Posts Tagged ‘movie’

San Francisco Catches Antman Fever: “Marvel’s Ant-Man – Trailer 1″ – Filmed On Location, Sort Of, Last Year

Wednesday, April 15th, 2015

Oh, now I get it – San Francisco-based Ant-Man, he’s just a little guy!

Some of the the time, anyway:

Boy, this looks like it’s the start of an extremely generic super-hero series.

But prove me wrong, Marvel.

Prove me wrong.

Here It Is, the First “Full Look” at Marvel’s Ant-Man, Shot in Town Last Year – Can’t See Much of Frisco In It – Release Date is July 17th

Friday, April 10th, 2015

This is what all that fuss was about in the 94117 last year:

Principal photography began on August 18, 2014 in San Francisco, with Russell Carpenter serving as cinematographer.[16] Scenes were scheduled to be shot in the Tenderloin neighborhood and Buena Vista Park.[103]

And then there’s this:

FLASHBACK: Watch a Young Jack Bauer Meet with Dennis Hopper in Front of City Lights Bookstore a Quarter-Century Ago

Monday, March 2nd, 2015

[UPDATE: Extended Dance Version here – I’m afraid this has become an earworm.]

The film Flashback had bad reviews for the most part, but don’t let that stop you from enjoying 25 year old footage from a pre-streetscaped,* pre-SFMTA* North Beach:

You see, at the beginning Jack Bauer was the uptight one and Dennis Hopper was the hippie – that’s the whole movie.

And it’s the later version of Big Audio Dynamite doing the audio – quite bouncy with plenty of orchestra hits and Rolling Stones samples.

Oh, and note the old-school MUNI bus at 0:03 in the window reflection…

*AND THAT WAS THE WAY WE LIKED IT!

“If I do what I wanted
I just don’t have the time
I want to ride my motorcycle
Into the sunshine

My tv is laughin’
Makin’ me feel small
Like I’m sad in a cell
All I can is these walls
And I never want to see another shopping mall

[Chorus:]
Oh Free
To be what I will
Oh Free
I’ll keep it up till
I’m Free
Or I won’t have nothing at all
(End Chorus)

This is my life
I’m livin it, I will pay
But why should I care about all that today
I need a head start
And I don’t want to stall
Gonna take a bulldozer to break down the walls
And I never want to see another shopping mall

[Chorus:]

And I know ’bout all the graveyards
Tumble-down farms and shacks
I’ve gotta get out on the highway
And I’m not comin’ back
There’s a small town in the mountains where I’ll do my thing
It’s this Credit Card Livin’ I find Stifling
I wanna see the river turning into the falls
Been down for so long now I wanna stand tall
So I’m packing my belongings and fear into my hold-all
And I never wanna see another Shopping Mall
Shopping Mall

(Flashback Soundbyte)
Once we get out of the 80’s the 90’s are gonna make the 60’s look like the 50’s

(Flashback Soundbyte)
Woah! Whew! I aint had a rush like that since the Berkeley Riots!

(Flashback Soundbyte)x4
It should be kicking in by now

(Flashback Soundbyte)
Ugh. I actually got him.

Look Who Else was Doing Chalk Ads on the Sidewalks of San Francisco: Paramount Pictures – “What is CLOVERFIELD? 1-18-08″

Monday, February 9th, 2015

This one flew under the radar, AFAIK:

GO8F6579 copy

Seven years later, here in 2015, you can’t get away this kind of thing anymore…

Oh No, Hollywood Attacks SF Once Again: “PIXELS” Coming July 24th – Golden Gate Bridge in Jeopardy, Again – Sandler!

Thursday, January 22nd, 2015

This PIXELS movie looks absolutely dreadful already:

PixelsMovieTeaserPoster copy

I decided that PIXELS will be a horrible movie after seeing this teaser poster and then reading about 14 words into this description:

When aliens misinterpret video-feeds of classic arcade games as a declaration of war, they attack the Earth using the games as models for their various assaults. President William Cooper (Kevin James) calls upon his childhood best friend, former 1980s video game champion Sam Brenner (Adam Sandler), who is now a home theater installer and had a previous relationship with William’s wife (Jane Krakowski) to lead a team of old-school arcaders (Peter Dinklage and Josh Gad) to defeat the aliens and save the planet.

So, Pac-Man attacking the GGB + Adam Sandler + 3D + 95% Want To See = HORRIBLE.

Here I stand, I can do no other, so help me God. Amen.

Explaining Why the “Haight Street Rat” Isn’t “as close as you can get to the intention that Banksy had”

Wednesday, January 21st, 2015

Here it is, back in 2010. That greenish building that used to be a bank housed Villains Vault at the time:

Click to expand

Detail, camera left:

Und camera right:

A thin red line connects these two elements, one assumes.

Here’s the update:

Banksy’s ‘Haight Street Rat’ graffiti holes up in an S.F. gallery by Rachel Howard

Now let’s say that Banksy caught Villains Vault displaying and selling unlicensed Banksy reprints as well as stuff from other street artists, you know, flagrantly, back in 2010. So then Banksy was all enough is enough, so he was all THIS IS WHERE I DRAW THE LINE.

And then he drew the line.

So really, the line is the piece, instead of the rat, right?

So if you just have the rat, you’re missing part of the story, right?

So it’s not just The Rat In The Hat Comes Back, right? I’m not saying that Banksy is all that deep but he’s deeper than a simple put-a-beret-on-it.

Now I understand why that KRON guy just went for the rat, but to do this job “as close as you could get to the intention Banksy had,” you’d have gotten the rest of the piece.

Just saying.

Or, IOW:

“The original Haight Street Rat stencil is a beret-wearing rat clutching a marker and a red line that extends from the rat to the neighboring building on the corner of Haight Street and Belvedere Street. On the adjacent building, the rat has seemingly written the text “THIS IS WHERE I DRAW THE LINE” in red which can be seen from the street above a clothing store that allegedly took street artists’ works and printed them on T-shirts and other apparel for sale without giving the artists any credit or revenue.”

Or IOW:

“Named the Haight Street Rat for its placement atop a Victorian building on Haight Street, the stenciled rat clutching a red marker is now neatly framed and displayed in a location entirely unlike the one in which it was created: the lobby of the U.S. Bank Tower in downtown L.A., the city’s tallest tower and perhaps its most conspicuous symbol of capitalism. It’s a baffling venue for a piece of site-specific street art that initially wrapped across two buildings…

20th Anniversary of the Biggest Thing in Bay Area Surfing History: “Jay Moriarity – Insane Wipeout at Mavericks”

Monday, December 22nd, 2014

Here it is, The Legacy of Jay [Moriarity], Surfer Magazine

Our Inefficient, Wasteful San Francisco Film Commission is Desperately Trying to Justify Itself – Potential Marketing Efforts

Friday, October 31st, 2014

These aren’t real ads, not yet. But they show you how the SFFC is thinking:

Capturegdfgd

(BTW, what the SFFC calls a “job” is what I’d call a gig, some of which are offered at less than minimum wage, just like the America’s Cup)

All film commissions are bad.

How is the SFFC better than any of the rest?

How is the SFFC better than SF’s recent hosting of the disastrous America’s Cup?

BTW, NBC’s Trauma medical drama was a big piece of shit, you know, frankly. Now people might say that I shouldn’t say that, but I don’t think they’d contradict me. Yes, the Trauma people spent some money and some people benefited, but there’s no reason why they should be treated any different than any other group of visitors coming to town. Anyway, Trauma sucked, big-time, despite what the SFFC people said about it. And part of the reason why it was cancelled had to do with how damn expensive it was to film on the Streets of San Francisco. So, what I’m saying is that maybe the whole concept of filming Trauma on location in SF was a bad idea – I’m certainly not saying we should have subsidized its production even more than we did.

And if Hollywood says it doesn’t want to come here to film, that’s O.K. Some productions, the ones that make sense, will come anyway.

Anywho, look for one of these feel-good banner ads to appear on your screens soon…

Fin.

“FIREWALL” Starring Political Operative Nicole Derse, AirBNB, and Supervisor David Chiu – FIREWALL. FIREWALL, FIREWALL

Monday, October 20th, 2014

Messrs. Matier and Ross once again, Automatic For The People, Baby:

“Now we’ve learned that Chiu’s campaign consultant, Nicole Derse, is a partner in the consulting firm 50 + 1 Strategies. The firm was hired by Airbnb to recruit people who rent out their homes to lobby supervisors to support a bill friendly to the company. Derse tells us she’s never discussed Airbnb with Chiu and didn’t work on the lobbying effort. “We have a firewall between the two operations,” she said. For his part, Chiu said that “50 + 1 are not lobbyists. Early on, we sat down and set up a firewall…”

And here’s the movie poster:

Firewal

Today’s post was brought to you by the letter “F” (which stands for … FIREWALL. FIREWALL, FIREWALL, FIREWALL. FIREWALL, FIREWALL!)

Your new mantra is … FIREWALL!

Not “Chinese Wall,” oh no, that phrase is out with the trash, which was fucking news to me back in the Aughts, back about ten years ago. You see, it’s considered racist because, you know, I still don’t get why. The Great Wall of China stood the test of time right? Cf. Maginot Line, right? Oh, now I see why – it’s cause one judge decided to go off on the issue about a decade ago. Hey, Yick Wo v. Hopkins, now I can see how that was racist, you know some policy instigated by the SF Board of Supervisors because it was politically expedient, something David Chiu might sympathize with, but anyway. Actually, I still don’t get why Chinese Wall is racist.)

So fine, pick a different phrase. ANYTHING BUT “FIREWALL.” When you’re colluding about the Message of the Day, about How To Deal With Matier And Ross, work it out so that PERSON A says firewall and PERSON B says, I don’t know, ethics wall or sacred division, or something.

Just saying.

(Also, “50 + 1 Strategies” should probably change its name to 51 Strategies - why make people do math unnecessarily?)

Now, Ode to Firewall, that magical cure-all word what makes the pain go away

In India we`re all the rave
Discovered that its great as aftershave
Dropped in the sea just off Japan
Swapped 20 bottles for an aqua-walkman
Immunity from ridicule
Improves your brains if you`re a fool
And I read in the Middle East
They traded some for a hostage release
Now if you`re bald it`ll give you hair
If you got straight trousers it`ll give you flares
Feeling up you`ll get depressed
Out of style here`s a brand new dress

It was really vile weather
When we got to tarred and feathered
You could hear the six guns sound
As they chased us out of town

The stuff we sell is just the best
Passing all consumer test
Days of heaven nights of sin
Voodoo stick and sharks fin
When all around you seems like hell
Just one sip will make you well
Multipurpose in a jar
If you ain`t ill it`ll fix your car
In days of yore for all bad feelings
Washing socks and stripping ceilings
Nowadays its used medicinally
For all known human malady

It was really vile weather
When we got to tarred and feathered
You could hear the six guns sound
As they chased us out of town

Guaranteed don`t you know
Money back?
You`ll get a no!
It`s the one and only medicine show

“TO BE TAKEI” Opens at Our Sundance Kabuki Theatres in Japantown August 22nd

Thursday, July 31st, 2014

I haven’t seen this one, but you might want to:

“TO BE TAKEI” (90 minutes)
Directed by Jennifer Kroot
Co-directed and edited by Bill Weber

Opens August 22
Sundance Kabuki in San Francisco

Additional information is available at: http://tobetakei.com/

A documentary portrait of famed Japanese American actor, and LGBT activist George Takei, TO BE TAKEI is an Amplify/Variance Films and Starz Digital Media release, runs for 90 minutes, is in English, and is not yet MPAA rated.  

Over seven decades, actor and activist George Takei boldly journeyed from a WWII internment camp, to the helm of the starship Enterprise, to the daily news feeds of five million Facebook fans and his activism of LGBT rights. TO BE TAKEI takes viewers on George and his husband Brad’s playful and profound trek for life, liberty, and love.

TO BE TAKEI premiered at the 2014 Sundance Film Festival. In June of this year, the film screened as the Centerpiece Documentary at Frameline38, the San Francisco International LGBT Film Festival. Additionally, George Takei was awarded the Frameline Award for his achievements in the media arts, as well as his unparalleled activism and community service.

About the Director Jennifer M. Kroot   
Jennifer Kroot directed the documentary feature IT CAME FROM KUCHAR about the legendary underground filmmaking twins George and Mike Kuchar. Jennifer also wrote, directed and starred in the gender bending, sci-fi, narrative feature SIRENS OF THE 23RD CENTURY. She has received grants from the Andy Warhol Foundation, Creative Work Fund, Frameline, the Pacific Pioneer Fund, California Civil Liberties Public Education Program and the Fleishhacker Foundation. Kroot lives in San Francisco and studied film at The San Francisco Art Institute (SFAI), where she now teaches film. She has been a guest lecturer at Stanford and Denver University.

About the Editor/Co-director Bill Weber   
Bill Weber is a San Francisco based documentary editor. He directed and edited the documentary feature THE COCKETTES, which premiered at the 2002 Sundance Film Festival. Bill co-directed and edited the documentary feature WE WERE HERE, which played at the 2011 Sundance and Berlinale festivals. Bill recently edited THE GALAPAGOS AFFAIR, which premiered in 2013 at the Telluride Film Festival and the Oscar nominated documentary short film, THE FINAL INCH. He also edited the award winning documentaries LAST LETTERS HOME and THE ALZHEIMER’S PROJECT amongst other projects.