(So, as I said yesterday, get your tickets at SHN now - they’re not getting any cheaper and this musical leaves us on August 26th, 2012.)
Now here’s Emily L’s review from the Orchestra Section’s Row U:
“Extraordinary musical! Les Miz is a beautiful story of a man’s life struggles, portraying bourgeois issues such as poverty, child abuse, prostitution and other political corruption in 1800 France. I was instantly enthralled from the very first scene of the show. This cast is amazing and captivating in every way. The voices went with each characters’ every movement and the visual sets were stunning. The orchestra seating was a special treat as the sound resonated throughout, spot on with the actors. In 2 hours, Les Miz will bring out smiles, pains, laughs, cries, ‘aww’s, and cheers – it’s a roller coaster ride definitely worth riding at least once!“
So there you have it.
Les Miz reminds me of that other famous, long-running show, Phantom of the Opera, in a way. But guess who saysLes Miz is “far superior?” It’s Steven Winn of the San Francisco Chronicle:
“Just saw #lesmiserables@shnsf at the Orpheum – perfection – standing ovation .. Highly recommend it!”
All right, see you there!
“Cameron Mackintosh presents a brand new 25th anniversary production of Boublil & Schönberg’s legendary musical, LES MISÉRABLES, with glorious new staging and dazzlingly reimagined scenery inspired by the paintings of Victor Hugo. This new production has been acclaimed by critics, fans and new audiences and is breaking box office records wherever it goes.
Based on Victor Hugo’s classic novel, LES MISÉRABLES is an epic and uplifting story about the survival of the human spirit. The magnificent score of LES MISÉRABLES includes the classic songs “I Dreamed a Dream,” “On My Own,” “Stars,” “Bring Him Home,” “Do You Hear the People Sing?,” “One Day More,” “Empty Chairs at Empty Tables,” “Master Of The House” and many more.
“SAN JOSE, Calif., Sept. 15, 2011 — NBC Bay Area today announced the launch of a new weekday newscast, “NBC Bay Area News at 11AM,” debuting Monday, September 19. Broadcast veteran Jon Kelley, host of Today in the Bay, will anchor the new newscast with NBC Bay Area’s Marla Tellez. The program will air following NBC’s Today Show.
Jon Kelley has spent more than 15 years in television journalism, covering news, sports and entertainment in a variety of roles. He’s won multiple awards for sports reporting, and played football for the University of Nebraska before beginning his broadcast journalism career.
Marla Tellez is a native San Franciscan who has covered news in Northern California for several years. She graduated Magna Cum Laude from Sonoma State University with a degree in Political Science and a minor in Communications, and has won multiple Emmys for producing and reporting.
“This expansion of NBC Bay Area news allows us to serve our Bay Area viewers with more of the high-quality international, national and local coverage they’ve come to expect from us,” said Jonathan Mitchell, NBC Bay Area’s Vice President of News. “We’re excited that viewers will be able to join Jon and Marla in mid-day for an update on the day’s most important stories.” About NBC Owned Television Stations NBC Owned Television Stations is the division of NBCUniversal that includes 10 local television stations and their digital channels and websites, as well as a group of out-of-home properties and a production company. The 10 stations produce and deliver compelling and unique local news, information and entertainment programming to viewers in the communities they serve, which include New York, Los Angeles, Chicago, Philadelphia, San Francisco Bay Area, Dallas-Fort Worth, Washington, D.C., Miami, San Diego and Connecticut, with a goal of connecting to their audiences anytime and anywhere.”
Now, did you see these little cuties when the internationalmotoringmedia showed up in the 415 for a test-drive not too long ago? I did. It went a little something like this. (You know, Scion could have picked anywhere in the world, but they chose us. Hurray!)
They’re calling it a 3+1 because the seat behind the driver is the smallest? It’s for “a child or a pet?” All right.
Of course the competing Smart Car is a just a two-seater. And the Smart isn’t made by Toyota, which is, of course, far and away, the best car manufacturer in the world.
In closing, hurray Scion IQ!
All the deets, after the jump.
*You know, I’ve been to a lot of car shows but I’ve never seen car show babe IRL – I must have missed that era. You’ll need to go to the Old World to see an old school car show it would seem.
Programs 6 and 7 are coming up soon – get the deets on them below. They’re what you can see on a Friday or Saturday night for just a little bit more than the price of a movie theatre ticket.
O.K. then. Program 5 certainly was a spectacle. Check the reviews, below.
Yuan Yuan Tan as the Little Mermaid, by Erik Tomasson:
“Haffner” Symphony
Composer: Wolfgang Amadeus Mozart
Choreographer: Helgi Tomasson
Translating Mozart’s elegance and warmth into visible patterns, Helgi Tomasson’s “Haffner” Symphony is a gracious celebration of effervescence and refinement.
Underskin –New! Composer: Arnold Schoenberg
Choreographer: Renato Zanella
Set to a complex, passionate composition by Arnold Shoenberg, Renato Zanella’s world premiere, Underskin, is an emotional voyage through mysterious and deep emotions.
Russian Seasons
Composer: Leonid Desyatnikov
Choreographer: Alexei Ratmansky
Following its SF Ballet premiere last season, Alexei Ratmansky’s Russian Seasons is a work of both reflection and evolution as classical poses unravel into contemporary gestures.
And all the while, the honking yellow Hummer of Main Contractor Synergy Project Management was discretely parked across the street, as discretely as possible given that it’s a honking yellow Hummer:
They’re putting it on for just one week - many sections are selling out already. This promises to be a mega show, so get your tickets now if you want a chance to see LM this go around.
Famous Yuan Yuan Tan as den Lille Havfrue:
See you there!
*Very varied. It was a balletic Rorschach Test, read the reviews.
The mise-en-scene inside -it’s like a mini water park. Throw in an orca or two and then there’d be no reason to travel to Six Flags Discovery Kingdom (aka Marine World) in Vallejo:
But who’s that atop the ladder for the yellow slide wearing his street clothes? It’s Ross!
Certainly, Trauma has been traumatic for NBC, but what about San Francisco? Would we have been better off without subsidizing this inchoate production? Did we really pay SFPD officers to just hang out around the set for the filming of twelve episodes instead of having the cops do their regular jobs?
How does the Scene in San Francisco scheme work? The TV people pay for the cops but then we turn around and give the TV people all the money back?
“What costs are eligible for refund?
Fees paid to City Departments for the use or rental of City property, equipment or employees including: Port, MUNI, SPFD [SFPD?], SFFD, DPT, DPW, Treasure Island, Recreation and Parks, and all City buildings
All daily use fees paid to the San Francisco Film Commission
All payroll taxes paid to the City and County of San Francisco.”
Certainly, Trauma was good for certain people in San Francisco, but was it good for San Francisco and San Franciscans overall? Is this the kind of thing we want to do again? Are there any Lessons to be Learned here?