Posts Tagged ‘museum’
“LEGION CORPORATION” Spotted in the Twitterloin – Using SFChron/SFGate to Spread Your Message in a Post-CWNevius WorldTuesday, December 6th, 2016
It’s sort of funny how a man who likes to threaten to sue the San Francisco Chronicle ended up with this, this thing placed(?) on SFGate to praise him.
(And now with CWNevius gone, how else will this character get such laudatory coverage, one wonders.)
Anywho, this is the LEGION CORPORATION what paid for the above to appear on SFGate, ostensibly.
As seen Golden Gate Ave n the northern part of the taxpayer-funded Twitterloin Enterprise Zone…
Now, last I heard, Randy Shaw was mulling over suing the San Francisco Chronicle over something to do with this bit here, but now SFGate is hosting “sponsored” stuff like the above? (What’s that – SFGate aint the Chronicle? Well, yes and no. It sure’s hell looks like the Chron. Moving on, “Beyond the Chron”…)
To this, Comrades. The LEGION CORPORATION. Achtung, baby!
WTF to that.
And then we’re supposed to click on About Sponsored Stories? IDTS, Brother. That’s just what The Man wants me to do. So IDK what’s on that link.
Now let’s do some reading:
“There are so many people that have stood at the forefront freeing these neighborhoods and their citizens from crime and blight like Randy Shaw. Randy Shaw is an ikon in the development of the Tenderloin. He has practiced law in the protection of the Tenderloin and its residents, developed housing as Executive Director of the Tenderloin Housing, co-founded Uptown Tenderloin, Inc., a nonprofit organization that helped create of the Uptown Tenderloin Historic District in 2009 the Tenderloin Museum.”
Is this a translation from another language? Sure seems that way. And the kicker is that he/she/they spelled icon with a “k!”
I don’t know what the hell’s going on here. Who will set it straight/ this Watergate?
Specifically, I wanna know who wrote this, and why.
That’s the important part, the why.
(‘Cause you can’t have a real blog page without links and a Comments section, right?)
I’ll tell you, Gentle Reader, the Tenderloin hasn’t changed a bit since the 1980’s. Sure, it used to have a Sizzler Family Restaurant with All You Can Eat salad bar, but now it don’t, big deal. Fundamentally, not much has changed, at all.
All right, I dare anybody to read the whole* of HOW A HANDFUL OF BUSINESS OWNERS ARE HELPING THE TENDERLOIN.
And then explain it to me, like I’m a Golden Retriever.
‘Cause I aint never seen this.
*I just skimmed this one, using the Control F to get to what I think the nuf graf is. Hey, how many people would actually read this, this thing? How many real readers did it have? Who’s the target, Airbnbers from Italy staying in the Twitterloin? Or Japanese tourists suckered into staying at a bedbug hotel “near Union Square” for $299 a night? And how much did it cost to post? And how much per actual Reader? $10 a Reader? $100 a Reader? Does it make any sense at all to do this kind of thing? Or maybe there’s some other point to this exercise? I gots to know!
Here it is:
“FOR IMMEDIATE RELEASE: NEW SAN FRANCISCO MUSEUM OF MODERN ART NOW OPEN – Congresswoman Nancy Pelosi and Mayor Edwin Lee Joined SFMOMA Director Neal Benezra, Board Chairman Charles Schwab and Board President Bob Fisher to Inaugurate Expanded Museum – More than 5,000 Visitors Welcomed to Museum For Free Today
The new SFMOMA from Howard Street; photo by Devlin Shand, courtesy Drew Altizer Photography
Charles Schwab, Robert Fisher, Neal Benezra and Nancy Pelosi, Edwin Lee and Craig Dykers; photo by Drew Altizer, courtesy Drew Altizer Photography
SAN FRANCISCO, CA (May 14, 2016)—With a blizzard of red confetti, the San Francisco Museum of Modern Art (SFMOMA) opened its doors to the public today, May 14. Opening Day festivities were attended by local dignitaries, members of the Bay Area arts community and the general public. After the program, the first visitors were welcomed to the new museum by SFMOMA staff and leadership.
The program included remarks by Congresswoman Nancy Pelosi, Mayor Edwin Lee, SFMOMA Board Chairman Charles Schwab, SFMOMA Board President Bob Fisher and SFMOMA’s Helen and Charles Schwab Director Neal Benezra. The museum distributed more than 5,000 free timed tickets for Opening Day to the public. Surrounding cultural institutions including the Museum of the African Diaspora, the Contemporary Jewish Museum, the Yerba Buena Center for the Arts, the Children’s Creativity Museum and many more throughout the Yerba Buena Cultural District also offered free admission and programming to celebrate the return of SFMOMA to the neighborhood.
“After years of planning and construction, it feels terrific to welcome visitors back to the museum,” said Neal Benezra. “With our goal of providing more art to more people, now and for generations to come, we are excited to share the new museum experience we have created that features the distinguished Doris and Donald Fisher Collection, new works gifted or promised to us by 230 generous donors and the Pritzker Center for Photography which deepens our commitment to the medium.”
SFMOMA, which opened today with 19 inaugural exhibitions, underwent a three-year transformation to add a 10-story expansion designed by international architecture firm Snøhetta that nearly triples its gallery space, allowing the museum to show more of its exceptional collection of modern and contemporary art. With free admission for guests ages 18 and younger and 45,000 square feet of free public space, SFMOMA is more open to the community than ever before.
“Today, with the opening of this gorgeous museum expansion, San Francisco affirms our city’s place as a global leader of art and culture,” said Congresswoman Pelosi. “The new SFMOMA is a manifestation of our city’s deep respect for creativity, and it embodies the spirit and the generosity of the entire Bay Area Community. For that, we are very proud, and very thankful indeed.”
“San Francisco is a city of big ideas, and SFMOMA is a really big idea—and now, a big reality,” said Mayor Lee. “Not only is the new SFMOMA a place to showcase innovative art, culture and education initiatives, but it is a piece of art itself in the Yerba Buena Art District. The museum is a major draw for visitors, residents, families and youth from around the world, and its contribution to the Bay Area economy will now grow significantly with its new expansion.”
SFMOMA OPENING DAY EVENTS
SFMOMA’s Opening Day began with street performers on Howard Street including entertainment by the Circus Center, SFJAZZ High School All Stars, the San Francisco Youth Ballet Ribbon Dancers and We Talk Chalk.
After remarks, at the museum’s new entrance on Howard Street, the speakers and architect Craig Dykers, founding partner of Snøhetta, ceremonially opened the museum by pressing a large red button with the new SFMOMA logo on it, releasing a blizzard of red confetti from the roof of the new museum and adjacent buildings. The Golden State Warriors Aftershock Drumline played while SFMOMA staff members in red shirts paraded with large red balloons. Ribbon dancers from the San Francisco Youth Ballet led the first visitors into the building.|
Free admission on Opening Day was made possible in part by PG&E, a partner in making the new SFMOMA a model for energy efficiency for art museums through participation in the Step Up and Power Down and Savings by Design programs, The Yerba Buena Community Benefits District and the museum’s Premier Sponsors Bank of America and Cadillac.
SFMOMA HOURS AND ADMISSION
SFMOMA is open to the public seven days a week from 10 a.m. to 5 p.m. through Labor Day. Free public spaces open at 9 a.m. daily. The museum hosts extended hours on Thursdays until 9 p.m., giving visitors the opportunity to enjoy exhibitions and programs in the evening.
Annual membership begins at $100, and members enjoy unlimited free admission (with advance reservation). Adult admission to SFMOMA is $25 and admission for seniors 65 years and older is $22. Admission for visitors ages 19 through 24 is $19. SFMOMA provides free admission to all visitors 18 and younger, furthering its goal of building the next generation of art lovers.
San Francisco Museum of Modern Art
151 Third Street
San Francisco, CA 94103
Founded in 1935 as the first West Coast museum devoted to modern and contemporary art, a thoroughly transformed SFMOMA features significantly enhanced gallery, education and public spaces. With six art-filled terraces, a new sculptural staircase and Roman steps where the public can gather, access to 45,000 square feet of free art-filled public space and free admission for visitors age 18 and younger, SFMOMA is more welcoming and more connected to San Francisco than ever before.
Visit sfmoma.org or call 415.357.4000 for more information.
Frisco Update: What’s “OUR VERSION OF THE LOUVRE” Museum? – It’s Levi’s Stadium, Per the Super Bowl L Host CommitteeTuesday, December 22nd, 2015
[UPDATE: Well I can’t really change the headline now, but perhaps it’s Levi’s Stadium itself running these ads? IDK.]
In the words of Hannibal Lecter, WHAT COULD BE MORE OFFENSIVE?
Via Reader James Corrigan comes this:
(I thought it was officially Super Bowl L, but I guess we want to Keep Things Simple for fans by calling it SB 50?)
I’ll tell you, I know people who spend three(!) hours a day getting back and forth to northern Santa Clara County and that’s with the benefit of carpool lanes. But if you want to spend your time (what, four hours?) going to and coming back from Much Further South, like all the way down to the city of Santa Clara, well then be my guest. (Bring money.)
What are the headwinds here? Domestic Violence? Concussion Dangers? Losing Record? Personal Seat Licenses Dropping In Value By 80%? Coldplay? (Fucking) Train? Addled Transit In The 415 With Zero Compensation From The NFL / Our Vaunted Host Committee? (Hoist Committee? Heist Committee?)
LEVI’S STADIUM, I served with THE LOUVRE.* I knew THE LOUVRE.* THE LOUVRE was a friend of mine.* LEVI’S STADIUM, you’re no THE LOUVRE.
Let’s mark this down as 2015’s Most Offensive Pop-Up Ad of the Year.
*Oh, not actually – I’ve never been to Paris.
de Young Museum Launches Official App – Uses Interactive 3D Mapping and Indoor Positioning Technology – iOS Only, for NowThursday, October 29th, 2015
I’ll have to dig up my iPod Touch to check this out sometime:
“de Young Museum Launches Official App
App uses Interactive 3D Mapping & Indoor Positioning Technology
SAN FRANCISCO (October 29, 2015) – The Fine Arts Museums of San Francisco are pleased to unveil the official de Young Museum app. The de Young collaborated with Guidekick, a local start-up that offers a mobile application platform focused on visitor experiences to create an app that takes advantage of Apple’s indoor positioning technology to improve visitor experience. The de Young is the first museum to take advantage of this new technology.
“We’re thrilled to help pioneer the future for museum experiences at the de Young here in the innovation capital of the world, San Francisco” said Mark Paddon, CEO of Guidekick. “The stunning architecture was the perfect application for our 3D mapping and new indoor location technologies have allowed us to truly reimagine the ideal visitor experience.”
The de Young Museum app serves as a personal tour guide for museum-goers, featuring a 3D map of the building that pinpoints a visitor’s location to ease navigation and way-finding. The app also offers thematic tours of the permanent collection using images and audio from the museum’s curatorial team. This original content is available exclusively through the app.
The app allows a user to select a thematic tour that carefully leads them to a curated selection of works, or to navigate the galleries more freely, as location-aware alerts notify them when they pass by key artworks. The app includes selections from the museum’s collection of art from Africa, Oceania, and the Americas; early American and contemporary American art; and special features on the unique architecture of the building.
Unlike many audio tours the de Young app automatically triggers content without requiring the visitor to take an additional action, such as typing a number or scanning a code. The app has also been carefully designed to help visitors engage with artwork without visual distraction, and to avoid disrupting the experience of other patrons. Users put the phone to their ear to trigger the recording, which then plays privately, mirroring the receiving of a phone call.
The app also offers insights into the visitor experience, helping the de Young to build richer, more tailored experiences for visitors.
“Our museums are determined to take best advantage of the Bay Area’s strong focus on technological innovation,” said Gary Castro, chief information officer of the Fine Arts Museums of San Francisco. “We’ve already begun work on an app for the de Young’s sister museum, the Legion of Honor, and our experience here will help inform the development of all kinds of new digital tools.”
I’m Calling It: Our Tech Bubble Will Burst in 2016, When Raphael’s “Portrait of a Lady with a UNICORN” Arrives at PoLoHFriday, September 25th, 2015
1515: The Age of Great Masters
2015: The Age of Unicorns:
The Tempting of Fate begins Jan 9, 2016:
This focused exhibition features one of Raphael’s most beguiling and enigmatic paintings. The masterpiece, presented in the United States for the first time, will be lent by the Galleria Borghese in Rome, where it was first recorded in the collection in 1682.
Portrait of a Lady with a Unicorn (ca. 1505–1506) features an unidentified blond-haired sitter and epitomizes the beauty of Raphael’s female portraits during his Florentine period. The exhibition will explore the possible identity of this subject, as well as the painting’s distinct iconography, including the unicorn she holds in her lap. Scholars believe that the painting was commissioned to celebrate a wedding, and the unicorn, a conventional symbol of chastity, may offer clues to her familial lineage.
The exhibition further highlights the stylistic relationships between this masterpiece and Leonardo da Vinci’s Mona Lisa. Leonardo’s canonical work, painted in Florence in the early years of the 16th century, had a great impact on the younger Raphael, who also practiced in the city during this period. Raphael’s sophisticated adaptation of Leonardo’s innovations in portrait compositions resulted in Portrait of a Lady with a Unicorn, a painting that hints at the Mona Lisa with its half-length format, its sitter with hands folded in her lap, and its setting before a distant landscape. Visitors will be able to explore Raphael’s painting in detail and get a glimpse into its intriguing history.
About the Artist
Painter, draftsman and architect Raphael (1483–1520) was one of the most famous artists working in Italy during the period from 1500 to 1520, often identified as the High Renaissance. His paintings are noteworthy for their great beauty and harmony, epitomizing the Renaissance virtues of balance and ideal form. His later production exhibits an interest in expressing movement and emotion through narratives. He is best known for religious subjects, portraits, and historical scenes.
This exhibition is organized by the Fine Arts Museums of San Francisco and the Cincinnati Art Museum in collaboration with the Foundation for Italian Art and Culture. The Legion of Honor presentation is made possible by a lead sponsorship from the Frances K. and Charles D. Field Foundation, in memory of Mr. and Mrs. Charles D. Field.