Posts Tagged ‘program 6’

Our Excellent San Francisco Ballet’s Excellent 2012 Season is Already Half Over – Programs 5 and 6 Run Through April 1, No Fooling

Wednesday, March 21st, 2012

Well, Programs 5 and 6 are debuting this week at our world-class San Francisco Ballet, and they’ll run through April 1st, 2012.

But don’t take my word for it. Instead, take the words of Teri McCollum in the newish Odette’s Ordeal website. (OMG, there’s a lot of stuff in there.)

All right, see you at the ballet!

Program 5OPENING NIGHTWednesday, March 21, 20127:30 PM

THE FIFTH SEASON
Choreographer: Helgi Tomasson
Composer: Karl Jenkins
Conductor: Martin West
Frances Chung*, Davit Karapetyan
Sarah Van Patten, Pierre-François Vilanoba
Yuan Yuan Tan, Damian Smith

INTERMISSION

World Premiere
SYMPHONIC DANCES
Choreographer: Edwaard Liang
Composer: Sergei Rachmaninoff
Conductor: Martin West
Yuan Yuan Tan*, Vito Mazzeo*
Sofiane Sylve*, Tiit Helimets*
Maria Kochetkova*, Vitor Luiz*

INTERMISSION

GLASS PIECES
Choreographer: Jerome Robbins
Composer: Philip Glass
Conductor: Martin West

Courtney Elizabeth, Hansuke Yamamoto
Elana Altman, Anthony Spaulding
Dana Genshaft, Sean Orza*
Sofiane Sylve*, Pierre-François Vilanoba

In the event of injury or illness, casting is subject to change

Program 6OPENING NIGHTFriday, March 23, 2012 – 8:00PM

RAYMONDA ACT III
Choreographer: Rudolf Nureyev
Composer: Alexander Glazunov
Conductor: Martin West
Countess Sybille: Elana Altman*
King of Hungary: Pierre-François Vilanoba*
Raymonda: Sofiane Sylve*
Jean de Brienne: Tiit Helimets*
Grand Pas Classique: Dores Andre*, Courtney Elizabeth*, Dana Genshaft*, Frances Chung*
Charlene Cohen*, Nicole Ciapponi*, Vanessa Zahorian, Sarah Van Patten*
Luke Willis*, Steven Morse*, Sebastian Vinet*, Lonnie Weeks*
Isaac Hernandez*, Hansuke Yamamoto*, Daniel Deivison-Oliveira*, Quinn Wharton*
1st solo: Sarah Van Patten
2nd solo: Frances Chung
3rd solo: Vanessa Zahorian
4th solo: Charlene Cohen
Pas de Quatre: Hansuke Yamamoto, Isaac Hernandez, Daniel Deivison-Oliveira, Steven Morse
Pas de Trois: Nicole Ciapponi, Dores Andre, Courtney Elizabeth

INTERMISSION

RAkU
Choreographer: Yuri Possokhov
Composer: Shinji Eshima
Conductor: Martin West
Yuan Yuan Tan, Damian Smith
Pascal Molat

INTERMISSION

GUIDE TO STRANGE PLACES
Choreographer: Ashley Page
Composer: John Adams
Conductor: Martin West
Sarah Van Patten*, Anthony Spaulding*
Maria Kochetkova*, Gennadi Nedvigin*
Frances Chung*, Pascal Molat*
Vanessa Zahorian*, Jaime Garcia Castilla*

*Denotes premiere in role

Don’t Miss Fantastic Programs 6 and 7 at Our San Francisco Ballet – Both Gone by April 20th – The Reviews are In

Monday, April 11th, 2011

Program 6:

Allan Ulrich, San Francisco Chronicle Dance Correspondent

Per Sean MartinField,PROGRAM 6 is one of the finest triptych’s ever assembled by the San Francisco Ballet

And here’s Becca Klarin

Program 7:

Rita Felciano: Two Reprises, One Premiere

And Ann Murphy brings it all home for us.

Watch the trailer for our San Francisco Ballet‘s Programs 6 and 7 right here.

(So, Program 6 has 7 for Eight and Program 7 has Number Nine, srsly?)

And after these two end on April 20th, we’ll get the chance to see the return of the dramatic Little Mermaid (Program 8). And speaking of which, two of the Little Mermaid performances in May will be recorded by eight high-def cameras for Great Performances on PBS, so how about that?

And then that will be it for the 2010-2011 season.

All the deets, below

PROGRAM 6

Run Time: 2:05

Read the program notes

7 for Eight

Composer: Johann Sebastian Bach
Choreographer: Helgi Tomasson

7 for Eight

Ghosts©

Composer: C.F. Kip Winger
Choreographer: Christopher Wheeldon

Chroma – Critically Acclaimed-NEW!

Composers: Joby Talbot, Jack White
Choreographer: Wayne McGregor

Christopher Wheeldon’s Ghosts—an ethereal journey of moods and movement melds to Bach’s keyboard concertos that serve as inspiration for Helgi Tomasson’s elegant and neoclassical 7 for Eight. And not to be missed is the SF Ballet premiere of Wayne McGregor’s critical sensation Chroma, set to original compositions by Joby Talbot and arrangements by Jack White of The White Stripes.

Choose a Date:

Tue, Apr 12, 2011, 8:00 PM

Fri, Apr 15, 2011, 8:00 PM

Sun, Apr 17, 2011, 2:00 PM

Wed, Apr 20, 2011, 7:30 PM

 

 

PROGRAM 7

Run Time: 2:08

Read the program notes

Underskin

Composer: Arnold Schoenberg
Choreographer: Renato Zanella

Underskin

Number Nine – World Premiere!

Composer: Michael Torke
Choreographer Christopher Wheeldon

Petrouchka – Cultural Treasure!

Composer: Igor Stravinsky
Choreographer: Michel Fokine

petrouchka

Set to a passionate composition by Arnold Schoenberg, Renato Zanella’s Underskin reveals the power and mystique of its female protagonists. Next, Christopher Wheeldon’s world premiere of Number Nine offers a rich and electrifying work for 24 dancers,followed by Fokine’s Petrouchka, the tragic tale of a puppet who possesses a human soul, only to be tortured by the emptiness and ignorance of others.

From the Hellman Family in honor of Patricia C. Hellman, also known as “Patrichka,” a former professional ballet dancer and soloist with the London Festival Ballet.

Choose a Date:

Wed, Apr 13, 2011, 7:30 PM

Thu, Apr 14, 2011, 8:00 PM

Sat, Apr 16, 2011, 2:00 PM

Sat, Apr 16, 2011, 8:00 PM

Tue, Apr 19, 2011, 8:00 PM

San Francisco Ballet’s Penultimate Programs 6 and 7 Run April 7-20: “Two Diverse Programs, Two Exciting Premieres”

Tuesday, April 5th, 2011

Watch the trailer for our San Francisco Ballet‘s Programs 6 and 7 right here.

(So, Program 6 has 7 for Eight and Program 7 has Number Nine, srsly?)

And after these two end on April 20th, we’ll get the chance to see the return of the dramatic Little Mermaid (Program 8). And then that will be it for the 2010-2011 season.

All the deets, below

PROGRAM 6

Run Time: 2:05

Read the program notes

7 for Eight

Composer: Johann Sebastian Bach
Choreographer: Helgi Tomasson

7 for Eight

Ghosts©

Composer: C.F. Kip Winger
Choreographer: Christopher Wheeldon

Chroma – Critically Acclaimed-NEW!

Composers: Joby Talbot, Jack White
Choreographer: Wayne McGregor

Christopher Wheeldon’s Ghosts—an ethereal journey of moods and movement melds to Bach’s keyboard concertos that serve as inspiration for Helgi Tomasson’s elegant and neoclassical 7 for Eight. And not to be missed is the SF Ballet premiere of Wayne McGregor’s critical sensation Chroma, set to original compositions by Joby Talbot and arrangements by Jack White of The White Stripes.

Choose a Date:

Thu, Apr 7, 2011, 8:00 PM

Sat, Apr 9, 2011, 2:00 PM

Sat, Apr 9, 2011, 8:00 PM

Tue, Apr 12, 2011, 8:00 PM

Fri, Apr 15, 2011, 8:00 PM

Sun, Apr 17, 2011, 2:00 PM

Wed, Apr 20, 2011, 7:30 PM

 

 

PROGRAM 7

Run Time: 2:08

Read the program notes

Underskin

Composer: Arnold Schoenberg
Choreographer: Renato Zanella

Underskin

Number Nine – World Premiere!

Composer: Michael Torke
Choreographer Christopher Wheeldon

Petrouchka – Cultural Treasure!

Composer: Igor Stravinsky
Choreographer: Michel Fokine

petrouchka

Set to a passionate composition by Arnold Schoenberg, Renato Zanella’s Underskin reveals the power and mystique of its female protagonists. Next, Christopher Wheeldon’s world premiere of Number Nine offers a rich and electrifying work for 24 dancers,followed by Fokine’s Petrouchka, the tragic tale of a puppet who possesses a human soul, only to be tortured by the emptiness and ignorance of others.

From the Hellman Family in honor of Patricia C. Hellman, also known as “Patrichka,” a former professional ballet dancer and soloist with the London Festival Ballet.

Choose a Date:

Fri, Apr 8, 2011, 8:00 PM

Sun, Apr 10, 2011, 2:00 PM

Wed, Apr 13, 2011, 7:30 PM

Thu, Apr 14, 2011, 8:00 PM

Sat, Apr 16, 2011, 2:00 PM

Sat, Apr 16, 2011, 8:00 PM

Tue, Apr 19, 2011, 8:00 PM

San Francisco Ballet’s Fantastic Program 6: Stravinsky, Golden Hour, West Side Story

Monday, April 6th, 2009

The San Francisco Ballet just premiered Program 6 on Friday and the way things work with its Rep Program, you only have three more shows this week to check it out. Janos Gereben has a glowing review of Friday’s show, as does Rachel Howard.

And you can get a behind the scenes view from Shannon Roberts (who was so happy being able to “talk and yell” onstage) and from Ballet Master and City Lights Luminary Ricardo Bustamonte.

The Stravinsky Violin Concerto:

San Francisco Ballet in Balanchine’s Stravinsky Violin Concerto © Erik Tomasson

Within the Golden Hour. Some people gasped when they saw this bit:

Sarah Van Patten and Pierre-François Vilanoba in Wheeldon’s Within The Golden Hour. © Erik Tomasson

And West Side Story Suite, about as close to Broadway as ballet can get, with Jets and Sharks and rumbles, oh my:

San Francisco Ballet in Robbins’ West Side Story Suite © Erik Tomasson

So there you have it, Program 6 is quite the spectacle. You might go for one reason and then find something else you like more. And if you sign up for the SF Ballet’s Twitter, you can get a discount April 7-9.

Expected casting, after the jump.

See you there!

(more…)

The San Francisco Ballet – Why Not Check It Out?

Friday, March 20th, 2009

Have you been to the historic War Memorial Opera House in the Civic Center area to see the San Francisco Ballet, recently? Well why not? You should get over there and check it out.  

Program 5, an all-Mark Morris production is finishing up pretty soon but then there’s Program 6 and beyond coming up in April. And here’s a review of Program 4 - there’s something for everybody here.

I wasn’t allowed to take photos but here’s a sample of modern Joyride taken from the recent ad blitz that has banner ads on every website in Christendom (except this one):

Click to expand.

And if you go on particular Fridays, you can take advantage of Fridays at the Ballet, which entitles you to a cocktail reception to boot. Pick up a San Francisco Examiner and find the ad to find out how to get a further discount.

And look at all this space in lower level for pre-, intermission, and apre- noshing:

Here’s the thing - they’ve got food and booze and plenty of intermission time, so the whole affair is fairly accessible for those who don’t know the first thing about ballet. Why not get over there and see what’s up?