Electric-powered, going uphill without apparent effort. Note flashlight on helmet:
Note throttle in right hand:
Go Bro, Go!
[UPDATE: SFPD Anti Bike Theft @SFPDBikeTheft reminds us all that a Tweet in their direction can be helpful when you see scenes such as this.
“Crimes In Progress Call 911. Report a Chop Shop call (415) 553-0123. Anti Bike Theft Information From the SFPD”]
Here it is, from Bob Bobster:
“I spotted this charming couple at work across the street from the Civic Auditorium today at about 4:30pm. at the corner of Hayes and Larkin. They had quite an assortment of tires, bike frames, and parts on display. A woman who works nearby came out of the building, and when she saw me watching told me she had already called the cops. What was their response, I asked? Well, the cops said they’d send somebody over, but unless you can prove the stuff is stolen it’s hard to do much. I went to the library and came out 10 minutes later – nothing had changed. No cops in sight. I walked around the corner to Market and saw three motorcycle cops ticketing drivers. I told one of the cops about this and he said he would call it in to the homeless squad (I’m paraphrasing here).”
Thx for the report, Bobster!
On It Goes…
Here he is, in front of the Asian Art Museum.
Art student? I’m thinking art student with $19 headphones. Anyway…
…he’s the one who took out a huge panel of glass at the formerly famous* bus stop at McAllister and Larkin last week. There’s his weapon and there’s some of the glass he broke.
A modern-day warrior/Mean mean stride/ Today’s Tom Sawyer/ Mean mean pride:
Then, as twenty-odd people were staring at him, he yelled, “You should have stopped, Bitch!”
Indeed, a #19 Polk had just passed by him and a small crowd of fellow MUNI “passengers.”
Then, Dude sauntered up Polk, thusly:
How much does it cost Clear Channel / us to fix a glass panel at a MUNI bus stop? I know not.
On It Goes…
Exit the warrior,
Today’s Tom Sawyer,
He gets high on you,
And the energy you trade,
He gets right on to the friction of the day.
*Man-child Gavin Newsom had a press conference at the old bus stop at this location, back when urban farming was hot in the late-aughts. As seen from the CAAG’s Office, 355 McAllister:
You’re invited to come to Civic Center tonight to see Game Four of the World Series on a makeshift “Jumbotron.”
See you at 5:07 PM (or earlier, to get a good spot if you want to be able to actually see the action unobstructed.)
It’ll look like this, but probably with more Matt Cain than Timothy Leroy Lincecum on the screen:
Via RubyxCube – click to expand
The SFPD requests (more or less) that you transfer your alcohol to unmarked containers, thusly:
And, oh yes, speaking of the Rec and Park, Remember to Vote No on Proposition B (November 2012), the so-called “Clean and Safe Neighborhood Parks Bond”
Well, because Prop. B is too costly for San Francisco
And also because Reform is Needed at San Francisco’s Recreation and Parks Department.
Also because area lawyer Philip Alan Ginsburg would consider passage of Prop B (November 2012) an endorsement of how he’s running the RPD.
Now, let’s hear from San Francisco Mayor Ron Conway,* after the jump. (Spoiler: He wants you to go to Chipotle’s and spend your money before you blow town.)
PS: The after party will be in the Mission District – spread the word, bring fireworks.
*Poor Sony. It appears that any television-like contraption bigger than 100 inches now gets the generic term “jumbotron.”
“Displays similar to the Jumbotron include:
Here’s the big news from Kenneth Baker yesterday.
“Called “In the Moment: Japanese Art from the Larry Ellison Collection,” the exhibit will include works by noted artists of the Momoyama (1573—1615) and Edo (1615—1868) periods along a 13th—14th century wooden sculpture of Shotoku Taishi; six-panel folding screens dating to the 17th century by Kano Sansetsu; and 18th century paintings by acclaimed masters Maruyama Okyo and Ito Jakuchu.”
This should be an excellent show.
All photos courtesy of the Asian Art Museum:
Shotoku Taishi as an Infant, Unknown, Kamakura period (1249-1335). Wood with polychromy. Larry Ellison Collection
Tigers (detail), 1779. By Maruyama Okyo (Japanese, 1733-1795). One of a pair of hanging scrolls; ink and light colors on paper. Larry Ellison Collection.
Auspicious Pine, Bamboo, Plum, Crane and Turtles, Edo period (1615-1868),ca. 1630-1650. By Kano Sansetsu (Japanese, 1590-1651,By Sansetsu, Kano 1590-1651. One of a pair of six panel folding screens. Ink and colors on gold. Larry Ellison Collection
Oh, and don’t forget about Korean Culture Day this Sunday, September 23, 2012. It’s free!
“IN THE MOMENT: JAPANESE ART FROM THE LARRY ELLISON COLLECTION
Asian Art Museum debuts Ellison’s Japanese art collection, coinciding with 2013 America’s Cup
SAN FRANCISCO, September 20, 2012—Next summer, as the America’s Cup Challenger Series takes to San Francisco Bay, the Asian Art Museum will feature an exhibition of Japanese art from the rarely seen collection of Larry Ellison, Oracle CEO and owner of ORACLE TEAM USA, defender of the 2013 America’s Cup.
In the Moment: Japanese Art from the Larry Ellison Collection will introduce approximately 80 exceptional artworks spanning 1,300 years. The exhibition explores the dynamic nature of art selection and display in traditional Japanese settings, where artworks are often temporarily presented in response to a special occasion or to reflect the change of seasons. In the Moment also considers Mr. Ellison’s active involvement in displaying art in his Japanese-style home, shedding light on his appreciation for Japan’s art and culture.
Included in the exhibition are significant works by noted artists of the Momoyama (1573–1615) and Edo (1615–1868) periods along with other important examples of religious art, lacquer, woodwork, and metalwork. Highlights include a 13th–14th century wooden sculpture of Shotoku Taishi; six-panel folding screens dating to the 17th century by Kano Sansetsu; and 18th century paintings by acclaimed masters Maruyama Okyo and Ito Jakuchu.
“This exhibition offers a rare glimpse of an extraordinary collection,” said Jay Xu, director of the Asian Art Museum. “We aim to present it in a fresh and original way that explores traditional Japanese principles governing the relationship of art to our surroundings and social relationships.”
The exhibition is organized by the Asian Art Museum and curated by Dr. Laura Allen, the museum’s curator of Japanese art, and Melissa Rinne, associate curator of Japanese art, in consultation with Mr. Ellison’s curator, Dr. Emily Sano.
The exhibition is on view June 28, 2013 through September 22, 2013. The Asian Art Museum will serve as the only venue for the exhibition.
For more information visit: www.asianart.org
Day 128 or so:
The Asian Art Museum Blog has the news about the big new piece that’s just been installed in Civic Center. It’s all a part of Phantoms of Asia: Contemporary Awakens the Past, which starts May 18th, 2012 at the Asian Art Museum.
Here’s the video of them installing it yesterday afternoon:
And here’s what it looked like yesterday evening:
Click to expand
The HuffPo has the story:
“Timed to coincide with the Asian Art Museum‘s Phantoms of Asia exhibition, Civic Center Plaza will soon play host to Korean artist Choi Jeon Hwa’s Breathing Flower sculpture–a 24-foot tall, bright red recreation of a lotus flower with motorized petals set up to open and close throughout the course of the day.
A curatorial statement from the Asian Art Museum details some of the meaning behind the work:
“Looking closely at this large lotus by artist Choi Jeong Hwa one notices that it appears to be full of life, its petals slowly inhaling and exhaling. This is typical of the work of Choi, who takes pleasure in giving new life and meaning to otherwise inanimate and disregarded materials. Long a familiar flower in Asia and associated with both Hindu and Buddhist mythology, the lotus is remarkable for its ability to emerge from murky waters and mud, and blossom into an elegant flower. Choi created his lotus from everyday materials that, unlike a real lotus, will never disintegrate and die, and ultimately urge the viewer to meditate on the beauty and fragility of the natural world around us.”