameras for Great Performances on PBS, so how about that?

And then that will be it for the 2010-2011 season.

All the deets, below

PROGRAM 6

Run Time: 2:05

Read the program notes

7 for Eight

Composer: Johann Sebastian Bach
Choreographer: Helgi Tomasson

7 for Eight

Ghosts©

Composer: C.F. Kip Winger
Choreographer: Christopher Wheeldon

Chroma – Critically Acclaimed-NEW!

Composers: Joby Talbot, Jack White
Choreographer: Wayne McGregor

Christopher Wheeldon’s Ghosts—an ethereal journey of moods and movement melds to Bach’s keyboard concertos that serve as inspiration for Helgi Tomasson’s elegant and neoclassical 7 for Eight. And not to be missed is the SF Ballet premiere of Wayne McGregor’s critical sensation Chroma, set to original compositions by Joby Talbot and arrangements by Jack White of The White Stripes.

Choose a Date:

Tue, Apr 12, 2011, 8:00 PM

Fri, Apr 15, 2011, 8:00 PM

Sun, Apr 17, 2011, 2:00 PM

Wed, Apr 20, 2011, 7:30 PM

 

 

PROGRAM 7

Run Time: 2:08

Read the program notes

Underskin

Composer: Arnold Schoenberg
Choreographer: Renato Zanella

Underskin

Number Nine – World Premiere!

Composer: Michael Torke
Choreographer Christopher Wheeldon

Petrouchka – Cultural Treasure!

Composer: Igor Stravinsky
Choreographer: Michel Fokine

petrouchka

Set to a passionate composition by Arnold Schoenberg, Renato Zanella’s Underskin reveals the power and mystique of its female protagonists. Next, Christopher Wheeldon’s world premiere of Number Nine offers a rich and electrifying work for 24 dancers,followed by Fokine’s Petrouchka, the tragic tale of a puppet who possesses a human soul, only to be tortured by the emptiness and ignorance of others.

From the Hellman Family in honor of Patricia C. Hellman, also known as “Patrichka,” a former professional ballet dancer and soloist with the London Festival Ballet.

Choose a Date:

Wed, Apr 13, 2011, 7:30 PM

Thu, Apr 14, 2011, 8:00 PM

Sat, Apr 16, 2011, 2:00 PM

Sat, Apr 16, 2011, 8:00 PM

Tue, Apr 19, 2011, 8:00 PM

San Francisco Ballet’s Penultimate Programs 6 and 7 Run April 7-20: “Two Diverse Programs, Two Exciting Premieres”

Tuesday, April 5th, 2011

Watch the trailer for our San Francisco Ballet‘s Programs 6 and 7 right here.

(So, Program 6 has 7 for Eight and Program 7 has Number Nine, srsly?)

And after these two end on April 20th, we’ll get the chance to see the return of the dramatic Little Mermaid (Program 8). And then that will be it for the 2010-2011 season.

All the deets, below

PROGRAM 6

Run Time: 2:05

Read the program notes

7 for Eight

Composer: Johann Sebastian Bach
Choreographer: Helgi Tomasson

7 for Eight

Ghosts©

Composer: C.F. Kip Winger
Choreographer: Christopher Wheeldon

Chroma – Critically Acclaimed-NEW!

Composers: Joby Talbot, Jack White
Choreographer: Wayne McGregor

Christopher Wheeldon’s Ghosts—an ethereal journey of moods and movement melds to Bach’s keyboard concertos that serve as inspiration for Helgi Tomasson’s elegant and neoclassical 7 for Eight. And not to be missed is the SF Ballet premiere of Wayne McGregor’s critical sensation Chroma, set to original compositions by Joby Talbot and arrangements by Jack White of The White Stripes.

Choose a Date:

Thu, Apr 7, 2011, 8:00 PM

Sat, Apr 9, 2011, 2:00 PM

Sat, Apr 9, 2011, 8:00 PM

Tue, Apr 12, 2011, 8:00 PM

Fri, Apr 15, 2011, 8:00 PM

Sun, Apr 17, 2011, 2:00 PM

Wed, Apr 20, 2011, 7:30 PM

 

 

PROGRAM 7

Run Time: 2:08

Read the program notes

Underskin

Composer: Arnold Schoenberg
Choreographer: Renato Zanella

Underskin

Number Nine – World Premiere!

Composer: Michael Torke
Choreographer Christopher Wheeldon

Petrouchka – Cultural Treasure!

Composer: Igor Stravinsky
Choreographer: Michel Fokine

petrouchka

Set to a passionate composition by Arnold Schoenberg, Renato Zanella’s Underskin reveals the power and mystique of its female protagonists. Next, Christopher Wheeldon’s world premiere of Number Nine offers a rich and electrifying work for 24 dancers,followed by Fokine’s Petrouchka, the tragic tale of a puppet who possesses a human soul, only to be tortured by the emptiness and ignorance of others.

From the Hellman Family in honor of Patricia C. Hellman, also known as “Patrichka,” a former professional ballet dancer and soloist with the London Festival Ballet.

Choose a Date:

Fri, Apr 8, 2011, 8:00 PM

Sun, Apr 10, 2011, 2:00 PM

Wed, Apr 13, 2011, 7:30 PM

Thu, Apr 14, 2011, 8:00 PM

Sat, Apr 16, 2011, 2:00 PM

Sat, Apr 16, 2011, 8:00 PM

Tue, Apr 19, 2011, 8:00 PM

Word From Inside NBC on the Fate of Ill-Fated Trauma Series

Friday, October 9th, 2009

What’s the word from inside NBC regarding the fate of ill-fated Trauma? Hollywood insider Nikke Finke reports yesterday that one NBC serial just got cancelled and that:

“…Trauma is next because of its ridiculously excessive $3 million pricetag an episode.”

Shooting Trauma in the SoMA earlier this month, right where San Francisco actor Christopher Borgzinner got jumped by a gang on a moving MUNI 9 San Bruno bus during rush hour this past Monday:

3975519532_9ffaf8c6d6_b copy

via Davidity Dave

Will that be the legacy of Trauma?  Certainty that it’s just too darn expensive to “film” here?

It was nice when it lasted but now it’s gone
It was nice when it lasted but now it’s gone