Posts Tagged ‘theater’
Thursday, March 18th, 2010
So, kids come over from the East Bay just to hang out inside of the moribund, hard-knock Harding Theatre at 616 Divisadero Street in the NoPA? Yes they do. (Didn’t know that.)
And do they have their own bolt cutters and padlocks to try to prevent others, such as the owners, from getting in? Yes, again, they do.
Oh well. I’ll tell you, this place is a mess, and honestly, I’d want to be on bottled air if were to spend any good amount of time inside. Anyway, the graffiti is getting painted over these days and the owners have bolt cutters and padlocks of their own so, and this is NOT a challenge to you or nothing, it won’t be as easy to make the massive theatre your very own kiddie clubhouse going forward.
Kono eigakan wa chotto warui, ne?

Click to expand
Cf. the way it looked back in aught-five.
Here’s the view from the stage:

The most giantest ORFN ever stares at the balcony:

This large cross has taken some abuse, it would seem:

No Livermore Kids Allowed. Oh well.

This is pretty much how the Harding looks from the outside:

A possible future for the Harding, complete with restored theatre blade.

I know that the “Save” Harding Theatre people are out there, but they can’t afford a free website from WordPress.com, apparently (whoops, just found it, can’t help thinking that a WordPress.com blog called Save Harding Theatre would show up high in a Google search, but what do I know…)
On the other side, the owners state that this place started out as a movie theatre in 1926, then it was used for live entertainment (including a show from the Grateful Dead, once), then it was legally converted into a church in 1973, and then the church operated ’til 2004. Ergo, the City’s not really losing a live theatre, en realidad.
Alls I know is that it would be nice if the place got used in some way at some point.
It’s certainly been a hard knock life for the Harding. Signing off with the King James:
“And he cried mightily with a strong voice, saying, Babylon the great is fallen, is fallen, and is become the habitation of devils, and the hold of every foul spirit, and a cage of every unclean and hateful bird.”
Tags: 616 divisadero, apartments, area, church, condominium, condos, crime, divisadero, graffiti, grove, harding place, harding theatre, hayes, Independent, kids, movie film, NOPA, north of panhandle, paint, planning commission, San Francisco, save, save harding theatre, save the harding, street, theater, theatre, western addition
Posted in architecture, buildings | No Comments »
Monday, March 15th, 2010
J M Barrie’s Peter Pan at the world’s first 360-degree CGI theatre will make its U.S. premiere April 27th in San Francisco’s Ferry Plaza. It’s shaping up to be something like Cirque du Soleil, except it’ll be cheaper and aimed more at kids. That’s my guess.
Anyway, interest in seeing P.P. is high already, so get your tickets now if you are at all interested – there’s no need to pay the scalpers anything at this point. Und, for your convenience, starting today, you can go to a box office to get your ticks and avoid any fees. All the deets are below. Facebook, Twitter, etc.
This is the scene down at Ferry Plaza near Washington and the Embarcadero. The construction site is akin to Cirque du Soleil’s OVO traveling tent show:

PERFORMANCES BEGIN APRIL 27, 2010
peterpantheshow.com
WHAT:
Two new satellite box office locations are now open selling tickets for the U.S. premiere of a spectacular new stage production of PETER PAN. J M Barrie’s classic story is performed in the world’s first 360-degree CGI theatre set in San Francisco’s Ferry Park on the Embarcadero opposite the Ferry Building.
In addition to purchasing tickets online or over the phone, patrons can now buy tickets in person at the new PETER PAN Justin Herman Plaza Box Office located at the end of Market Street @ Steuart Street (NO service charges for tickets purchased here). The other convenient new location to purchase tickets to PETER PAN is right inside the Stockton Street entrance of Macy’s in Union Square.
PETER PAN at The threesixty° Theatre will be an iconic destination on San Francisco’s historic waterfront. The cast and audience are immersed in a CGI Neverland, so that when Peter and Wendy fly to Neverland the audience flies with them over 400 square miles of virtual London and beyond. A magical park-like setting will be created that invites patrons to enhance their entertainment experience. With refreshments available on-site, a behind-the-scenes Into Neverland tour and a free 100 Years of Peter Pan exhibit, audiences will begin the journey before the performance commences.
WHERE:
New Satellite Box offices
Justin Herman Plaza Box Office located at the end of Market Street @ Steuart Street is open daily from 11 a.m. – 7 p.m.
There are no service charges for tickets purchased at the Justin Herman Plaza Box Office
Macy’s Department Store in Union Square located at the Stockton Street entrance is open daily from 11 a.m. – 7 p.m.
Online and phone TICKET INFO:
Tickets can also be purchased online at peterpantheshow.com or by calling 1-888-ppantix
(1-888-772-6849). For groups of 15 or more, please call 1-415-551-2020 or email groupsales@shnsf.com.
Ticket Prices:
Tickets for PETER PAN range in price from $30 to $85.
A $20 discount for children 12 and under is available for select performances.
Premium tickets for PETER PAN are available. For details, check online www.peterpantheshow.com
SHOW PERFORMANCE SCHEDULE:
Tuesday & Thursday at 7 PM
Friday & Saturday at 7:30 PM
Wednesday & Saturday at 2 PM
Sunday at 1 PM & 5 PM
For more information about PETER PAN:
Please visit www.peterpantheshow.com
Follow us on Facebook: www.facebook.com/peterpantheshow
Follow us on Twitter: www.twitter.com/peterpantheshow
Tags: 2009, 2010, 360, 6, actors, April 27, bay area, box office, CGI, Charlie Burnell, december, Embarcadero, fees, ferry building, Ferry Park, J.M. Barrie, London, market, Matthew Churchill, neverland, peter, PETER PAN, puppets, San Francisco, set, street, Stuart, theater, theatre, Theatrical Adventure, three sixty, threesixty, threesixty°, ticketmaster, tickets, union square, Video, Wendy
Posted in art, events | No Comments »
Tuesday, March 2nd, 2010
Mark your calendars now, ’cause Pulitzer Prize-winning film critic Roger Ebert is coming to town during the 2010 San Francisco International Film Festival (April 22 – May 6).
Roger will be honored at An Evening with Roger Ebert and Friends on May 1st at the Castro Theatre.
Get your tickets soon – this one will sell out despite the massiveness of the single-screen Castro.
Deets below, see you there!

ROGER EBERT WILL RECEIVE MEL NOVIKOFF AWARD AT THE 53RD SAN FRANCISCO INTERNATIONAL FILM FESTIVAL
Pulitzer Prize-Winning Film Critic to Be Honored at An Evening with Roger Ebert and Friends May 1 at Castro Theatre
San Francisco, CA — Roger Ebert will receive the Mel Novikoff Award at the 53rd San Francisco International Film Festival (April 22 – May 6). The award, named for the pioneering San Francisco art and repertory film exhibitor Mel Novikoff (1922-87), acknowledges an individual or institution whose work has enhanced the filmgoing public’s knowledge and appreciation of world cinema. The Novikoff Award will be presented at An Evening with Roger Ebert and Friends, Saturday, May 1 at 5:30 pm at the Castro Theatre. Confirmed guests to date include directors Jason Reitman and Terry Zwigoff, with others to be announced soon.
Ever more deets, after the jump.
(more…)
Tags: 1, 1st, 2010, 53, 53RD, 925-866-9559, An Evening with Roger Ebert and Friends, annual, april 22, award, castro, castro theare, castro theater, chicago, critic, criticism, director, director of programming, district, Ebert, Erick Zonca, evening, film, Film Society, Friends, international film festival, Jason Reitman, Julia, may, May 6, MEL NOVIKOFF, MEL NOVIKOFF AWARD, movies, Pulitzer Prize, Rachel Rosen, receive, Richard Roeper, Roger, Roger Ebert, San Francisco, San Francisco International Film Festival, SF360.org, sffs, sfiff, Terry Zwigoff, theater, theatre, tickets, Tilda Swinton, year's
Posted in movies | No Comments »
Thursday, January 28th, 2010
Actually, Harvey is Tevye the Dairyman, but you know what I mean. Now let’s say that you have $30 – maybe you worked for it, or you just got your unemployment check, or that trust fund came through - it doesn’t matter. I’d have no qualms about directing you to use that dough to go see old-school Fiddler on the Roof at SHN’s bustling Golden Gate Theatre before the show ships out on February 21st.
Might take you a few moments to adjust to his famous voice, so there you go. No matter, Harvey is hilarious, he raises the roof, he’s the real deal.
Our Golden Gate single handedly puts the theatre into the Theatre District. The roomy seats give the big-boned and long-femured of us plenty of kneeroom compared what they have at the nearby Orpheum:

And if you see the show tonight, you’ll also get to see elements of the Westboro Baptist Church in some sort of protest out front as you’re walking in. Bonus.
See you there!
[UPDATE: And now, you can go there two hours before the show to try to get nonresellable $30 rush tickets, which I'm guessing would be for better-than-average seats. Anyway, the deets on that, after the jump.]
(more…)
Tags: 1, 2010, 6th, address, broadway, Dance, February, fiddler, fiddler on the roof, ggt, golden gate, golden gate theatre, harvey fierstein, harvey firestein, harvey firestien, january, jones, market, play, roof, San Francisco, shn, show, singing, song, street, tevye, theater, tickets
Posted in theatre | No Comments »
Monday, January 18th, 2010
Oh man, the scalpers on craigslist are already at full speed, but I just now found out that Harvey Fierstein will star in Fiddler on the Roof from January 27th to February 21st at SHN’s grand, stylish and palatial Golden Gate Theatre.
It’s going to be mega.
What’s that, you have a few concerns about Harvey as Tevye? Well then read on, below.

Here’s interviewer Boris Kachka’s recent Q&A with the feisty Fierstein:
Q. Some people have been asking, “Can Harvey actually sing in a serious role like this?” You were playing Hairspray’s Edna for comedy, after all.
A. If I had played Edna for laughs, I don’t think I would have gotten the Tony. So that’s people’s prejudice, and to me that’s just stupid.
Q. What about when people say you’re too raspy?
A. You know, Boris, you’re asking me questions that are really pissing me off. What a stupid thing to say. It’s like saying Shelley Winters is too fat to play—that’s who I am.
O.K. then.
It’s his dream role, after all.
Will spending your $30 to see Fiddler from the side balcony be a better investment than the $15 it’ll take to go see headache-inducing Avatar in 3D?
Yes, probably.
See you there at the GGT!
Tags: 1, 2010, 6th, address, broadway, Dance, February, fiddler, fiddler on the roof, ggt, golden gate, golden gate theatre, harvey fierstein, harvey firestein, harvey firestien, january, jones, market, play, roof, San Francisco, shn, show, singing, song, street, tevye, theater, tickets
Posted in theatre | No Comments »
Friday, November 20th, 2009
[UPDATE: Box offices are open now in San Francisco - the one with no fees is by Embarcadero Station.]
Starting April 27th, 2010 down by San Francisco’s Ferry Building you’ll be able to see a live-action performance of Peter Pan with 22 actors inside a huge tent that will have projections on its walls. It’s new-school theatre in the round. You know, for kids.
Check the video, see what you think. The whole shebang will run seven shows a week until July 4th at Embarcadero Plaza at the foot of Washington Street. Just go to Embarcadero and Market Street and look for the big white tent at Ferry (or is it Fairy?) Plaza (aka Sue Bierman Park) - you wont be able to miss it.
Tickets on sale now. It’s going to be mega.
Here’s what it will look like:

And here’s the schematic:

If you’re still reading, you probably have a few questions. All the deets after the jump.
See you there!
And oh, here’s Robert Hurwitt’s take.
(more…)
Tags: 2009, 2010, 360, 6, actors, April 27, bay area, CGI, Charlie Burnell, december, Embarcadero, ferry building, Ferry Park, J.M. Barrie, London, Matthew Churchill, neverland, park, peter, PETER PAN, puppets, San Francisco, set, Sue Bierman, Sue Bierman Park, theater, theatre, Theatrical Adventure, three sixty, threesixty, threesixty°, Video, Wendy
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Thursday, July 2nd, 2009
Boy, it was touch and go for a few years there, but news comes today that our beloved NIMBYs have managed to preserve the Great Northern Parking Lot of San Francisco.
See it? 700 spaces, free of charge. It’s historic, you know. When the U.S. Army wasn’t out there killing a million or so Filipinos it managed to create the GNPLoSF. Therefore, these parking spaces are sacrosanct:

Now that that pesky modern art has been gotten rid of, a question remains over what to do with the upper end of the Main Post. You know the Burger King corporation had an outlet that served as an Army Mess on the Presidio for so many years, it would be only fitting to give it the right of first refusal to get a chance to replace the famous itty bitty bowling alley that’s up there now.
An artist’s conception, avec just one installation of evil modern art thrown in to see if the NIMBYs can tolerate it.

You see, that old, historic Presidio BK was a place “where a simple guy serving his country could get an inexpensive meal with a stunning view.” Wouldn’t it be nice to honor those memories with the biggest Burger King in the world? Put it right where the museum was supposed to go.
Either that, or a Jollibee. Your choice.
Tags: 2009, 22, 22nd, 6:30, 7th, analysis, Anthony, april, april 22, april 22nd, art, association, Bechtle, benz, Berkeley, bmw, board, california, camp, contemporary, contemporary art museum of the presidio, contemporary art museum presidio, cow hollow, Craig Middleton, Crissy Field, Curtis F. Feeny, Curtis Feeny, David Bancroft, David Grubb, David R. Grubb, directors, don, don fisher, doris, doyle drive, dyads, eir, eis, environmental, Executive Director, Family, Film Society, fisher, gap, Golden Gate Bridge, heights, hotel, impact, J. Michael Shepherd, landmark, lodge, Lori Brook, Main Post, marina, Mercedes, Michael Shepherd, military, modern-art museum, museum, nancy, Nancy Conner, Nancy Hellman, Nancy Hellman Bechtle, National Park Service, National Trust for Historic Preservation, nimbies, nimby, pacific, palace of fine arts, PM, porsche, presidio, Presidio Historical Association, report, Robert Burke, San Francisco, T. Robert Burke, texan, the gap, theater, theatre, tony, transportation, trust, Veerkamp, walking tour, William Wilson, workshop
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Wednesday, May 27th, 2009
This recent post here regarding the Presidio inspired a correspondent to take pen to paper (so to speak) and leave a comment. Below are the words of “PresidioPal” along with some queries. (Surprisingly, he’s not a NIMBY.) Anyway, enjoy.
The mighty, historic Great Parking Lot of the Presidio is jeopardized by the Main Post Plan. The Presidio Trust just might unpave this paradise and put up a…lawn. Heaven forfend. What happened was the Army put it in and then left. Are we bound to have it forever?

Says PP:
“If we are talking about the “decay” of the historic character of the Presidio, which is a rare national historic landmarks district chosen for the layer upon layer of American history visible on Main Post…”
What does that mean to people – landmark status? Why should people care about this? The historic character of the South was Jim Crow laws (not that we didn’t have James Crow laws outside the South, but that’s another story) - would the “historic character” argument be useful for maintaining segregation? Would you like to turn the Presidio itself into a museum, where nothing ever changes? Isn’t it an underpopulated Land of Wind and Ghosts now?
“…the Fisher art museum…”
Isn’t the name of the proposed museum Contemporary Art Museum of the Presidio (CAMP). Isn’t it specifically not called The Fisher? Isn’t that one of its selling points? Isn’t it going to have like a “b” as in boy billion dollars of art in it or something, that’s not otherwise available for public view?
”…a hotel…”
Or lodge, some people are calling it a lodge, in keeping with the whole “park” theme of the Presidio. What’s wrong with a lodge in a park?
“and a modern movie house”
Or “modernized,” I’ll give you that. Didn’t it used to seat something like 1000 GIs back in the day? Do you think your millionaire NIMBY allies would like to have all those blue-collar types back in the Presidio in “their neighborhood” near the houses they inherited from their parents fair and square? Isn’t it true that the Presidio Theatre seats zero people today and that’s the way the owners of competing theatres in San Francisco like it? Isn’t it true theater owners kicked in money to oppose the Main Post Plan because they don’t want competition? Is that a good reason to oppose opening up a small three-screener that would seat far fewer people than the 1000 it was built for back in the day?
“…ADD to the “decay” by introducing non-historic elements that detract from the historic site itself…”
Does the non-historic TransAmerica pyramid detract from historic San Francisco? Should nothing ever change in town? Did a collection of histrionic societies, millionaire NIMBYs and movie theatre owners object to the Louvre Pyramid in Cour Napolean? Probably, but isn’t the pyramid a good thing, despite its “non-historic” status?
“If you take “decay” to mean delaying needed repairs to historic structures, the new buildings have nothing to do with that.”
You and your NIMBY allies are fighting for the status quo, whether you realize it or not. Congress, in its wisdom, could have put your organization in charge of the entire Presidio. It didn’t though, right? Do you acknowledge that? Why should anybody pay attention to your unfunded mandates? Your half-baked if-we-had-some-ham-we-could-have-a-ham-sandwich, if-we-also-had-some-bread-but-only-if-five-million-dollars-fell-from-the-sky alternative plans? Back in the 1990s, Congress did something quite unique with the Presidio. Of course, it could have sold off a lot of land to condo developers. Would you prefer that?
“Let’s get it straight, the proposal is for three major new structures in a national historic landmark.”
Is that really an argument? Shouldn’t you go further and explain why people should care about national historic landmark status? And actually, it’s more than three structures, but I get what you mean. Is the 700-car parking lot historic? Was the Burger King historic? Should we bring it back to honor the military?
“Why not a contemporary museum on Alamo Square?”
The reason why is that millionaire NIMBYs and the Planning Commission would tear that one apart. That’s the short answer.
If I had any advice for the Main Post, it would be this – lively up yourself, mon! This may or may not happen, depending upon the lawyers, the judges and the juries associated with the forthcoming lawsuits.
We’ll see.
Tags: 2009, art, board, camp, chronicle, comment period, contemporary, contemporary art museum of the presidio, contemporary art museum presidio, cow hollow, David Grubb, directors, Disney, don fisher, doris, doyle drive, eir, eis, gavin newsom, hotel, june 1, landmark, lodge, Main Post, Mayor, military, modern-art museum, museum, museum nimbies, nimbies, nimby, nimbys, pelosi, presidio, presidio pal, presidiopal, San Francisco, socketsite, theater, theatre, trust, whit hall
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Tuesday, May 26th, 2009
The Presidio Trust has just announced a last call for comments about ending the arrested decay of the Presidio Main Post – so finish up your drinks and get your comments in by June 1, 2009.

END OF THE PUBLIC COMMENT PERIOD
June 1, 2009 is the end of public comment period for several key documents related to the Main Post planning process. Three draft documents have been circulating for public comment since February 27, 2009:
1. Revised Draft Main Post Update
2. Draft Supplement to the Supplemental Environmental Impact Statement (SEIS) for the Preferred Alternative
3. Revised Draft Finding of Effect
The Revised Draft Main Post Update reflects the land uses and improvements the Presidio Trust intends to pursue to re-establish the Main Post as the heart of the park. Through the National Environmental Policy Act (NEPA) process, the Trust identified a “preferred alternative” that is detailed in the Revised Update and analyzed in the Draft Supplement to the SEIS. The Revised Update is also analyzed as the “undertaking” in the Revised Draft Finding of Effect; prepared under the provisions of the National Historic Preservation Act (NHPA) as part of the assessment phase of the Section 106 consultation.
In June 2008, the Trust released an earlier draft of the Main Post Update and a Draft SEIS which analyzed a range of alternatives. An earlier Draft Finding of Effect was released in August 2008, which analyzed the effects on historic resources of all the alternatives that were presented in the Draft SEIS. All documents can be found on the Trust’s website: www.presidio.gov.
Comments will be accepted on all documents, both current and past drafts. Commentators are free to organize their comments in any way they choose. They may comment separately on the different documents, or address all documents at one time. Commentators are also welcome to address specific issues or comment on specific proposals. The Trust will consider and respond to comments on all of the drafts when developing the final documents.
NEXT STEPS
NHPA Section 106 Consultation: Finalizing the Finding of Effect and Resolving Adverse Effects
A Final Finding of Effect will be issued early this summer, formally completing the assessment phase of the Section 106 consultation under the NHPA. The Historic Resources section of the Final SEIS will be consistent with the Final Finding of Effect. The Final Finding of Effect will be available on the Trust’s website and will be sent to all consulting parties.
The next phase of the Section 106 consultation process is the resolution phase during which consulting parties identify ways to avoid, minimize, or mitigate the effects presented in the Finding of Effect. The resolution phase results in an agreement document that establishes parameters for how projects can proceed. A schedule for the remainder of the Section 106 consultation will be issued to all consulting parties early in June.
NEPA: Finalizing the SEIS and Main Post Update
Over the course of the summer, the Trust will finalize the environmental review, issuing a Final SEIS and Final Main Post Update sometime in the fall. The Final SEIS includes a response to all comments. A notice of availablity will be issued once the final documents are released. The final documents will also be available on the Trust’s website. After the final environmental documents are issued, a 30-day no action period ensues.
Record of Decision
The Trust will issue a Record of Decision (ROD) only after both the NEPA and NHPA processes are completed. The ROD memorializes the decision made by the Presidio Trust Board of Directors and clearly articulates the actions that the Trust will pursue in the Main Post and the reasoning behind the Trust’s decision. Once the ROD is adopted, the Final Main Post Update will amend the Presidio Trust Management Plan for the Main Post District.
Tags: 2009, art, board, camp, chronicle, comment period, contemporary, contemporary art museum of the presidio, contemporary art museum presidio, cow hollow, David Grubb, directors, Disney, don fisher, doris, doyle drive, eir, eis, gavin newsom, hotel, june 1, landmark, lodge, Main Post, Mayor, military, modern-art museum, museum nimbies, nimby, pelosi, presidio, San Francisco, socketsite, theater, theatre, trust
Posted in parks | 1 Comment »
The Pros and Cons of Progress at the Presidio Main Post – A Kind of Dialogue
Wednesday, May 27th, 2009This recent post here regarding the Presidio inspired a correspondent to take pen to paper (so to speak) and leave a comment. Below are the words of “PresidioPal” along with some queries. (Surprisingly, he’s not a NIMBY.) Anyway, enjoy.
The mighty, historic Great Parking Lot of the Presidio is jeopardized by the Main Post Plan. The Presidio Trust just might unpave this paradise and put up a…lawn. Heaven forfend. What happened was the Army put it in and then left. Are we bound to have it forever?
Says PP:
“If we are talking about the “decay” of the historic character of the Presidio, which is a rare national historic landmarks district chosen for the layer upon layer of American history visible on Main Post…”
What does that mean to people – landmark status? Why should people care about this? The historic character of the South was Jim Crow laws (not that we didn’t have James Crow laws outside the South, but that’s another story) - would the “historic character” argument be useful for maintaining segregation? Would you like to turn the Presidio itself into a museum, where nothing ever changes? Isn’t it an underpopulated Land of Wind and Ghosts now?
“…the Fisher art museum…”
Isn’t the name of the proposed museum Contemporary Art Museum of the Presidio (CAMP). Isn’t it specifically not called The Fisher? Isn’t that one of its selling points? Isn’t it going to have like a “b” as in boy billion dollars of art in it or something, that’s not otherwise available for public view?
”…a hotel…”
Or lodge, some people are calling it a lodge, in keeping with the whole “park” theme of the Presidio. What’s wrong with a lodge in a park?
“and a modern movie house”
Or “modernized,” I’ll give you that. Didn’t it used to seat something like 1000 GIs back in the day? Do you think your millionaire NIMBY allies would like to have all those blue-collar types back in the Presidio in “their neighborhood” near the houses they inherited from their parents fair and square? Isn’t it true that the Presidio Theatre seats zero people today and that’s the way the owners of competing theatres in San Francisco like it? Isn’t it true theater owners kicked in money to oppose the Main Post Plan because they don’t want competition? Is that a good reason to oppose opening up a small three-screener that would seat far fewer people than the 1000 it was built for back in the day?
“…ADD to the “decay” by introducing non-historic elements that detract from the historic site itself…”
Does the non-historic TransAmerica pyramid detract from historic San Francisco? Should nothing ever change in town? Did a collection of histrionic societies, millionaire NIMBYs and movie theatre owners object to the Louvre Pyramid in Cour Napolean? Probably, but isn’t the pyramid a good thing, despite its “non-historic” status?
“If you take “decay” to mean delaying needed repairs to historic structures, the new buildings have nothing to do with that.”
You and your NIMBY allies are fighting for the status quo, whether you realize it or not. Congress, in its wisdom, could have put your organization in charge of the entire Presidio. It didn’t though, right? Do you acknowledge that? Why should anybody pay attention to your unfunded mandates? Your half-baked if-we-had-some-ham-we-could-have-a-ham-sandwich, if-we-also-had-some-bread-but-only-if-five-million-dollars-fell-from-the-sky alternative plans? Back in the 1990s, Congress did something quite unique with the Presidio. Of course, it could have sold off a lot of land to condo developers. Would you prefer that?
“Let’s get it straight, the proposal is for three major new structures in a national historic landmark.”
Is that really an argument? Shouldn’t you go further and explain why people should care about national historic landmark status? And actually, it’s more than three structures, but I get what you mean. Is the 700-car parking lot historic? Was the Burger King historic? Should we bring it back to honor the military?
“Why not a contemporary museum on Alamo Square?”
The reason why is that millionaire NIMBYs and the Planning Commission would tear that one apart. That’s the short answer.
If I had any advice for the Main Post, it would be this – lively up yourself, mon! This may or may not happen, depending upon the lawyers, the judges and the juries associated with the forthcoming lawsuits.
We’ll see.
Tags: 2009, art, board, camp, chronicle, comment period, contemporary, contemporary art museum of the presidio, contemporary art museum presidio, cow hollow, David Grubb, directors, Disney, don fisher, doris, doyle drive, eir, eis, gavin newsom, hotel, june 1, landmark, lodge, Main Post, Mayor, military, modern-art museum, museum, museum nimbies, nimbies, nimby, nimbys, pelosi, presidio, presidio pal, presidiopal, San Francisco, socketsite, theater, theatre, trust, whit hall
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