This is it, this is history.
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Here’s the big news from Kenneth Baker yesterday.
“Called “In the Moment: Japanese Art from the Larry Ellison Collection,” the exhibit will include works by noted artists of the Momoyama (1573—1615) and Edo (1615—1868) periods along a 13th—14th century wooden sculpture of Shotoku Taishi; six-panel folding screens dating to the 17th century by Kano Sansetsu; and 18th century paintings by acclaimed masters Maruyama Okyo and Ito Jakuchu.”
This should be an excellent show.
All photos courtesy of the Asian Art Museum:
Shotoku Taishi as an Infant, Unknown, Kamakura period (1249-1335). Wood with polychromy. Larry Ellison Collection
Tigers (detail), 1779. By Maruyama Okyo (Japanese, 1733-1795). One of a pair of hanging scrolls; ink and light colors on paper. Larry Ellison Collection.
Auspicious Pine, Bamboo, Plum, Crane and Turtles, Edo period (1615-1868),ca. 1630-1650. By Kano Sansetsu (Japanese, 1590-1651,By Sansetsu, Kano 1590-1651. One of a pair of six panel folding screens. Ink and colors on gold. Larry Ellison Collection
Oh, and don’t forget about Korean Culture Day this Sunday, September 23, 2012. It’s free!
“IN THE MOMENT: JAPANESE ART FROM THE LARRY ELLISON COLLECTION
Asian Art Museum debuts Ellison’s Japanese art collection, coinciding with 2013 America’s Cup
SAN FRANCISCO, September 20, 2012—Next summer, as the America’s Cup Challenger Series takes to San Francisco Bay, the Asian Art Museum will feature an exhibition of Japanese art from the rarely seen collection of Larry Ellison, Oracle CEO and owner of ORACLE TEAM USA, defender of the 2013 America’s Cup.
In the Moment: Japanese Art from the Larry Ellison Collection will introduce approximately 80 exceptional artworks spanning 1,300 years. The exhibition explores the dynamic nature of art selection and display in traditional Japanese settings, where artworks are often temporarily presented in response to a special occasion or to reflect the change of seasons. In the Moment also considers Mr. Ellison’s active involvement in displaying art in his Japanese-style home, shedding light on his appreciation for Japan’s art and culture.
Included in the exhibition are significant works by noted artists of the Momoyama (1573–1615) and Edo (1615–1868) periods along with other important examples of religious art, lacquer, woodwork, and metalwork. Highlights include a 13th–14th century wooden sculpture of Shotoku Taishi; six-panel folding screens dating to the 17th century by Kano Sansetsu; and 18th century paintings by acclaimed masters Maruyama Okyo and Ito Jakuchu.
“This exhibition offers a rare glimpse of an extraordinary collection,” said Jay Xu, director of the Asian Art Museum. “We aim to present it in a fresh and original way that explores traditional Japanese principles governing the relationship of art to our surroundings and social relationships.”
The exhibition is organized by the Asian Art Museum and curated by Dr. Laura Allen, the museum’s curator of Japanese art, and Melissa Rinne, associate curator of Japanese art, in consultation with Mr. Ellison’s curator, Dr. Emily Sano.
The exhibition is on view June 28, 2013 through September 22, 2013. The Asian Art Museum will serve as the only venue for the exhibition.
For more information visit: www.asianart.org
Now why did Lexus choose San Francisco, of all the cities of the world, as the place to debut its “Laws of Attraction” exhibit and to unveil it’s brand-new LS 460 F Sport model?
I don’t know, I guess we’re special.
Hey, look who was there, high atop the Metreon at City View:
It’s the Stars of the Lexus Laws of Attraction Photo Exhibit as they pose with the 2013 Lexus LS: (left to right) Jonathan Adler, Simon Doonan, Devon Aoki, James Bailey, Jaime King, Kyle Newman, Brady Cunningham and Jason Schwartzman.
Man, this Monday night party was off the hook – I was transformed from an overweight Dell Jockey into an overweight Dell Jockey at the City View:
Oh, and what’s this just outside but four stories up, a Lexus supercar, the likes of which I’ve only seen once before? How did they get this halo vehicle to the roof of the Metreon? Crane, chopper, ramps, giant elevator? It’s a mystery:
(You can’t just buy one of these, Lexus has to invite you to buy this $400,000 car. There’s just 500 in the world, that’s it.)
The place was packed, hundreds and hundreds of party-goers were up there:
Oh, here we go, the moment of unveiling:
Do people take iPads to parties to take photos these days? People do:
See the photos behind the car? That was the point of this shindig, deets below:
A good time was had by all, all the dolled-up gals from the east and south bay and all the older dudes from Marin…
If you ever get invited to a free party hosted by Lexus, jump at the chance, is all I can say.
Get all the deets, see all the art photos of the couples, see the new, sportier Lexus, see the new “spindle” grill, see the less-luxurious, performance-oriented SPORT F sedan, see it all, right here and/or after the jump.
Here’s the full title of this sensual and opulent exhibition: “Masters of Venice: Renaissance Painters of Passion and Power From the Kunsthistorisches Museum in Vienna.”
So, it’s Hello, Vienna calling!
It’s amazing how San Francisco gets all these shows at our de Young Museum.
“Vienna’s treasures now are on loan to the de Young, the only stopping place for “Masters of Venice.” As before, with Tutankhamen and French Impressionists, Fine Arts Museums Director John E. Buchanan Jr. and President Dede Wilsey have found a golden opportunity for The City to act as a temporary “storehouse” for a collection whose home is being renovated.”
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This is it, this is your must-see show, it’s just one after the other:
What you need to know:
Venetian paintings from this period have not been shown in the United States since 1938, and they will be shown only at the de Young.
Where: De Young Museum, 50 Hagiwara Tea Garden Drive, Golden Gate Park, San Francisco
When: The exhibit continues through Feb. 12. The museum is open 9:30 a.m to 5:15 p.m. Tuesday-Sunday. It is closed Nov. 24, Dec. 25 and Jan. 1.
But remember, this all ends February 12, 2012.
See you there!
It starts off with a big photo of the Kunsthistorisches Museum, which contains one of the four big “princely collections” (along with the Louvre, the Hermitage, and the Prado)
And then, on with the show:
It’s one masterpiece after the next:
What more can you ask for?
Ever more deets, after the jump
To celebrate this morning’s kickoff of the fantastic Masters of Venice: Renaissance Painters of Passion and Power at the de Young Museum, they’re having this trunk show downstairs.
Pegge Goertzen, Artist/Designer:
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All the deets:
“Zenzara to Show Fortuny Handbag Collection at the de Young Museum in San Francisco - The Zenzara collection of couture handbags and jewelry is being presented at a trunk show at the de Young Museum in San Francisco in conjunction with the new exhibit Masters of Venice: Renaissance Painters of Passion and Power on October 28 (members only) , 29 and 30, 2011.
The Zenzara collection of couture handbags and jewelry is being presented at a trunk show at the de Young Museum in San Francisco in conjunction with the new exhibit Masters of Venice: Renaissance Painters of Passion and Power on October 28 (members only) , 29 and 30, 2011. This event follows similar, successful shows at the National Gallery of Art in Washington, D.C. and the Los Angeles County Museum of Art (LACMA).
Zenzara Artist Pegge Goertzen collects antique European textiles from the 18th, 19th and early 20th centuries and re-imagines them as new handbags, jewelry and pillows. She concentrates on handmade metallic gold and silver appliques, laces, woven braid, cords and fringes.
In the de Young trunk show, Goertzen will feature her line of unabashedly glamorous Fortuny handbags, conceived from her passion for the fabrics of another “Master of Venice,” legendary fabric maker Mariano Fortuny. Against this unique canvas, Goertzen has imprinted her own brand of artistry by creating handbags with faceted gemstones and pearls resulting in wearable art that is thoroughly modern.
The Wedding Collection from Zenzara highlights a group of handbags called “Poche” – a name coined by Demi Moore from the French word for pocket – along with a variety of purses and clutches in a range of colors from white to cream, with silver and gold. Created from antique handmade French laces of gleaming, metallic threads, the Poche handbags are mounted on silk velvet pockets, detailed with coiled fringes, tassels and handmade closures with antique buttons. Each bag contains an antique wedding hankie along with a detailed description of the antique materials used in the bag’s creation.
Goertzen will also show her newest line Zenzara Jewelry Collection – new cuffs, necklaces and earrings fashioned from antique woven braids, fringes and lace embellished with faceted gemstones and pearls.
Zenzara handbags have been in the collections of Oprah, Diane Sawyer, Patti LaBelle and Demi Moore, to namedrop a few.
The de Young Museum Store will present Zenzara Friday, October 28, from 1-8:45 pm for members, Saturday, October 29 from 9:30 am to 5pm and Sunday, October 30 from 9:30 to 3 pm. Meet Pegge and shop her collection throughout the opening weekend of Masters of Venice at the special exhibition store located at the lower level of the de Young. Or visit her new shop at Etsy.
de Young Fine Arts Museum of San Francisco – Golden Gate Park – 50 Hagiwara Tea Garden Drive, San Francisco 415-750-3600.”
SF Museum Examiner Nancy Ewart considers this exhibit:
“…an intelligent, gorgeous and vibrant show of a richly textured, religious and seductive culture.”
And Jesse Hamlin says:
“The galleries are filled with wondrous objects that seduce the eye and trigger the imagination.”
Here’s a sneak peek at todays sked, and you can get info on other events for 2011 after the jump.
Opening Celebration Friday, February 25, 2011, 10:00 am–10:15 am, Purification Dance; 12:00 noon–2:00 pm: Gamelan Music FREE with museum admission. Watch Bay Area dance troupe Gadung Kasturi open special exhibition Bali with nyapuh jagat (“sweeping the world”), the ritual cleansing dance of the self and the environment necessary before an important Balinese event. Later, hear the shimmering sounds of Bay Area ensemble Gamelan Gender Wayang.
O.K. then. See you there!
FAMSF Textile Curator Jill D’Alessandro welcomes you:
An ikat trench coat from Oscar de La Renta’s 2005 collection – see where he got his inspiration from?
Coca-Cola Kimono, Yoshiko Wada, 1975. Cotton and silk:
Can you see the wood grain from the wooden clamp on this fabric?
All right, see you there!
To Dye For features over 50 textiles and costumes from the Fine Arts Museums’ comprehensive collection of textiles from Africa, Asia and the Americas. A truly cross-cultural presentation, the exhibition showcases objects from diverse cultures and historical periods, including a tie-dyed mantle from the Wari-Nasca culture of pre-Hispanic Peru (500–900 A.D.), a paste-resist Mongolian felt rug from the 15th–17th century and a group of stitch-resist dyed 20th-century kerchiefs from the Dida people of the Ivory Coast. These historical pieces are contrasted with artworks from contemporary Bay Area artists. The exhibition highlights several recent acquisitions, including important gifts such as a pair of ikat-woven, early-20th-century women’s skirts from the Iban people of Sarawak, Malaysia and two exquisite hand-painted and mordant-dyed Indian trade cloths used as heirloom cloths by the Toraja peoples of Sulawesi, Indonesia.
To Dye For: A World Saturated in Color is organized by the Fine Arts Museums of San Francisco and supported by Olive and Bruce Baganz, Dr. Donald Breyer, Mary F. Connors, Dr. Guido Goldman, Harry and Diane Greenberg, Thomas Murray, Francesca Passalacqua and Don Ed Hardy, S. Peter Poullada and Nancy Sheppard, San Francisco Tribal, and Fifi White. Additional support provided by Britex Fabrics, Judith and Reed Content, Barbara and Dolph Shapiro, and Peter and Beverly Sinton.