This is what it looks like
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Here’s the pitch:
“An explosive and historic book of true crime and an emotionally powerful and revelatory memoir of a man whose ten-year search for his biological father leads to a chilling discovery: His father is one of the most notorious-and still at large-serial killers in America.
Soon after his birth mother contacted him for the first time at the age of thirty-nine, adoptee Gary L. Stewart decided to search for his biological father. It was a quest that would lead him to a horrifying truth and force him to reconsider everything he thought he knew about himself and his world.
Written with award-winning author and journalist Susan D. Mustafa, The Most Dangerous Animal of All tells the story of Stewart’s decade-long search for his father following a complex trail of startling twists and connections. Combing through government records and news reports and through conversations with his father’s relatives and friends, Stewart turns up a host of clues, including forensic evidence, identifying his father as one of the most infamous and still-wanted serial killers in American history.”
But hey, what does the SFPD have to say about all this? Have they even had a chance?
I asked if HarperCollins had contact with the San Francisco Police Department, for verification purposes. No, and apparently for good reason. According to the book, Andreadis said, the San Francisco Police Department “knew more than they’re willing to admit.”
All right, well officially this book is being published today, May 13th, 2014.
That’s the news
You see, first the new air traffic control tower was all like this.
But now it’s all like this:
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“Pukao are the hats or topknots formerly placed on top of some moai statues on Easter Island. They were all carved from a very light red volcanic stone scoria, which was quarried from a single source at Puna Pau.”
In my day, ATC towers were symmetrical, AND THAT WAS THE WAY WE LIKED IT!
These days, IJDK, IJDK:
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They’ve made some progress the past five months:
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Mike Billings has the deets:
“Toddlers climbed all over the smaller River Play Area, which is designed for kids 6 months to 2 years old, while gaggles of older children scaled the nearby Polar Zone’s white structures, built for kids ages 2 through 5, and climbed through the Banyan Tree structure, constructed for kids ages 5 through 12.”
I defy you to visit and photograph this place well – sure is hard to show what it looks like. But Mark Simmons gets the job done here, with drawings.
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So what you do is check the place out on Free Day (free for San Francisco residents, that is – the next one is January 8th, 2014) and then decide if it’s worth it for you and the fam to get an annual Family Membership for $115.
If you all live close enough, it very well could be worth getting a membership just for the new playground.
See you there!
“After several years of fundraising, planning, and design, and over one year of construction, the Elinor Friend Playground at the San Francisco Zoo is ready for its grand re-opening. As part of The Americas Campaign capital campaign chaired by Dianne Taube, this $3.2 million project has been made possible in large part by the Friend Family and other generous donors. Additional naming rights within the Playground are still available at this time, totaling approximately $1 million (see the form below to help with this important project). This 36,000-square-foot, state-of-the art project is sure to ignite the imaginations of the 300,000 children of all ages and abilities who visit the Zoo each year.
The new playground is modeled after three distinct bio-regions, which take their themes from specific ecosystems and appeal to distinct age groups: a River Play Area for toddlers (6 months-2 years), a Polar Zone exploration space for pre-schoolers (2-5 years), and a Banyan Tree climbing structure for pre-teens (5-12 years). Along with striking natural forms, the architecture integrates a wide range of materials and textures in glorious detail that mimic those found in nature and encourage curiosity among young explorers. As an example, a charming frog sculpture in the River Play Area acts as a symbol of the Zoo’s mission to connect people with wildlife, inspire caring for nature, and advance conservation action. In support of this mission, a portion of the funds raised for the playground will go toward the Zoo’s Sierra Nevada Yellow Legged Frog Conservation Program. Click here for more information about this program.
Crawling through a beaver dam, sliding down an iceberg, or swinging through a tree, all children share opportunities for unique wildlife adventures, take age-appropriate risks, and immerse themselves in naturalistic environments. Each of the play structures is built with fully compliant ADA accessibility features to accommodate children with physical and mental disabilities, with a strong emphasis on exploration and adventure encouraged for all.
In partnership with the Mayor’s Office on Disability, the unique design of the Playground is the work of Scientific Art Studio, a multi-faceted design and fabrication facility located in Richmond, California. Led by Founder and Creative Director Ron Holthuysen, the Zoo’s Playground team includes artists and skilled craftspeople with experience in every material and technique imaginable, in particular reclaimed redwood tree trunks, sculptural cement composite on steel frames, woven rope, and even living vegetation. The contracting work on the project was done by Rudolph Commercial Interiors, Inc. (RCI), located in Emeryville, California.
Near the entrance to the Fisher Family Children’s Zoo and adjacent to the expansive Playfield Lawn, the Playground is located at the historic heart of the San Francisco Zoo. A natural extension of the Zoo’s Wellness Initiative, which focuses on the quality of life for all Zoo animals and visitors, the Playground will encourage movement and creativity for its guests and provide an excellent value to Zoo Members, who receive free admission each day of the year. Join today!