Bon appetit, bon courage…
Bon appetit, bon courage…
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By “new” I mean new to me, as they’ve been out for a while now.
Have I mentioned yet that MUNI sucks? Forgive me.*
Bonus: Also included in the delivery was a limited edition of SIDE WALKS:
“The San Francisco Museum at the Mint in collaboration with the North of Market/Tenderloin Community Benefit District presents “Neighbors,” fifty environmental portraits by Troy Holden as a photographic essay of the Tenderloin, South of Market, and Mid-Market neighborhoods. “Side Walks” is a collection of photographs made in downtown San Francisco by Bay Area photographers Chris Beale, Brian Reynaldo Cayetano Jr., Brandon Doran, Troy Holden, David Root and Oscar Santos.”
All the deets:
“Side Walks” and “Neighbors”: Show is open through Aug. 17; reception (free admission) 6-9 p.m. next Thursday. 1-4 p.m. Sundays. $10. San Francisco Museum at the Mint, 88 Fifth St., S.F. (415) 537-1105. www.sfhistory.org. To watch a short video go to: http://bit.ly/1ovCiGD.
See you there!
*IMO, it’s important to point out that “MUNI Sucks” (or something similar, you know, something pithy) right at the beginning whenever the SFMTA or MUNI is the topic at hand. Acknowledging this fact from the get-go tends to make the ensuing conversation more productive. Of course, the SFMTA won’t ever shower you with taxpayer money if you even just once point out that MUNI sucks, but at least you’ll avoid being like these people:
Now if you really want to cheer lead for MUNI, make sure you’re getting a $200,000 annual pay package first – that’s the way you do it.
86 complete shows have been posted so far.
Here’s a sample of the first four, 75% of which revolve around the deaths of “girls” in their 20′s. To wit:
“girl found dead in the water”
“would-be Jack the Ripper stalks the city, slashing prostitutes to death”
“feels responsible for the death of a female hitchhike”
(Mmmm, is it possible that posting these eps could stimulate DVD sales? IDK.)
Be my guest if you have the time to watch any of them. I’m sure there are old scenes of the Bay Area I’d like to see, but somebody will need to go through and pick out the good parts and string them together afore I’ll watch any part of any TSOSF rerun, sorry.
“Many actors guest-starred on the show; some were relatively unknown at the time and became successful stars in their own feature films or television series. Guest stars included: Pernell Roberts, Edmond O’Brien, Ricky Nelson, Ron Glass, Susan Dey, Marion Ross, Van Williams, Paula Kelly, Don Johnson, Tom Selleck,Leslie Nielsen, James Woods, Nick Nolte, Arnold Schwarzenegger, Martin Sheen, Dabney Coleman, David Wayne, Vera Miles, Brenda Vaccaro, Desi Arnaz, Jr.,Tony Young, Cal Bellini, Marshall Colt, Pat Conway, Patty Duke, Denver Pyle, Richard Egan, Richard Eastham, Rodolfo Hoyos, Jr., Don Keefer, Wright King, Flip Mark, Nora Marlowe, John Ritter, Robert Wagner, Wayne Maunder, Dick Van Patten, Mark Hamill, Stefanie Powers, Tom Bosley, Larry Hagman, Tim O’Connor, Bill Bixby, John Davidson, Eve McVeagh, Norman Fell, Anthony Geary, Charles Aidman, Beverly Washburn, Michael Constantine, Len Birman, Paul Michael Glaser,David Soul, Luther Adler, Laurie Heineman, and Meredith Baxter, among many others. Even Michael Douglas’s own mother, Diana Douglas, guest-starred in a season two episode, “Chapel of the Damned”. Character actor Robert F. Simon appeared eight times as Captain Rudy Olsen. Gary Vinson appeared toward the end of his career.”
Jerry? Jerry! I’m busting! I’m busting!
All the deets:
“JERRY SEINFELD TO APPEAR ON STAGE AT
WELLS FARGO CENTER FOR THE ARTS
SANTA ROSA, CA
FRIDAY, MAY 16 at 7pm & 10pm
TICKETS ON SALE FRIDAY, APRIL 4 AT NOON!”
“Santa Rosa, CA (March 27, 2014) – America’s premier comedian, Jerry Seinfeld, will be performing his signature stand-up routine at theWells Fargo Center for the Arts (50 Mark West Springs Road, Santa Rosa) on Friday, May 16 at 7 pm and 10 pm. Seinfeld has been hailed for his uncanny ability to joke about the little things in life that relate to audiences everywhere. Seinfeld now sets his sights on performing both nationally and internationally in 2014. Tickets are available starting Friday, April 4 at 12 pm, online at wellsfargocenterarts.org, by phone at 707.546.3600 or at the ticket office at 50 Mark West Springs Road in Santa Rosa.
About Wells Fargo Center for the Arts
A 501(c)(3) non-profit arts and events center, Wells Fargo Center for the Arts is home to world-class performances, nationally recognized education programs, contemporary visual art, and many popular civic events. The Arts Center is located in the heart of the Sonoma wine country and ranked among California’s top performing arts presenters. Together with its resident companies, the Center presents more than 100 performances in music, dance, theater, renowned speakers, and comedy; provides education programs serving 30,000 children and adults; and hosts more than 1,000 community events a year. Owned and operated by the Luther Burbank Memorial Foundation, the Center relies on charitable community donations to achieve its mission – to enrich, educate, and entertain. www.wellsfargocenterarts.org
|Castings – Looking for …
Mad seats are available at our world-class San Francisco Ballet for Friday, March 21st, 2014, mostly because they just announced it. This is your rare chance to get great seats just one week before a popular show.
All the deets:
What: Christopher Wheeldon’s acclaimed Cinderella, Added Performance
When: Friday, March 21, 2014 at 8:00PM
Where: War Memorial Opera House at 301 Van Ness Avenue, San Francisco
San Francisco Ballet Announces added Performance of Christopher Wheeldon’s Cinderella on March 21, 2014
|SAN FRANCISCO, Friday, March 14, 2014 – Due to popular demand, San Francisco Ballet announced today that it will present an additional performance of Christopher Wheeldon’s Cinderella, on Friday, March 21, 2014. Co-produced by SF Ballet and the Dutch National Ballet, Cinderella had its world premiere in December 2012 with the Dutch National Ballet at the Amsterdam Music Theatre.SF Ballet principal casting for the added performance will be:
Cinderella: Sarah Van Patten
Prince: Tiit Helimets
About Wheeldon’s Cinderella
Wheeldon’s production has thrilled audiences in both San Francisco and New York and received rave reviews—triumphed most recently by the San Francisco Chronicle as “…utterly alluring.” Set to the music of Sergei Prokofiev, Wheeldon’s interpretation combines parts of both the Charles Perrault and Brothers Grimm versions, along with new elements. The result provides audiences with a magical tale that is stunningly visual and deeply moving.
One of the most in-demand dancemakers working today, Christopher Wheeldon is formerly a resident choreographer of New York City Ballet, founder/ artistic director of his own company, and an artistic associate at The Royal Ballet. The prolific choreographer has become a frequent presence at SF Ballet over the last decade. Cinderella, his eighth commission and first full-length work for the Company (a total of 12 of his ballets are in the repertory), follows the success of his 2011 Alice’s Adventures in Wonderland— a co-production of the National Ballet Canada and The Royal Ballet.
About San Francisco Ballet
As America’s oldest professional ballet company, San Francisco Ballet has enjoyed a long and rich tradition of artistic “firsts” since its founding in 1933, including performing the first American productions of Swan Lake and Nutcracker, as well as the first 20th-century American Coppélia. San Francisco Ballet is one of the three largest ballet companies in the United States. Guided in its early years by American dance pioneers and brothers Lew, Willam and Harold Christensen, San Francisco Ballet currently presents more than 100 performances annually, both locally and internationally. Under the direction of Helgi Tomasson for more than two decades, the Company has achieved an international reputation as one of the preeminent ballet companies in the world. In 2005, San Francisco Ballet won the prestigious Laurence Olivier Award in the category of “Outstanding Achievement in Dance” and in 2006, it was the first non-European company elected “Company of the Year” in Dance Europe magazine’s annual readers’ poll. In 2008, the Company marked its 75th anniversary with a host of initiatives including an ambitious New Works Festival. Recent highlights include a tour to the People’s Republic of China, the celebration of Artistic Director & Principal Choreographer Helgi Tomasson’s 25th anniversary with the Company, and the United States premiere of John Neumeier’s The Little Mermaid, which was broadcast internationally, as well as nationally on PBS’s Great Performances “Dance in America” in 2011. In 2012, SF Ballet’s ambitious tour schedule included London and Washington, D.C., plus first-time visits to Hamburg, Moscow, and Sun Valley, Idaho. In October 2013, the Company performed at New York’s David H. Koch Theater at Lincoln Center, where The New York Times declared SF Ballet “a national treasure.”
Oh, I meant Willie Brown’s granddaughter, seen at the recent “Haute Dog” contest.
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Meanwhile, the canines of District 12 have nothing to eat…
If only Katniss Barbie could put an end to the Dog Hunger Games.
Actually IRL, part of the reason why we’re going to get the Central Subway to Nowhere in Chinatown and why we’re not going to get public power anytime soon is so that Willie L. Brown Jr. can pass along ever more riches to his progeny by the time he kicks off. It’s so that WB’s granddaughter (and not yours!) can be seen giving the money from AECOM and PG&E and all the others to a “worthy” charity.
You might think that that’s the hallmark of a healthy democracy
And you might favor naming a span of the San Francisco-Oakland Bay Bridge after him.
Or you might not.