It’s like just 1:44 long. Click on it. Go for it, nobody’s looking. I’ll look out for your boss. You know, in HD.
There you go.
Ah, memories:
“Only 305 Views so far, but this one will end up with tens of millions of viewers, soon enough.
Ten minutes – full screen and 1080p please:
So that’s what was going on when the Bay Bridge was shut down that day.
I’m already looking forward to the director’s cut, you know, with outtakes and errors and broken stuff.
And just for the record, San Francisco Film Commission, the kids these days don’t want to see scripted drama crap like NBC’s Trauma, they want to see something interesting. So the sooner you stop subsidizing crap like NBC’s Trauma, the better off we’ll all be…
“DC and Ken Block present Gymkhana FIVE: Ultimate Urban Playground; San Francisco.
Shot on the actual streets of San Francisco, California, GYM5 features a focus on fast, raw and precise driving action. Filmed over four days, director Ben Conrad and his team are back to work on their second Gymkhana production and delivered the entire city of San Francisco as Ken Block’s personal gymkhana playground. DC Shoes also provided fellow DC athlete and longtime Ken Block friend, Travis Pastrana, to make a cameo appearance on his dirtbike, and S.F. resident Jake Phelps of Thrasher Magazine fame also makes a cameo as Block hoons S.F. in his most incredible Gymkhana yet. For more information check us out at http://www.dcshoes.com/auto
And here’s some context:
Jumping Taylor in a Fiesta. Wow:
And in the Financial, on California, near some fake cable cars:
More in Potrero Hill, on Bike to Work Day 2012:
And again in the Financial, being filmed by a radio-controlled chopper whilst being recorded by a Saturday-working, Financial District Dell Jockey:
Only 305 Views so far, but this one will end up with tens of millions of viewers, soon enough.
Ten minutes – full screen and 1080p please:
So that’s what was going on when the Bay Bridge was shut down that day.
I’m already looking forward to the director’s cut, you know, with outtakes and errors and broken stuff.
And just for the record, San Francisco Film Commission, the kids these days don’t want to see scripted drama crap like NBC’s Trauma, they want to see something interesting. So the sooner you stop subsidizing crap like NBC’s Trauma, the better off we’ll all be…
“DC and Ken Block present Gymkhana FIVE: Ultimate Urban Playground; San Francisco.
Shot on the actual streets of San Francisco, California, GYM5 features a focus on fast, raw and precise driving action. Filmed over four days, director Ben Conrad and his team are back to work on their second Gymkhana production and delivered the entire city of San Francisco as Ken Block’s personal gymkhana playground. DC Shoes also provided fellow DC athlete and longtime Ken Block friend, Travis Pastrana, to make a cameo appearance on his dirtbike, and S.F. resident Jake Phelps of Thrasher Magazine fame also makes a cameo as Block hoons S.F. in his most incredible Gymkhana yet. For more information check us out at http://www.dcshoes.com/auto
And here’s some context:
Jumping Taylor in a Fiesta. Wow:
And in the Financial, on California, near some fake cable cars:
More in Potrero Hill, on Bike to Work Day 2012:
And again in the Financial, being filmed by a radio-controlled chopper whilst being recorded by a Saturday-working, Financial District Dell Jockey:
“Is it just me or is SFBG Best of Bay cast ah, desaturated, if you will http://t.co/nEwS45c“
Ouch.
Let’s see what we can do to fix things up a bit.
Now, a lot of the faces appear to be blown out, so you just can’t simply adjust the Saturation slider to the right. But what about white balance? Using this method you push one slider to the left and another to the right to get this:
Do you think the shot is now too jaundice, too yellow, too warm, too Simpsons-esque? Well, maybe, but I think the original shot is way too blue, too cool, too white, Sherman, so there you go.
Anyway, no matter what you make of Gerry’s adianoeta, the second shot is an improvement over the first, IMO.
Now I’m one to talk – I’m as Européen nordique as they come (excepting that my cheveux ain’t blonde and my yeux aint bleu). So, you know, I’m saying that I, too, lack the flava.
But in that way, I’m exactly like many institutions and organizations about town.
But then somebody, no not somebody from the local FilmCommish and not any MSM reporters (who don’t seem to be aware of what the minimum wage is in the place where they live and work), but somebody up here in the 415 got word down to Los Angeles County about The Law ‘n stuff.
“I got in the film as well, but its now mid April, and I have not seen the payment in the 6 weeks that the casting company stated. Got my work receipt right here – would be nice if someone from this casting agency would follow up with my contact attempts.
“It was still a really cool day either way. I got to see an amazing set up of the set @ Candlestick and didn’t mind standing/sitting around all day. That is what background extras do. All of these girls were being very rude that day saying “when are we going to meet the stars”, and “I can’t believe they are making us stand around”, and “come on! I wan’t to be in the movie already!! Shortly after one of the assistants heard those remarks, our group was dismissed for the afternoon. It is like they never listened to what they told us at the casting meeting at Fort Mason, or the information the casting directors told us over the phone when they offered us the part. I did not get an email confirmation after that day, but a personal phone call.
“Would be nice to see my check, but I will give them a bit more time to respond since I bet the other 5,000 are hounding them as well. I mean come on – I am on unemployment – it would be nice to have the $79 bucks right now, but I can wait a bit”
Now, isn’t it ironic, dont’cha think, that a company what has a cavalier attitude about at least one kind of wage and hour rule would drag its feet about making payments? (Well, maybe not, in my experience.)
Anyway, all you non-union extras ought to form a union or something so you can start playing hardball with the Hollywood vanga vanga.
So why don’t you pay all your extras ASAP, Rich King Casting? Like posthaste or something.
Now, speaking of Hollywood, wouldn’t you like to see a list of all the movies that Steven Soderbergh has seen the past twelve months? Sure you would. See it after the jump.
*Forget about Obama’s birth certificate – I want to see the one with “Rich King” printed on it, and oh, Sandy Beach too, I want to see one of those as well – I think Hollywood still has a few guys around with that name.
**I should make a horror film – it’ll be about the horrors of Regular People dealing with Hollywood People. It’ll be called42 Days Later.
Simply, the people at JKP were unaware that S.F. has its own minimum wage of $9.92 per hour.
Anyway they’re back down in Los Angeles now, but they’ve just sent a message to me how they going to pay $80 for starters and then more after the first eight hours, if necessary.