SCOTCH SYMPHONY
Choreographer: George Balanchine
Composer: Felix Mendelssohn
Conductor: Martin West
Yuan Yuan Tan, Davit Karapteyan
Nicole Ciapponi
INTERMISSION
SPINAE
Choreographer: Myles Thatcher
Composers: Phil Kline and Mary Ellen Childs
Lacey Escabar, Lauren Parrott, Emma Rubinowitz
Alexander Reneff-Olson, Wei Wang
Jeanette Kakareka, Mimi Tompkins
Aaron Renteria, Devon Carbone, Max Cauthorn
PAUSE
SOLO
Choreographer: Hans van Manen
Composer: Johann Sebastian Bach
Conductor: Martin West
Gennadi Nedvigin, James Sofranko, Hansuke Yamamoto
NUMBER NINE
Choreographer: Christopher Wheeldon
Composer: Michael Torke
Conductor: Martin West
Frances Chung, Pascal Molat
Vanessa Zahorian, Garen Scribner
Sarah Van Patten, Ruben Martin Cintas,
Sasha DeSola, Vitor Luiz
In the event of injury or illness, casting is subject to change”
Program 5–OPENING NIGHT–Wednesday, March 21, 2012–7:30 PM
THE FIFTH SEASON Choreographer: Helgi Tomasson Composer: Karl Jenkins Conductor: Martin West Frances Chung*, Davit Karapetyan Sarah Van Patten, Pierre-François Vilanoba Yuan Yuan Tan, Damian Smith
INTERMISSION
World Premiere SYMPHONIC DANCES Choreographer: Edwaard Liang Composer: Sergei Rachmaninoff Conductor: Martin West Yuan Yuan Tan*, Vito Mazzeo* Sofiane Sylve*, Tiit Helimets* Maria Kochetkova*, Vitor Luiz*
INTERMISSION
GLASS PIECES Choreographer: Jerome Robbins Composer: Philip Glass Conductor: Martin West
Courtney Elizabeth, Hansuke Yamamoto Elana Altman, Anthony Spaulding Dana Genshaft, Sean Orza* Sofiane Sylve*, Pierre-François Vilanoba
In the event of injury or illness, casting is subject to change
Program 6–OPENING NIGHT–Friday, March 23, 2012 – 8:00PM
RAYMONDA ACT III Choreographer: Rudolf Nureyev Composer: Alexander Glazunov Conductor: Martin West Countess Sybille: Elana Altman* King of Hungary: Pierre-François Vilanoba* Raymonda: Sofiane Sylve* Jean de Brienne: Tiit Helimets* Grand Pas Classique: Dores Andre*, Courtney Elizabeth*, Dana Genshaft*, Frances Chung* Charlene Cohen*, Nicole Ciapponi*, Vanessa Zahorian, Sarah Van Patten* Luke Willis*, Steven Morse*, Sebastian Vinet*, Lonnie Weeks* Isaac Hernandez*, Hansuke Yamamoto*, Daniel Deivison-Oliveira*, Quinn Wharton* 1st solo: Sarah Van Patten 2nd solo: Frances Chung 3rd solo: Vanessa Zahorian 4th solo: Charlene Cohen Pas de Quatre: Hansuke Yamamoto, Isaac Hernandez, Daniel Deivison-Oliveira, Steven Morse Pas de Trois: Nicole Ciapponi, Dores Andre, Courtney Elizabeth
INTERMISSION
RAkU Choreographer: Yuri Possokhov Composer: Shinji Eshima Conductor: Martin West Yuan Yuan Tan, Damian Smith Pascal Molat
INTERMISSION
GUIDE TO STRANGE PLACES Choreographer: Ashley Page Composer: John Adams Conductor: Martin West Sarah Van Patten*, Anthony Spaulding* Maria Kochetkova*, Gennadi Nedvigin* Frances Chung*, Pascal Molat* Vanessa Zahorian*, Jaime Garcia Castilla*
This is it: 2012 is the year to impress your Valentine’s Day date by attending a showing of the vaunted, world-class San Francisco Ballet for less than what it cost you to see Transformers III: Dark of the Moon at the AMC.
So there you go. Type in the secret code and then all the available seats you can see will be marked down – for example Balcony
Center tickets will cost you just $30 a pair.
You’re going to be seeing Program 2, which is contemporary ballet so there’s no need to study up on the plot first – just get you ticks and go.
“Join San Francisco Ballet for the return of Wayne McGregor’s stunning Chroma, an award-winning contemporary work proclaimed “ravishing on all fronts” by theSunday Times (UK), set to music compositions by Joby Talbot and arrangements by Jack White III. The evening also features Beaux, a world premiere work by acclaimed choreographer Mark Morris, and an encore presentation of Christopher Wheeldon’s breathtaking Number Nine, featuring a large ensemble of 24 dancers and set to an exhilarating score by Michael Torke.
The 2011 world premiere of Number Nine was made possible by Lead Sponsors Shelby and Frederick Gans, David and Kelsey Lamond, and Mr. and Mrs. James N. Sullivan, and by Major Sponsors Rosemary B. Baker, and Jennifer Caldwell and John H. N. Fisher, and by Sponsors Courtney Benoist and Jason M. Fish. The 2012 world premiere of Beaux is made possible by Lead Sponsors Mrs. Suzy Kellems Dominik and The Bernard Osher Foundation.”
See you there!
PROGRAM 2: OPENING NIGHT – Tuesday, February 14 – 8:00PM
Chroma Choreographer: Wayne McGregor Composer: Joby Talbot, Jack White III Conductor: Martin West
Maria Kochetkova, Jaime Garcia Castilla Frances Chung, Pascal Molat Yuan Yuan Tan, Taras Domitro Dana Genshaft, Anthony Spaulding Isaac Hernandez, Garen Scribner
INTERMISSION
World Premiere Beaux Choreographer: Mark Morris Composer: Bohuslav Martinů Conductor: Martin West Harpsichord: Bradley Moore
Jeremy Rucker*, Pascal Molat*, Benjamin Stewart* Vito Mazzeo*, Ruben Martin Cintas*, Gennadi Nedvigin* Sean Bennett*, Jaime Garcia Castilla*, Diego Cruz*
If you’ve never seen ballet before,* this is it. This week is your last chance to see the debut performances of Onegin from our world-class San Francisco Ballet in our world-class War Memorial Opera House.
The plot is super simple – it’s easy to follow along. So, as Sean Martinfield points out, you shouldn’t expect a bunch of twists and turns and “resolving climaxes.”
No matter, this production is VERY IMPRESSIVE.
Get your tickets here for tonight or Wednesday or Thursday or Friday. And then it will be gone, before you know it. And then you’ll have the rest of this full-spectrum season to consider.
Onegin: Pierre-Francois Vilanoba; Tatiana: Sarah Van Patten; Lensky: Isaac Hernandez; Olga: Courtney Elizabeth; Gremin: Tiit Helimets. Conductor: David LaMarche. Performance begins at 8:00 pm.
Onegin: Ruben Martin Cintas; Tatiana: Yuan Yuan Tan; Lensky: Jaime Garcia Castilla; Olga: Dores Andre; Gremin: Damian Smith. Conductor: Martin West. Performance begins at 8:00 pm.
* And if it turns out you don’t like what you see, then you don’t like ballet. And that’s fine, at least you tried. And how much money will you be out, like double the cost of going to see Ernest Goes to Camp II 3D at the Metreon? Something like that.
Programs 6 and 7 are coming up soon – get the deets on them below. They’re what you can see on a Friday or Saturday night for just a little bit more than the price of a movie theatre ticket.
O.K. then. Program 5 certainly was a spectacle. Check the reviews, below.
Yuan Yuan Tan as the Little Mermaid, by Erik Tomasson:
“Haffner” Symphony
Composer: Wolfgang Amadeus Mozart
Choreographer: Helgi Tomasson
Translating Mozart’s elegance and warmth into visible patterns, Helgi Tomasson’s “Haffner” Symphony is a gracious celebration of effervescence and refinement.
Underskin –New! Composer: Arnold Schoenberg
Choreographer: Renato Zanella
Set to a complex, passionate composition by Arnold Shoenberg, Renato Zanella’s world premiere, Underskin, is an emotional voyage through mysterious and deep emotions.
Russian Seasons
Composer: Leonid Desyatnikov
Choreographer: Alexei Ratmansky
Following its SF Ballet premiere last season, Alexei Ratmansky’s Russian Seasons is a work of both reflection and evolution as classical poses unravel into contemporary gestures.
They’re putting it on for just one week - many sections are selling out already. This promises to be a mega show, so get your tickets now if you want a chance to see LM this go around.
Famous Yuan Yuan Tan as den Lille Havfrue:
See you there!
*Very varied. It was a balletic Rorschach Test, read the reviews.
Yuan Yuan Tan and Anthony Spaulding. Possokhov’s Diving into the Lilacs. Photo, Erik Tomasson
Program 4
Petrouchka SF Ballet Premiere – New!
Composer: Igor Stravinsky
Choreographer: Michel Fokine
Making its SF Ballet premiere this season, Michel Fokine’sPetrouchka, which was first performed by Sergei Diaghilev’s Ballet Russes in 1911, is a classical tale of a Russian puppet come to life that fuses music, ballet, and history in perfect balance.
Diving into the Lilacs Composer: Boris Tchaikovsky
Choreographer: Yuri Possokhov
Returning after its world premiere in 2009, Yuri Possokhov’s Diving into the Lilacs transforms poignant memories of youth into emotional expressions of dance.
Watch a short video with segments from Possokhov’s Diving into the Lilacs.
in the middle, somewhat elevated Composer: Thom Willems
Choreographer: William Forsythe
Making an encore performance this season, William Forsythe’s dynamic in the middle, somewhat elevated investigates the ballet vocabulary, redefining its boundaries along the way.
Why did Shanghai, the largest city in China, become one of our 16 Sister Cities in 1979? Well, we should all thank former Mayor and current U.S. Senator Diane Feinstein:
“It was sort of a race between Los Angeles and San Francisco to establish a Sister City relationship with Shanghai and of course San Francisco won – and it was the first such Sister City relationship between an American city and a Chinese city.”
(Once again L.A. loses, of course(?) - thanks DiFi.) Now it turns out that our Big Sis is hosting a big party this year – it’s World Expo 2010. So, that’s a good excuse for a bunch of the Bay Area’s cultural organizations to represent, via the Shanghai Celebration featuring Honorary Chair and San Francisco First Lady Jennifer Siebel Newsom.
Jay Xu, Director of the Asian Art Museum, confronting a media scrum after today’s announcement:
“The 2010 World Expo that opens in May is Shanghai’s coming-out party, the official debut as the city reclaims its position as a global powerhouse. The Asian Art Museum’s Shanghai exhibition was timed to coincide with this prominent international event. Only through understanding its tumultuous history, can one truly understand the progressive and stylish Shanghai of today.”
O.K. then.
Our jet-setting mayor was on hand to cheerlead for San Francisco, a part of his job which I think everybody would agree he does well. He was dressed for rain today, with blue jeans, and a pair of brown shoes that he claimed were “ruined” by the wet:
More deets from the AAA:
“The Shanghai Celebration is an unprecedented, year-long festival presented by more than thirty San Francisco Bay Area organizations commemorating the 30th Anniversary of the sister city relationship between San Francisco and Shanghai.
Spearheaded by the Asian Art Museum, the Celebration runs throughout 2010, coinciding with the World Expo presented in Shanghai from May to October. The more than 50 Shanghai-related programs feature exhibitions, concerts, performances, films, lectures, book readings, artist demonstrations and other special events and cover topics such as Shanghai’s architecture, jazz, historic Jewish communities, Art Deco design, filmmaking industry, contemporary art, cuisine, high-rise urban planning and fashion.
The cornerstone of the Celebration is the Asian Art Museum’s presentation of Shanghai, a major exhibition examining the visual culture of one of the world’s most cosmopolitan cities, scheduled for February 12-September 5, 2010.
For the Shanghai Celebration program calendar of events, and a list of participating organizations, please visit www.shanghaicelebration.com.”